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The Beach Boys' Pet Sounds (33 1/3)

by Jim Fusilli

Series: 33 1/3 (19)

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1147241,100 (3.3)3
Pet Sounds is, rightly, one of the most celebrated pop albums ever released. It has also been written about, pored over, and analyzed more than most other albums put together. In this disarming book, Jim Fusilli focuses primarily on the emotional core of the album, on Brian Wilson's pitch-perfect cry of despair. In doing so, he brings to life the search for equilibrium and acceptance that still gives Pet Sounds its heart almost four decades after its release. For all the ups and downs, the scandals and, finally, the good times that are associated with Brian Wilson and the Beach Boys, nothing can diminish the beauty of Pet Sounds - its sense of adventure, its insight into the boundless mysteries of young love and how all its elements seem to coalesce to lay bare an insecure teen confronted by the uncertainties of adulthood, a man who wishes life were as simple as he believed it once was. More than a wonderful work that has easily withstood the test of time, Pet Sounds raises pop to the level of art through its musical sophistication and the precision of its statement which, taken together, celebrate the fulfillment of Brian Wilson's ambition.… (more)
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Showing 1-5 of 7 (next | show all)
Another enjoyable entry in the 33 1/3 series. Pet Sounds has always been one of those albums I wished I'd liked more. Oh, there's definitely standout tracks, such as Wouldn't It Be Nice, Sloop John B and God Only Knows, but overall, I've never found the album particularly compelling.

Yet, this account of The Beach Boys in general, and Brian Wilson in particular, as they led up to the making of their seminal album, where Brian's head was at at the time, some of the influences, helps me to appreciate it more.

It'll never be a top ten listen for me, but this account did definitely make me look at it in a different light.

Well done. ( )
  TobinElliott | Sep 3, 2021 |
If you are an ardent fan of "Pet Sounds", I suspect it is the same for you. What a remarkable thing it is to know that there's someone out there who understands how you feel and feels the same way—and who not only feels as you do, but can articulate your feelings better than you can.


This is a very loving tome on the creation process of "Pet Sounds", which is by many not hailed as The Beach Boys' masterpiece, but one of the best albums of the 1960s, and by others as the best pop album ever made.

It also delves into the sanities and insanities regarding Brian Wilson, the "Pet Sounds" mastermind and main creator.

The music is a world in itself, and this book complements it well. The author has taken in how lonely and worthless Brian Wilson felt, before, during and slightly after having finished the album. His manager father, his fears, his marriage, the competition from The Beatles...

To end - a few lines from the book on the song "God Only Knows":

The song opens with the line "I may not always love you."

Forget for a moment the audacity of beginning a love song with that phrase. Consider what it means when hitched to what follows:

I may not always love you,
But long as there are stars above you,
You'll never need to doubt it.
I'll make you so sure about it.


We see two people here, together, at this moment and what they have is profound, and as long as the universe exists, whether or not they remain together, she will know the depth and strength of his love.

Why? Because he needs her.

The next line: "God only knows what I'd be without you." If I don't have you, he's saying, and that profound love, I cannot fathom what I would be. This sentiment is confirmed, and expanded, in the next verse:

If you should ever leave me,
Though life would still go on, believe me,
The world could show nothing to me,
So what good would living do me?


Without her, he has no reason to live.

"God Only Knows" is, at the same time, a mature proclamation of love and another desperate plea. And it's a distillation of what much of "Pet Sounds" is about: the sense that if we surrender to an all-consuming love, we will never be able to live without it. And, though we're uncertain that the reward is worth the risk, we yearn to surrender.

The love Brian envisioned was worth more than life.

In 1964, while the Beach Boys were on tour, Brian wrote to Marilyn [his wife, Niklas' edit] each and every day. He ended one lovely letter with this phrase: "Yours 'til God wants us apart."
( )
  pivic | Mar 20, 2020 |
A very good analysis from several perspectives: musicology, lyrics, emotional content, biography. Really enhances listening to the album, which is what good criticism does. ( )
  dasam | Jun 21, 2018 |
I'm not a fan of the band or the album, I picked this up on the strength of other entries in the series, and with some curiosity as to the iconic status of the Beach Boys and Pet Sounds specifically. Was there anything more to surf music than layered vocal harmonies and catchy melodies? Was there anything to the Beach Boys beyond a string of singles about girls, cars, and upbeat Americana?

I finished with a sense that Brian Wilson was as much an innovator in pop arrangements and studio recordings as he was a pop songwriter. Fusilli emphasises Brian's role over those of the rest of the band, who seem to have been traveling session musicians for Brian's muse. I wonder if that view is generally shared.

The Wilson family's father turned out to be as manipulative and perhaps self-serving as Sharon Osborn's father. Another recurrent theme to rock'n'roll, to be sure. ( )
1 vote elenchus | Sep 12, 2016 |
I agree with the other two reviewers. I usually enjoy the books in this series, some of which have led to a greater appreciation of the classic album under discussion, but this one disappointed, the author having as much if not more to say about other Beach Boys albums. ( )
  cappybear | Jun 15, 2015 |
Showing 1-5 of 7 (next | show all)
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Pet Sounds is, rightly, one of the most celebrated pop albums ever released. It has also been written about, pored over, and analyzed more than most other albums put together. In this disarming book, Jim Fusilli focuses primarily on the emotional core of the album, on Brian Wilson's pitch-perfect cry of despair. In doing so, he brings to life the search for equilibrium and acceptance that still gives Pet Sounds its heart almost four decades after its release. For all the ups and downs, the scandals and, finally, the good times that are associated with Brian Wilson and the Beach Boys, nothing can diminish the beauty of Pet Sounds - its sense of adventure, its insight into the boundless mysteries of young love and how all its elements seem to coalesce to lay bare an insecure teen confronted by the uncertainties of adulthood, a man who wishes life were as simple as he believed it once was. More than a wonderful work that has easily withstood the test of time, Pet Sounds raises pop to the level of art through its musical sophistication and the precision of its statement which, taken together, celebrate the fulfillment of Brian Wilson's ambition.

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