Letters: Summer 1926
by Marina Tsvetayeva
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Edited by Yevgeny Pasternak, Yelena Pasternak, and Konstantin M. Azadovsky The summer of 1926 was a time of trouble and uncertainty for each of the three poets whose correspondence is collected in this moving volume. Marina Tsvetayeva was living in exile in France and struggling to get by. Boris Pasternak was in Moscow, trying to come to terms with the new Bolshevik regime. Rainer Maria Rilke, in Switzerland, was dying. Though hardly known to each other, they began to correspond, exchanging show more a series of searching letters in which every aspect of life and work is discussed with extraordinary intensity and passion. Letters: Summer 1926 takes the reader into the hearts and minds of three of the twentieth century's greatest poets at a moment of maximum emotional and creative pressure. show lessTags
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Perhaps it was the translation, but I didn't really enjoy this. It was on my "to read" shelf from 2010, so perhaps it is just a change in tastes. There were some really lovely moments in this work, but all and all it was a lot of wading through ego and esoterism to get to them.
A literary find with eloquent contributions by three of the leading poets of the twentieth century. A serendipitous moment in the 1920s allowed an aging Rilke to correspond with Pasternak and Tsvetayeva. It is the year that saw the debut of the first symphony by a nineteen-year-old Russian named Dmitri Shostakovich and The Seven Pillars of Wisdom by T. E. Lawrence appeared in print. Yet, beside these events and others the trio of poetic greats were able to share their thoughts and feelings for a short while. Each has a passion for the solitary life of the artist but a need to share with like minds. This book records the result and makes a nice companion for their poetry.
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Russian Literature
184 works; 32 members
Epistolary Non-Fiction (Letters and Correspondence)
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Author Information

293+ Works 2,335 Members
Marina Ivanovna Tsvetaeva, 1892-1941 Marina Ivanovna Tsvetaeva was born on October 8, 1892 in Moscow. Her first collection appeared in 1910, and she ranks among the major twentieth-century Russian poets. Her numerous lyrics and long poems are distinguished by great vigor and passion and an astonishing technical mastery. Her language and rhythms show more are highly innovative. In subject, her poetry varies greatly, often diary-like but also intensely concerned with the fate of her generation, of Russia, and of Europe. Tsvetaeva did not shy away from controversial topics, often opposing received dogma, be it Soviet or Russian emigre. She frequently subsumed herself in other characters, merging dramatic and lyrical elements. Particularly striking are her long poems Poem of the Mountain, Poem of the End, and Ratcatcher and her later collections Craft (1923) and After Russia (1928). After emigrating from the Soviet Union, Tsvetaeva also seriously turned to prose. (Bowker Author Biography) show less
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Common Knowledge
- Canonical title
- Letters: Summer 1926
- Original publication date
- 1985
- People/Characters
- Boris Pasternak; Marina Tsvetayeva; Rainer Maria Rilke
- Original language*
- Russe; Allemand
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
Classifications
- Genres
- Fiction and Literature, Literature Studies and Criticism, Biography & Memoir
- DDC/MDS
- 831.912 — Literature & rhetoric German & related literatures German poetry 1900- 1900-1990 1900-1945
- LCC
- PG3476 .P27 .Z48 — Language and Literature Slavic languages and literatures. Baltic languages. Albanian language Slavic. Baltic. Albanian Russian literature Individual authors and works 1917-1960
- BISAC
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- 116,331
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- 2
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- (4.21)
- Languages
- 6 — English, French, German, Portuguese, Spanish, Swedish
- Media
- Paper
- ISBNs
- 12
- ASINs
- 4





























































