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Fort Red Border poems (2009)

by Kiki Petrosino

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"Fort Red Border--the title itself an anagram for the name of this remarkable collection's imaginary beloved--shows how language can be pleated, unfolded, and creased all over again into an endless origami of Eros. . . . By turns clowning, worshipful, heartbroken, and Faulknerian, these lyrics transport the reader to a familiar place made utterly strange."--Srikanth Reddy Kiki Petrosino has audacity to spare. She devotes the entire first section of her debut collection of poems to a putative affair the speaker is conducting with an imaginary Robert Redford. In the poems, Redford is solicitous of the speaker, as well as curious about her "difference," probing her about the various meanings of "natural" when applied to her African-American hair. The poems' hilarity and poignancy issue from the speaker's distance from, and yearning toward, the center of mainstream culture. Redford serves as ideal partner, the embodiment of American masculinity--but there is also an odd tenderness and actuality to the relationship. In these poems Petrosino is fearless, proceeding from the recognizable terrain of daily life's emotions rather than seeking refuge in the cool of mere obscurity. Petrosino's poems scout a new path, one that discovers a believably fierce, vivid, feeling self. Kiki Petrosino is the author ofFort Red Border (Sarabande, 2009) andHymn For The Black Terrific (Sarabande, 2013), and the co-editor ofTransom, an independent on-line poetry journal. She holds graduate degrees from the University of Chicago and the Iowa Writer's Workshop. Her poems have appeared inTin House, FENCE, Jubilat, Gulf Coast, andThe New York Times. Petrosino teaches creative writing at the University of Louisville.… (more)
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Wouldn't have expected to like a section of poems focused on an imagined romantic relationship with Robert Redford, but they're surprisingly touching in their tenderness and the subject's wistful distance from the dominant culture, a distance repeatedly symbolized by her natural afro. But the middle section was all about wordplay and complicated Escher-like poems, and the last section a too-casual pop culture referential melange, neither my cup of tea. ( )
  lelandleslie | Feb 24, 2024 |
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-a thing like me
but not the thing I asked for, a thing by accident or
design, I am now attached to.

-Brigit Pegeen Kelly
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For my family & for Philip
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"Fort Red Border--the title itself an anagram for the name of this remarkable collection's imaginary beloved--shows how language can be pleated, unfolded, and creased all over again into an endless origami of Eros. . . . By turns clowning, worshipful, heartbroken, and Faulknerian, these lyrics transport the reader to a familiar place made utterly strange."--Srikanth Reddy Kiki Petrosino has audacity to spare. She devotes the entire first section of her debut collection of poems to a putative affair the speaker is conducting with an imaginary Robert Redford. In the poems, Redford is solicitous of the speaker, as well as curious about her "difference," probing her about the various meanings of "natural" when applied to her African-American hair. The poems' hilarity and poignancy issue from the speaker's distance from, and yearning toward, the center of mainstream culture. Redford serves as ideal partner, the embodiment of American masculinity--but there is also an odd tenderness and actuality to the relationship. In these poems Petrosino is fearless, proceeding from the recognizable terrain of daily life's emotions rather than seeking refuge in the cool of mere obscurity. Petrosino's poems scout a new path, one that discovers a believably fierce, vivid, feeling self. Kiki Petrosino is the author ofFort Red Border (Sarabande, 2009) andHymn For The Black Terrific (Sarabande, 2013), and the co-editor ofTransom, an independent on-line poetry journal. She holds graduate degrees from the University of Chicago and the Iowa Writer's Workshop. Her poems have appeared inTin House, FENCE, Jubilat, Gulf Coast, andThe New York Times. Petrosino teaches creative writing at the University of Louisville.

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