Smoky, the Cowhorse

Winner of the 1927 Newbery Medal, this children's novel about a mouse-colored cow-horse named Smoky has been favorably compared to that classic (and pioneering) pony story, Black Beauty, and I think the pairing is rather apt. Both books follow the same basic narrative trajectory, beginning with a horse whose owners are responsible and kind, following him through his early years of prosperity and well-being, his traumatic middle years, suffering at the hands of less enlightened human beings, and his eventual reunion, as a broken-down older horse, with his original keeper/companion. Both books do an excellent job of capturing the horse's perspective, and both offer a moving portrait of their equine heroes and the humans they encounter.

Of show more course, Smoky, The Cow Horse is set in the ranching country of the western United States, in the early years of the twentieth century, and Black Beauty in nineteenth-century England. While Black Beauty is a saddle-horse (to begin with, anyway), Smoky spends his first few years in the wild, before being broken as a working horse. And my, how beautifully James captures that early time in Smoky's life, the dynamics of the wild horse herd, the instincts of a young colt! The writing here is highly idiomatic - a sort of western/cowboy dialect that, while not "correct" English, has a poetic and highly descriptive quality to it. Many readers seem to have had trouble with James' language, but I found that, after a period of adjustment, it really resonated with me, and added to the beauty of the story.

There are many things I enjoyed about this book, from the language to the characters, and I will not soon forget the understated pathos of the love that develops between Smoky and Clint, the cowboy who breaks the high-spirited horse in, and becomes his only human friend. The mistreatment that Smoky suffers, after being stolen by a brutal horse thief, and eventually turned into a rodeo attraction, was very difficult to read about, and even the happy ending, with its reunion of horse and man, can't quite take away its sting. The illustrations - done by James himself - are absolutely delightful, although I found myself wishing that I had an older edition, rather than this 1970s reprint, so I could see them as color plates, rather than black and white reproductions.

In short, this was in many ways an excellent book, and had it not been for one thing, I might have awarded it four stars. And that "thing," is the racism to be found in the portrait of "the breed" - the mixed-race horse thief who steals Smoky. The constant references to his dark face/complexion, the way this is tied to his brutal treatment of Smoky, seems too pointed (to borrow a friend's word for it) to be dismissed as simply "of the times." Especially when one considers that the inhumane vegetable seller who ends up owning Smoky (Cloudy by then) towards the end of the story, is also described as dark-skinned. When James describes the horse thief as "a degenerate halfbreed and not fit to be classed amongst humans," it's a difficult thing to overlook.

Thankfully, the section involving the horse-thief (I refuse to call him "the breed!") is short. But although I wouldn't say it was the focus of the story, the racism is pronounced enough that it is a real detraction from the book's appeal. This is one I would recommend only to more mature horse-book lovers, who are old enough to have a discussion about the unfortunate racism to be found within its covers, either with a parent or a teacher. show less

I was on a convention panel talking about horse books last weekend, and author Will James came up. I remembered that I owned a library discard of his classic book Smoky, that I probably haven't read since I was 9 or 10. Before I bought this discard copy, even. I needed to read a classic book for my goal this month, so I decided to read this one for the first time in decades.

Oooooh boy. How to sum this up.

First of all, there's no way this would be a kid book these days. All the major human characters are adults. There is rampant animal abuse, even by the 'good guy.' And wow, is this book racist. Jaw-droppingly so. The major villain is described as "being a breed of Mexican and other blood that's darker" and is often just named as "the show more breed," and is so abusive to the titular character that the horse straight-out tries to kill every man with dark skin for years afterward.

Yeah.

The thing is, the first 2/3 of the book is actually a decent horse book, complete with beautiful action-packed illustrations by the author. James is an incredibly descriptive writer, and the chapters on Smoky's colthood on the range and his training (which is cringe-worthy in some ways) and growing relationship with Clint is fascinating in its deep detail. But then Smoky is stolen, and the book decides to go "Black Beauty on a western-grimdark" route.

The good news is, I feel like I can now donate-away this hardcover book that I've been hauling around for over twenty years. I definitely won't be reading it again, now do I feel much inclined to pick up Will James's other books. show less

It's Black Beauty, only not as well written. Happy colthood, humans train him to be useful and he bonds with one particular man. I was amused to note that in his first encounter with humans, he's branded and the book specifically says that's all that happens...but after that, "the colt" is referred to as "the gelding". Hmm. And then he's stolen, abused, trained to buck, stops being abused and eventually loses the hatred that made him such a good bucking horse. So he's sold, and sold, and sold, going lower each time, until he's half-starved and still being forced to pull a heavy wagon. And then he's saved - his one particular man discovers and rescues him. Yay. The ending was nice, Smoky doesn't suddenly become happy and healthy and show more regain his trust in humans - it takes a while. But eventually, a happy ending.
The story was trite. The dialect that was used throughout - not just speech (in fact that was often clearer) but description and narration - drove me nuts. I don't know if it's an accurate depiction of some dialect, but it utterly did not work for me. It reads awkwardly, sounding like a put-on accent, and...it just sounds unlikely, not like anything a real person would say (word choice (and spelling of same), phrases, everything read fake to me). It made it very hard to read the story - which wasn't worth the effort. Not a winner. show less

Smoky knows only one way of life: freedom. Living on the open range, he is free to go where he wants and to do what he wants. And he knows what he has to do to survive. He can beat any enemy, whether it be a rattlesnake or a hungry wolf. He is as much a part of the Wild West as it is of him, and Smoky can't imagine anything else.

But then he comes across a new enemy, one that walks on two legs and makes funny sounds. Smoky can't beat this enemy the way he has all the others. But does he really want to? Or could giving up some of his freedom mean getting something in return that's even more valuable?

This book is about the life of a ranch horse. Smoky was born free on the range in the wild west, and wandered about just living his life among the wide open spaces and half-wild range cattle, until at the age of four he was caught by a cowboy named Clint. The cowboy broke him to ride, and trained him to be a cutting horse, working cattle. They became an excellent, skilled team with deep affection for each other. Halfway through the book drama ensues (beyond the everyday excitement of rounding up cattle) when Smoky is stolen from the outfit by an outlaw. This man continually mistreats the horse, until he becomes mistrusting of and vicious towards people. He becomes a famous bronco in the rodeos, then when that nearly wears him out, is show more sold again to be hired out from a livery stable, and finally winds up as a plow horse on a farm. By the end of the book, Smoky has been treated so badly by humans that his health is ruined and his life almost over- when in the nick of time he gets rescued by a familiar face from his days back on the ranch.

In many ways this book reminded me a lot of Black Beauty. It had very similar themes- showing how the horse grew up relatively free, his experiences being broken in and trained to work, several relatively happy years being properly cared for, and then going through a string of ignorant or cruel people who mistreat him, until at the end he is found by a friend and nursed back to health. It shows in great detail how the horse feels and perceives his situations, and how he can excel at a skill working in harmony with humans, or suffer terribly at their hands. The section of the book that describes his life as a rodeo horse made me think of When the Legends Die (although in that case it was the man who became broken and bitter towards men). The one thing I found difficult about Smoky is its language. Will James lived and worked as a cowboy for much of his life, and the grammar and spelling in his book, while adding some authentic flavor of cowboy dialect and culture, was at first very awkward to read. It took me some time to get used to it. I haven't read many books about the "wild west", but this one certainly brings it alive for me- especially the vivid descriptions of the scenery. You can almost taste the dust in your mouth.

from the Dogear Diary show less

This is one of the bigger books, and it started off kind of slow, which can make a person worry. How fascinating can a book written from the perspective of a horse get? But around halfway through, as Smoky starts to really face peril, I found myself unable to put the book down. I was fully engaged. So while there were a few slow bits, it's not nearly as rough as I thought it would be.

I can easily see why this book won the Newbery Award. While I was reading I felt that I was sitting down at the campfire after a long day at work, listening to the story being told to me. The casual words of the cowboy just came naturally through, spelled and used as they would have been right there on the ranch. Though it is quickly described as being like Black Beauty with ranch hands, it was very entertaining and educational to follow the life of one ranch horse and see what could happen to him back in the days of the real cowboy.