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With its sinister humor and genius plotting, Ripley's Game is an enduring portrait of a compulsive, sociopathic American antihero.Living on his posh French estate with his elegant heiress wife, Tom Ripley, on the cusp of middle age, is no longer the striving comer of The Talented Mr. Ripley. Having accrued considerable wealth through a long career of crime—forgery, extortion, serial murder—Ripley still finds his appetite unquenched and longs to get back in the game.
In Ripley's Game, show more first published in 1974, Patricia Highsmith's classic chameleon relishes the opportunity to simultaneously repay an insult and help a friend commit a crime—and escape the doldrums of his idyllic retirement. This third novel in Highsmith's series is one of her most psychologically nuanced—particularly memorable for its dark, absurd humor—and was hailed by critics for its ability to manipulate the tropes of the genre. With the creation of Ripley, one of literature's most seductive sociopaths, Highsmith anticipated the likes of Norman Bates and Hannibal Lecter years before their appearance.
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amanda4242 Okano reminds me of Tom Ripley.
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Tom is truly the modern day Satyr. His penchant for mischief is delectable: hmm you were perhaps rude to me once at a party, so now I'm going to send temptation your way and upend your life with potential mafia violence.
Most of the book is involved in charting the psychology that allows the plot to chug along. The major events are few and in between them, the book really reads like a relaxing aspirational lifestyle magazine. Yes, tell me more about Tom ordering steak from his local butcher, and seasoning it with salt and Herbes de Provence. The relaxing aspect is further enhanced by the inevitability of the events, thanks to Highsmith's solid and portentous foundation of each character's motivations.
A dependable continuation for fans of show more the Ripley series.
Aside: one technique I particularly admired in this book is the way the characters' perspectives are passed from one sentence to another, like a literary version of a camera trick. show less
Most of the book is involved in charting the psychology that allows the plot to chug along. The major events are few and in between them, the book really reads like a relaxing aspirational lifestyle magazine. Yes, tell me more about Tom ordering steak from his local butcher, and seasoning it with salt and Herbes de Provence. The relaxing aspect is further enhanced by the inevitability of the events, thanks to Highsmith's solid and portentous foundation of each character's motivations.
A dependable continuation for fans of show more the Ripley series.
Aside: one technique I particularly admired in this book is the way the characters' perspectives are passed from one sentence to another, like a literary version of a camera trick. show less
It's almost inexcusable of me to give this a 5 star rating, thereby associating it w/ such truly great bks as "Finnegans Wake" or "Gargantua & Pantagruel".. but, there it is, I enjoyed it that much.. & my appreciation for Highsmith grows & grows.. I've read 2 other Ripley novels so far & they just get better & better. Once again, Highsmith spins a yarn of murder significantly different from the previous 2 Ripley tales. As always, it's labyrinthian. As Ripley's character ages, his motives for committing murder have transformed from immature greed & envy to twisted ways of 'helping other people out'. I reckon Highsmith makes herself a primary figure in the "anti-hero" genre w/ Ripley. Unlike the more common tact of crime fiction writers show more like P.D.James (& most of the rest), the 'protaganist' isn't a detective, he's a criminal. But he's a criminal who loves 'his' wife, appreciates the talents & dedication of 'his' servant, enjoys art, & will kill people on the spur of the moment or premeditatively. This was even a sentimental tale. show less
I thought this one was better than [b:Ripley Underground Ripley #2|56710874|Ripley Underground Ripley #2|Patricia Highsmith|https://s.gr-assets.com/assets/nophoto/book/50x75-a91bf249278a81aabab721ef782c4a74.png|88662814], but not as tightly woven as [b:The Talented Mr. Ripley|2247142|The Talented Mr. Ripley (Ripley, #1)|Patricia Highsmith|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1611780694l/2247142._SY75_.jpg|1817520]. It gave a really nice adrenaline rush, and I found it difficult to put down, but there were parts that were just too unbelievable. Inept Mafia guys showing up exactly when expected, as if on cue in a one-act comedy play, was just over-the-top ridiculous.
Of the first three Ripley novels, I think this one might be the best, as it traces the moral degeneration of heretofore decent people. The RIpley protagonist, who must now be middle-aged, is actually now somewhat sympathetic and his sociopathic tendencies somewhat suppressed.
3.5 stars
This is the third book in the Tom Ripley series. At least at the start of the book, there is not much focus on Tom, himself. He manages to get involved in the life of a man, Jonathan, who has a disease and isn’t sure how long he is going to live. Jonathan is convinced to help murder someone… then is asked to do it again.
I think I liked this one better than the 2nd book (or what I remember of it!). To be honest, at least in the first half, I was bored when the focus was more on Tom’s life at home with his wife, Heloise, whom I find very boring. I have no interest in their lives. I found following Jonathan and his story much more interesting, and when Tom got more involved with Jonathan, that ramped up my interest. Part of show more the book was a little more edge-of-your-seat (or my seat, anyway!), I thought. But, I didn’t think the end was realistic… or, realism aside, it wasn’t in character (not Tom’s or Jonathan’s character, but Simone’s charater, Jonathan’s wife). So, overall, it was a “good” read for me. show less
This is the third book in the Tom Ripley series. At least at the start of the book, there is not much focus on Tom, himself. He manages to get involved in the life of a man, Jonathan, who has a disease and isn’t sure how long he is going to live. Jonathan is convinced to help murder someone… then is asked to do it again.
I think I liked this one better than the 2nd book (or what I remember of it!). To be honest, at least in the first half, I was bored when the focus was more on Tom’s life at home with his wife, Heloise, whom I find very boring. I have no interest in their lives. I found following Jonathan and his story much more interesting, and when Tom got more involved with Jonathan, that ramped up my interest. Part of show more the book was a little more edge-of-your-seat (or my seat, anyway!), I thought. But, I didn’t think the end was realistic… or, realism aside, it wasn’t in character (not Tom’s or Jonathan’s character, but Simone’s charater, Jonathan’s wife). So, overall, it was a “good” read for me. show less
Tom Ripley is perhaps my favorite psychopath. Even though he is frighteningly amoral, I still find myself somehow rooting for him as he murders his “best friend”, engages in art forgery (and commits murder to cover it up), plays with the lives of others (and murders some of them of course) simply because he feels he was snubbed, indulges in a lot of sexually ambiguous behavior, and generally plays a game of cat-and-mouse with anyone who crosses his path.
Halfway through this one, I wondered if I really wished to continue reading about this guy. Turns out, the answer is "yes." This entry relieved some of the pressure by providing the inner thoughts of another character (caught in Ripley's web). Some unsettling ethical musings, echoing the story of Job (which, admittedly, I was tipped off to by a blurb on the back cover).
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Patricia Highsmith wrote twenty-one novels including "Strangers on a Train" & the "Ripley" series. She died in 1995 in Switzerland, where she resided much of her life. (Publisher Provided) Patricia Highsmith (January 19, 1921 -- February 4, 1995) was an American novelist and short story writer, most widely known for her psychological thrillers, show more which led to more than two dozen film adaptations. She was born in Fort Worth, Texas. Highsmith grew up with her maternal grandmother in Astoria, Queens, and attended Barnard College. Her first novel, Strangers on a Train (1950), was adapted for stage and screen numerous times, notably by Alfred Hitchcock in 1951. In addition to her acclaimed series about murderer Tom Ripley, which was made into a film in 1955, she wrote many short stories, often macabre, satirical or tinged with black humor. Highsmith liked to examine the ways in which people can get to the point where they are capable of murder, as well as who they become after they have committed a crime. In carefully constructed stories and novels, she integrated this scrutiny of the human psyche into complex plots that often took unexpected twists. In Strangers on a Train, architect Guy Haines meets Charles Bruno on a train. Bruno conceives a plan to have Haines kill Bruno's father, while Bruno will kill Haines's wife. The effect that this plan has on Haines is the focus of the story. Highsmith's awards include: O. Henry Award for best publication of first story, for "The Heroine" in Harper's Bazaar (1946), Grand Prix de Littérature Policière, for The Talented Mr. Ripley (1957), and the Dagger Award -- Category Best Foreign Novel, for The Two Faces of January from the Crime Writers' Association of Great Britain (1964). Highsmith died of aplastic anemia and cancer in Locarno, Switzerland, at age 74. Her last novel, Small G: A Summer Idyll, was published one month after her death in 1995. (Bowker Author Biography) show less
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Common Knowledge
- Canonical title*
- Ripley's game, oder, Der amerikanische Freund
- Original title
- Ripley's Game
- Alternate titles*
- Der amerikanische Freund
- Original publication date
- 1974
- People/Characters
- Tom Ripley; Reeves Minot; Jonathan Trevanny; Heloise Ripley; Simone Trevanny
- Important places
- Villeperce, France (fictional); Hamburg, Germany; Munich, Bavaria, Germany
- Related movies
- Ripley's Game (2002 | IMDb); The American Friend (1977 | IMDb)
- First words
- "There's no such thing as a perfect murder," Tom said to Reeves.
- Last words
- (Click to show. Warning: May contain spoilers.)Und er glaubte sogar, sie habe ein ruhigeres Gewissen, als ihr Mann es hätte, wäre er noch am Leben. (übersetzt von Matthias Jendis)
(Click to show. Warning: May contain spoilers.)Immerhin: ihr Gewissen liess sich offenbar leichter beschwichtigen als das ihres Mannes, wenn er noch am Leben wäre. (übersetzt von Anne Uhde)
(Click to show. Warning: May contain spoilers.)Tom felt, in fact, that her conscience would be more at rest than that of her husband, if he were still alive. - Original language*
- Amerikanisch
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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