Modern Poetry and the Tradition

by Cleanth Brooks

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This study presents the revolutionary thesis that English poetry and poetic theory were deflected from their richest line of development by the scientific rationalism that came with Hobbes and has continued its restrictive influence to the present day, when such poets as Yeats and Eliot have begun the reestablishment of the earlier line of development. Originally published in 1939.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make show more available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value. show less

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Brooks makes some interesting readings of poems here. His chapter on Eliot's Waste Land is particularly useful. But as with so much literary criticism, the book could easily have been a chapter- Brooks has a few theses, and proceeds to quote poems which back up his theses. I think we can do better, that we can actually argue about books rather than making huge claims like 'All poetry is symbolist poetry,' then picking our favourite authors to 'prove' this claim, and declaring that anything which isn't, say, symbolist poetry, is weak poetry.
If you say "look, Pope is a great poet, and not symbolist at all," Brooks' response is "Pope's best poetry is symbolist, like this obscure little ditty I found written on a dishcloth." Infuriating.
...but it probably won't sell bc there's a new edition, so.... fitty cents!

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58+ Works 2,007 Members
Cleanth Brooks was born in Murray, Kentucky on October 16, 1906. He was educated at Vanderbilt, Tulane, and Oxford universities. From 1932 to 1947, he taught English at Louisiana State University and then moved on to Yale University. At Yale, he helped to articulate the principles of New Criticism, which dominated literary studies in the 1940s and show more 1950s. He coedited the journal Southern Review with Robert Penn Warren. He also wrote several titles in collaboration with Warren, including Understanding Poetry and Understanding Fiction. A third work Understanding Drama was written in collaboration with Robert Heilman. His other works included The Well Wrought Urn: Studies in the Structure of Poetry and Modern Poetry and the Tradition. He died on May 10, 1994. (Bowker Author Biography) show less

Classifications

Genres
Nonfiction, Literature Studies and Criticism, Fiction and Literature
DDC/MDS
821.9109Literature & rhetoricEnglish & Old English literaturesEnglish Poetry1900-1900-1999History, description, critical appraisal
LCC
PN1136 .B75Language and LiteratureLiterature (General)Literature (General)PoetryHistory and criticism
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