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• Microsound by Curtis Roads
• Science and Civilisation in China Volume IV: Physics and Physical Technology Part 2: Mechanical Engineering by Joseph Needham
• Sanseido's Concise English-Chinese Dictionary
• Stockhausen: Life and Work by Karl Heinrich Wörner
• New Approaches to the Composition & Analysis of Electroacoustic Music by Simon Emmerson
• Western Music and Its Others: Difference, Representation, and Appropriation in Music by Georgina Born
• Global Conceptualism: Points of Origin, 1950-1980s by Jane Farver
• Ten Thousand Things: Module and Mass Production in Chinese Art by Lothar Ledderose
• Computer Sound Design: Synthesis Techniques and Programming (Music Technology) by Eduardo Miranda
• Acoustic Communication: Second Edition by Barry Truax
• Background Noise: Perspectives on Sound Art by Brandon LaBelle
• Science and Civilisation in China Volume IV: Physics and Physical Technology Part 1: Physics by Joseph Needham
• Confronting Silence: Selected Writings (Fallen Leaf Monographs on Contemporary Composers) by Tōru Takemitsu
• Aural Cultures by Jim Drobnick
• Made to Stick: Why Some Ideas Survive and Others Die by Chip Heath
• Listening to the Future: The Time of Progressive Rock, 1968-1978 by Bill Martin
• Invisible* Jukebox (Music) by Tony Herrington
• Machine Musicianship by Robert Rowe
• Global Pop: World Music, World Markets by Timothy D. Taylor
• Audio-Vision: Sound on Screen by Michel Chion

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