Six Degrees of Separation

by John Guare

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In a Fifth Avenue apartment high above Central Park, art dealer Flanders Kittredge and his wife Ouisa are trying to interest a moneyed friend in a $2 million investment. When an unexpected young guest arrives, claiming to be the son of Sidney Poitier, the plot takes some wonderfully unexpected turns. Veering effortlessly from hilarity to pathos, this dazzling play was lauded by The New York Times as “transcendent, magical and a masterwork.”

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11 reviews
I'm not a director, but if I were, this is the one play I would love to stage. "Six Degrees of Separation" is a meditation on trust and friendship, as we witness a group of disconnected characters caught up in one lie that grows and grows and grows. It's a portrait of lonely people, at heart, and asks where the line is drawn between true experience, and the coldness of living only for anecdotes. The dialogue is crisp and alternates between hilarity and tears. The film - with Will Smith and Stockard Channing - is greatly enjoyable, but I'd love to see it performed on stage with actors of the same calibre.
Sometimes once a play gets made into a movie, it's easy for the play to get lost. This play stands well on its own, and doesn't need all the props of a movie to carry it. The set is actually very simple (and surreal in many places). The premise isn't unique - a con man manages to get a bunch of self-important people to take him seriously - but the execution is original. The writing catches the cynical cleverness of the not-quite rich but highly educated, and yet it isn't just another swipe at pretentiousness. Guare takes his characters seriously, and appears to like at least some of them. He strips away the false pretensions and allows us to see the people underneath, without sneering at either the haves or the have nots. Worth reading show more over again for the subtle plot points you missed the first time. show less
LATW version. A play ripped from (now very old) headlines, with some good rapid fire dialogue that serves no greater purpose. Is it supposed to be biting satire on the out of touch upper class? About finding compassion with the plight of the hustler? It's not funny enough to be comedy, and the drama of rich people getting swindled isn't particularly gripping.
This book is awful upon first and second reading, and then improves substantially with respect to each additional frustrating try. very good, very good.
"Imagination is God's gift to make the act of self-examination bearable." Self examination? Bearable?
Idea of difference as a product of the imagination is compelling in that it makes the individual extraordinarily powerful for better or worse-- one has the ability to reform one's life simply by being open to a wider perspective? At the same time, the individual has to choose between fragile emotional security and only potentially beneficial risk-taking. the dominance of the former is evidence that this is easier said than done.
½
This is a powerful play, and so interestingly put together that you won't be able to stop reading once you start. The characters are strangely realistic, and the writing beautiful. This is worth reading or staging.
An uptown New York couple take in a young black man for the night when he's mugged as he tells them that he is both a friend of their children and the son of Sydney Poitier.

Not sure I got everything going on in this play but it was entertaining listening.
I play that I read when I was 16. I liked it then. but mind you, my life was quite different. about an art dealer in Chi and a man who convinces them to buy. very much a play.

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55+ Works 1,646 Members
Born of Irish Catholic parents in New York City, Guare was an only child. His parents led intense but somewhat separate lives and young Guare found himself increasingly alone as he grew up. He spent his childhood reading, listening to albums of Broadway musicals, and writing plays. His first play was presented in a neighbor's garage when he was show more eleven. Guare first came to public attention with his one-act play Muzeeka (1968), a biting social satire about an ambitious man who works for a canned-music company that inflicts its banal arrangements on the entire country. The hero, Jack Argue, is a modern guilt-ridden "Everyman" who has sold himself out to the system. The play was first performed at Connecticut's Eugene O'Neill Memorial Theatre, then at the Mark Taper Forum in Los Angeles. On April 28, 1968, it opened off-Broadway at the Provincetown Playhouse on a double bill with Sam Shepard's Red Cross. Muzeeka ran for 65 performances and earned its author an Obie Award that year. The House of Blue Leaves (1971), Guare's first full-length play, is set in a Queens apartment on the day the Pope is making his first visit to New York City. A savage farce, The House of Blue Leaves presents an unrelenting attack on lower middle-class values. It shows the emptiness of the characters' inner lives and the horror of their senseless acts of violence. The play won both an Obie and the New York Drama Critics Circle Award in 1971. In 1986 it enjoyed a highly successful revival at New York's Lincoln Center, which further established Guare as a unique and critically acclaimed American playwright. His more recent plays, such as Six Degrees of Separation (1990), show the playwright turning toward a more tragic outlook. Critics have been almost universal in their praise of Guare's screenplay for Louis Malle's film, Atlantic City (1981). Although not published in book form, the Canadian-French film has been distributed by Paramount in the United States. It is a bittersweet, Runyonesque tale about a small-time numbers runner, played by Burt Lancaster, and a small-town waitress, played by Susan Sarandon. Atlantic City received a number of honors, including best-screenplay awards by the National Society of Film Critics, the Los Angeles Film Critics Society, and the New York Film Critics Circle. (Bowker Author Biography) show less

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Common Knowledge

Original publication date
1990
Related movies
Six Degrees of Separation (1993 | IMDb)

Classifications

Genre
Fiction and Literature
DDC/MDS
812.54Literature & rhetoricAmerican literature in EnglishAmerican drama in English20th Century1945-1999
LCC
PS3557 .U2 .S59Language and LiteratureAmerican literatureAmerican literatureIndividual authors1961-
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Statistics

Members
662
Popularity
43,252
Reviews
11
Rating
(3.90)
Languages
English, Italian
Media
Paper, Audiobook, Ebook
ISBNs
15
UPCs
1
ASINs
11