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""I was photographed naked on a cushion very early in life, an insane, toothless smile slitting my face and pleats of fat overlapping me like an ill-fitting overcoat. Later, at the age of two, I was photographed again. This time in a lace dress, leaning against a garden roller and laughing hysterically. If these photographs can be found they will adorn this book."" Thus begins the life story of one of the most celebrated characters in British theatrical history, in the first of Coward''s show more autobiographies, first published in 1937. Displaying an early dedication to the theatre, Present Indicative show lessTags
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Prior to starting this book, I could not have told you anything about Coward beyond, oh yeah, I think I've heard of the name? In fact, my mind actually conflated him with Noam Chomsky when I first picked up the book.
But never mind that now. He's now slowly morphing in my imagination into a combination of Ron Howard (in the sense of the child actor who pivoted to more behind-the-scenes work, and also their similar names) and Niall Delaney from du Maurier's The Parasites.
This is - I think - my first celebrity autobiography. Well-written, in what I assume is the catchy Coward style. Peppered with anecdotes and other cultural celebrities - writers and actors - of the day. Coward catalogues the ups and downs of his career (up to his show more mid-thirties at time of publication) starting as a boy in plays to the varying reception of his works as a playwright. Perhaps it is really all self-hagiography but I admire his work-ethic as well as his honesty in admitting his fascination and desire to be part of the decadence of the fancy elites and his single-mindedness in achieving it!
He does downplay a lot of his downs - tuberculosis scares and flops in his plays and depression - though. And his lack of care of the historical events of his day, I found interesting. His experiences during the years of WWI were still acting-focused. In fact, WWI featured so little in his background of the times that, if he hadn't turned eighteen in 1918, I doubt it would've even rated a mention in his autobiography. And even when drafted, his experience was luckily very minimal.
Then because we are living in these times, I also found it interesting the lack of mention to the influenza epidemic. He did get influenza at about the same timeframe but the event was - as with all the down-events - glossed over quickly.
Most of all, what I enjoyed in reading this book was due to imagining the lives of the previous owners - Fred and Geo - of this book, whose lovely bookplate and inscription adorn the inside front cover. How did Fred like the book? Did they discuss bits of the book like, "Noel wrote about the play in so-and-so place, remember when we saw that there"? Coward never referred to nor acknowledged his sexual orientation but how many gay men in the 30s perhaps suspected and took comfort in his successes? Did Fred and Geo as they opened the Max Factor shop in Her Majesty's Arcade, now Sydney's Centrepoint Tower? So many questions.
Anyway, if there's ever a revival of Coward plays where I am, I'd love to see one, preferably one mentioned in this book so I can go back and read about its origins. show less
But never mind that now. He's now slowly morphing in my imagination into a combination of Ron Howard (in the sense of the child actor who pivoted to more behind-the-scenes work, and also their similar names) and Niall Delaney from du Maurier's The Parasites.
This is - I think - my first celebrity autobiography. Well-written, in what I assume is the catchy Coward style. Peppered with anecdotes and other cultural celebrities - writers and actors - of the day. Coward catalogues the ups and downs of his career (up to his show more mid-thirties at time of publication) starting as a boy in plays to the varying reception of his works as a playwright. Perhaps it is really all self-hagiography but I admire his work-ethic as well as his honesty in admitting his fascination and desire to be part of the decadence of the fancy elites and his single-mindedness in achieving it!
He does downplay a lot of his downs - tuberculosis scares and flops in his plays and depression - though. And his lack of care of the historical events of his day, I found interesting. His experiences during the years of WWI were still acting-focused. In fact, WWI featured so little in his background of the times that, if he hadn't turned eighteen in 1918, I doubt it would've even rated a mention in his autobiography. And even when drafted, his experience was luckily very minimal.
Then because we are living in these times, I also found it interesting the lack of mention to the influenza epidemic. He did get influenza at about the same timeframe but the event was - as with all the down-events - glossed over quickly.
Most of all, what I enjoyed in reading this book was due to imagining the lives of the previous owners - Fred and Geo - of this book, whose lovely bookplate and inscription adorn the inside front cover. How did Fred like the book? Did they discuss bits of the book like, "Noel wrote about the play in so-and-so place, remember when we saw that there"? Coward never referred to nor acknowledged his sexual orientation but how many gay men in the 30s perhaps suspected and took comfort in his successes? Did Fred and Geo as they opened the Max Factor shop in Her Majesty's Arcade, now Sydney's Centrepoint Tower? So many questions.
Anyway, if there's ever a revival of Coward plays where I am, I'd love to see one, preferably one mentioned in this book so I can go back and read about its origins. show less
he certainly was busy--writing, acting, travelling. an enjoyable read if you know his work.
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In 1964, when Hay Fever (1925) was placed in the repertory of the newly organized National Theatre, Noel Coward professed to be grateful: "Bless you for admitting that I'm a classic." A week-long series of Coward played on BBC television in 1969; there have been major revivals in London and New York; plays long out of print have been republished show more in popular collections. At the start of the 1960s, though, Coward's reputation had been at an ebb, as he skirmished with the angry new drama. Coward had enjoyed no big success since Blithe Spirit of 1941. There have been attempts to assimilate the rehabilitated Coward to contemporary drama. Coward himself profited from the new freedom when, in 1965, his Song at Twilight discussed homosexuality, a subject that he had evaded throughout his career. A juvenile prodigy, Coward was by turns actor, director, composer, lyricist, autobiographer, and author of nearly 60 theater pieces. He even wrote screenplays, notably for In Which We Serve (1942) and Brief Encounter (1946). Although he specialized in light comedy, the so-called comedy of manners, he worked in many forms including patriotic spectacle, revue, musical, farce, even the problem play. Hay Fever, Blithe Spirit, and Private Lives (1930) have proved to be the most durable of his comedies, along with nine short plays presented as Tonight at 8:30. In each, characters demonstrate the combination of perpetual role playing, cool hedonism, and energizing self-absorption. (Bowker Author Biography) show less
Awards and Honors
Distinctions
Series
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Is contained in
Common Knowledge
- Original publication date
- 1937
- People/Characters
- Noël Coward
- Dedication
- To My Mother
- First words
- I was photographed naked on a cushion very early in life, an insane, toothless smile slitting my face and pleats of fat overlapping me like an ill-fitting overcoat.
Classifications
- Genre
- Biography & Memoir
- DDC/MDS
- 792.092 — Arts & recreation Recreation, sports, and performing arts Stage presentations modified standard subdivisions History, geographic treatment, biography; Description, critical appraisal of specific theatres and companies Biography
- LCC
- PR6005 .O85 .Z5 — Language and Literature English English Literature 1900-1960
- BISAC
Statistics
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- 143
- Popularity
- 229,007
- Reviews
- 2
- Rating
- (3.88)
- Languages
- English, Spanish
- Media
- Paper, Ebook
- ISBNs
- 6
- ASINs
- 12






























































