Eminent Hipsters

by Donald Fagen

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The "musician, songwriter, and cofounder of Steely Dan reveals the cultural figures and currents that shaped his artistic sensibility, as well as offering a look at his college days and a hilarious account of life on the road"--Dust jacket flap.

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9 reviews
Music biographies come in two flavors: "I'm a miserable guy, but you'll like me a little better after reading this," and "I'm a.m.g. and this biography will ruin my music for you." This sits in the first category -- of *course* Donald Fagen is a grumpy guy, but he's an interesting thinker who reads and listens to everything, so this book is packed with wide-ranging thoughts about how he formed his taste, what art means to him, what art should be. The second half of the book is his unadorned and almost stream of consciousness tour diary, a big tonal shift from the closely argued and sourced first half of the book, but once you settle in, he's ... not good company exactly but honest in a way that feels genuinely respectful. As a bonus, I show more learned a ton of facts from this book, and got turned on to the amazing music of the Boswell Sisters. show less
Musician Donald Fagen, known primarily for his work with Steely Dan, tells us about some of the music that fascinated him as he grew up, the late-night jazz DJs he listened to, his time at Bard College, and more. It's all a bit fluffy. He spends the most pages quoting from journals that he wrote while touring with the Dukes of December, who included Michael McDonald and Boz Scaggs. He's not a big fan of touring now that he's older. The writing is clear and he doesn't hesitate to expose his own anxieties and history. Probably of interest mostly to fans who would like to learn a bit more about this interesting fellow.
Eminently readable. I like an autobiography where the writer mostly describes influences and that's exactly what this does, with Fagen's hip literary jargon providing a jazz-meets-Dylan sensibility, just like Steely Dan's music.
Eminently readable. I like an autobiography where the writer mostly describes influences and that's exactly what this does, with Fagen's hip literary jargon providing a jazz-meets-Dylan sensibility, just like Steely Dan's music.
Fun, though really the bare minimum to qualify as any kind of memoir/autobiography. A good read but would have loved a more fleshed out project with stories and info about Steely Dan and his solo albums. But fun—you can really hear his voice.
Loved the essays in the beginning but the tour diary was barely readable. In the end he comes across as a spoiled jerk. But now I do know what venues, hotels, cities, and types of people he hates so I guess I did learn something...
I won this in the Goodreads First Reads giveaway, although I already had it on library hold at the time I entered. I enjoyed it but I'm not sure I would have bought it; the book really is that short, just 159 pages--and half those pages are the 2012 Dukes of September tour diary. I did enjoy the essay portions, particularly the essay on Henry Mancini.

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ThingScore 80
“Eminent Hipsters” is as bleakly funny about the aging rocker’s plight — What’s he going to write songs about? His kidney stones? — as Steely Dan always has been about its perversely chosen subjects. If you’d like to know what the lyrics to their song “Deacon Blues” were really about, and whether it has to be played at an Alabama tour stop just because it mentions Alabama, show more take comfort: Mr. Fagen’s cranky new incarnation is just as thornily entertaining as his cranky old one. show less
Janet Maslin, The New York Times
Dec 2, 2013
added by Nickelini
This book is a piece of pure bliss, and it's not even the book I thought or hoped it would be. When they said a memoir by Donald Fagen was on the way it seemed reasonable to assume that the co-founder of Steely Dan would be reflecting on the run of seven LPs between 1972 and 1980 that constitute one of the greatest oeuvres in American rock, and would thereby shine a light on the famously show more enigmatic lyrics with which he and his partner Walter Becker used to bamboozle us. For instance, in "Brooklyn Owes the Charmer Under Me", who or what was the charmer? Could it be true that the strolling blues "Chain Lightning", from their 1975 album Katy Lied, was actually about two old Nazis surreptitiously meeting in a Uruguayan square to mark the 40th anniversary of Hitler's rise to power? Oh, and can pretzel logic be taught? show less
Anthony Quinn, The Guardian
Nov 13, 2013
added by Nickelini
It’s characteristic that the author knows what his readers want—the story of Steely Dan—and refuses to give it to them.
Oct 22, 2013
added by Nickelini

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Author Information

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Awards and Honors

Common Knowledge

Original publication date
2013
People/Characters
Donald Fagen; Walter Becker; Steely Dan; Henry Mancini; Ike Turner; The Boswell Sisters (show all 9); A. E. van Vogt; Jean Shepherd; Mort Fega
Important places
New Jersey, USA; Bard College
Dedication
For Libby
First words
You may be thinking, oh no, another rock-and-roll geezer making a last desparate bid for mainstream integrity by putting out a book of belles lettres.
Quotations
You'll find that many chapters in this book are about people and things that intersected with my life when I was a kid. I apologize up front: I tried to grow up. Honest. Didn't quite happen.
I always associate Northern California with the late sixties when I spent some time there. The hippie stuff was fun for about five minutes and then, by late '67, the barbarism had set in.
     A ty... (show all)pical story: A woman I know made the mistake of accepting the invitation of a famous hippie songwriter to spend the day on his houseboat in Mendocino, where he proceeded to beat the hell out of her and, for a time, kept her there at gunpoint. Luckily, she escaped and told her friend Sonny Barger, then president of the Oakland Hells Angels, about it. Sonny sent a crew roaring upstate, where they worked the guy over and burned down his boat. In those days of love and peace, you'd hear that stuff all the time.
By the way, I'm not posting this journal on the Internet. Why should I let you lazy, spoiled TV Babies read it for nothing in the same way you download all those songs my partner and I sacrificed our entire youth to write and... (show all) record, not to mention the miserable, friendless childhoods we endured that left us with lifelong feelings of shame and self-reproach we were forced to countervail with a fragile grandiosity and a need to constantly prove our self-worth—in short, with the sort of personality disorders that ultimately turned us into performing monkeys?
Incidentally, by "TV Babies" I mean people who were born after, say, 1960, when television became the robot caretaker of American children and therefore the principal architect of their souls. I've actually borrowed the term ... (show all)from the film Drugstore Cowboy, in which Matt Dillon, playing a drug addict and dealer, uses it to refer to a younger generation of particularly stupid and vicious dealers who seem to have no souls at all.

Classifications

Genres
Music, Nonfiction, Biography & Memoir, General Nonfiction
DDC/MDS
781.64092Arts & recreationMusicGeneral principles and musical formsTraditions of musicWestern popular music {equally instrumental and vocal}Biography And HistoryBiography
LCC
ML420 .F2 .E45MusicLiterature on musicLiterature on musicHistory and criticismBiography
BISAC

Statistics

Members
177
Popularity
185,062
Reviews
8
Rating
½ (3.40)
Languages
English
Media
Paper, Audiobook, Ebook
ISBNs
8
ASINs
3