Sidelines: Talks and Essays
by Lois McMaster Bujold
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Having started my first Bujold novel, I collected and read the rest in about two months -- it would have been faster, except that some of her titles were hard to find. Reading the novels, I wanted to know more about the author and her approach to writing. As another reviewer noted, some of the pieces in Sidelines are from certain editions of her books; however, I had to hunt all over the place to find additional nonfiction. And Sidelines includes far more than I was able to find.
Bujold's fiction is well thought out, broad in scope, specific in details, inclusive of philosophy and wonder. Her language is high level, yet her style, while it adapts clearly to science fiction and fantasy, is far from either an academic's or an English show more major's. Her speeches and other nonfiction writing show the same command of language as her fiction; in addition, her nonfiction writing, with its casual references to a range of sources from Plato to manga, Chaucer to engineering, provides an explanation for the depth of ideas she employs in the themes, worlds, and characters she creates in her novels.
My favorite section of Sidelines contains essays, but I can't decide which I like best. For example, Bujold explores the integrated relationship between writer and reader in "The Unsung Collaborator." A keynote address she gave in Barcelona discusses the differences she has encountered between writing science fiction and writing fantasy. In another speech in which she approached the influence of science fiction and fantasy on today's world, Bujold mentions reading about a forensic pathologist who had never entered a bad crime scene in a house filled with books. Bujold muses about crime scenes without books, "These disasters were all book-free places. Which, upon reflection, made all kinds of sense to me; if there is no escape of any kind, emotional pressures have no release but to build up and up until they explode. Fiction, especially, gives our minds and souls another place to be, a personal time-out, even if we cannot evade our captivity in any other way."
Sidelines is the nonfiction equivalent of another novel by Lois McMaster Bujold. This one encompasses everything from real life today to the most exotic of worlds and agape. show less
Bujold's fiction is well thought out, broad in scope, specific in details, inclusive of philosophy and wonder. Her language is high level, yet her style, while it adapts clearly to science fiction and fantasy, is far from either an academic's or an English show more major's. Her speeches and other nonfiction writing show the same command of language as her fiction; in addition, her nonfiction writing, with its casual references to a range of sources from Plato to manga, Chaucer to engineering, provides an explanation for the depth of ideas she employs in the themes, worlds, and characters she creates in her novels.
My favorite section of Sidelines contains essays, but I can't decide which I like best. For example, Bujold explores the integrated relationship between writer and reader in "The Unsung Collaborator." A keynote address she gave in Barcelona discusses the differences she has encountered between writing science fiction and writing fantasy. In another speech in which she approached the influence of science fiction and fantasy on today's world, Bujold mentions reading about a forensic pathologist who had never entered a bad crime scene in a house filled with books. Bujold muses about crime scenes without books, "These disasters were all book-free places. Which, upon reflection, made all kinds of sense to me; if there is no escape of any kind, emotional pressures have no release but to build up and up until they explode. Fiction, especially, gives our minds and souls another place to be, a personal time-out, even if we cannot evade our captivity in any other way."
Sidelines is the nonfiction equivalent of another novel by Lois McMaster Bujold. This one encompasses everything from real life today to the most exotic of worlds and agape. show less
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Science fiction and fantasy author Lois McMaster Bujold was born in Columbus, Ohio in 1949. After graduating from Ohio State University, she worked as a pharmacy technician at Ohio State University Hospitals. Her first short story was published in Twilight Zone Magazine in 1984 and her first three novels were published in 1986. She received the show more Nebula Award for Falling Free and The Mountains of Mourning and the Hugo Award for The Vor Game, Barrayar, Mirror Dance, The Mountains of Mourning, and Paladin of Souls. She also received the Locus award for Mirror Dance and Paladin of Souls, the Minnesota Book Award for Komarr, the Mythopoeic Award for The Curse of Chalion, and a Romantic Times 2003 Reviewers' Choice Award for Paladin of Souls. She is best known for her series featuring Miles Vorkosigan. She currently lives in Minneapolis, Minnesota. (Bowker Author Biography) show less
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- Original publication date
- 2013
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- General Nonfiction
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