Respect for Acting

by Uta Hagen

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The classic book on acting, in an attractive updated edition Since its original publication in 1973, Uta Hagen's Respect for Acting has remained a durable classic and a must-read for all students of acting. As an acting instructor at the Herbert Berghof Studio, Hagen helped to develop the talents of world-class actors like Robert DeNiro, Matthew Broderick, Gene Wilder, Amanda Peet, Austin Pendleton, Whoopi Goldberg, and more. In this book, Hagen offers an indispensable account of the show more techniques that professionals use to elevate their acting to an art form. This updated edition illuminates Hagen's original text with a new foreword written by Katie Finneran, retaining the David Hyde Pierce foreword, along with added background on HB Studio-one of the original New York performing arts training and practice spaces-and an excerpt from Hagen's autobiography SOURCES. In working through this book, actors will learn physical, verbal, and emotional practice that empower them to connect their own self-concept to the characters they play. Specific, detailed exercises help actors learn to address a range of problems actors face, like maintaining immediacy and relevance, and developing the dimensions of a role over a long performance run. Respect for Acting is a book for actors and audiences who understand the need for truth in the creative process. - Discover the acting book that has shaped professional theater performances for decades - Learn the history and background of Herbert Berghof Studio, one of New York's foremost acting schools - Practice the craft of acting with concrete exercises and instruction on technique - Delve into the deep questions that arise when actors truly inhabit the lives of their characters Actors at all levels of their craft will love this stunning updated version of the essential Respect for Acting. show less

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Member Reviews

8 reviews
The book is very well structured and helpful. It gives a precious insight into acting and the different aspects to consider when approaching a character/role.
I think I will get back a lot to this book and do all the exercises described.

The missing star is explained by the bad edition. There are so many typos in the German translation! It reminded me why I usually prefer to read books in their original language.
The classic- "and still Champeen!"- of all acting guides. Required reading (literally, for me as an undergrad student) for anyone in the business. Teaches you how to deconstruct and reconstruct your entire part while keeping your head in the game. Exercise, anecdotes and sage advice all contained within.
In the early 1980's I was fortunate enough to participate in a master class with Uta Hagen and watch her perform in a one woman show afterwards.

This text is terrific for actors. To this day when working on a role, I still draw from Ms. Hagen's work.

For those who want to gain perspective I would also highly recommend reading Sir Laurence Olivier's writing about acting. (Ms. Hagen was NOT a fan of Sir Larry.)

You will get two polar approaches to the craft which IMO are both exemplary methods to developing a character.
Awesome book. Great advice, wonderful suggestion of exercises and techniques.
A highly regarded treatise on acting methodology
Taught me a great deal about her craft. Recommended.

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Author Information

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9+ Works 966 Members
Uta Hagen was born in Germany in 1919 and made her Broadway debut in 1938 as Nina in the Lunt-Fontanne production of The Sea Gull. Among some of the twenty or more Broadway productions in which she has starred are: Othello, Key Largo, A Streetcar Named Desire, The Country Girl, Saint Joan, and Who's Afraid of Virginia Woolf? Recently she starred show more in the Twentieth-Century Fox film The Other. Even during her playing engagements she has never stopped teaching at the HB Studio show less

Some Editions

Common Knowledge

Original publication date
1973
Dedication
To Herbert who revealed and clarified and has always set me a soaring example.
First words
Introduction We all have passionate beliefs and opinions about the art of acting.
Last words
(Click to show. Warning: May contain spoilers.)Then we will be respected and have respect for ourselves and respect for acting!

Classifications

Genres
General Nonfiction, Nonfiction
DDC/MDS
792.028Arts & recreationRecreation, sports, and performing artsStage presentationsmodified standard subdivisionsTechniques, procedures, apparatus, equipment, materials, miscellanyActing and Performance
LCC
PN2061 .H28Language and LiteratureLiterature (General)Literature (General)DramaDramatic representation. The theaterArt of acting
BISAC

Statistics

Members
700
Popularity
40,822
Reviews
8
Rating
(4.04)
Languages
Chinese, English, German, Polish
Media
Paper, Audiobook, Ebook
ISBNs
14
UPCs
1
ASINs
10