Art for the Nation: Exhibitions and the London Public, 1747-2001
by Brandon Taylor
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Art first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art, and sections or classes of the population as a whole. This study concentrates on London, and analyzes the formation of the major national art institutions at its geographical and managerial centre.Tags
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Brandon Taylor is Professor of History of Art at the University of Southampton, England.
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