Port Mungo
by Patrick McGrath
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Inseparable since childhood, Jack and Gin Rathbone inhabit a world of privilege and eccentricity into which no strangers are permitted. Until, that is, Jack falls passionately in love with Vera Savage: a flamboyant and reckless artist over ten years his senior. When they flee to New York City within weeks of meeting, Gin is forced to witness their relationship unfold from a bruised, bereft distance. But when Jack and Vera move to Port Mungo, a seedy town in the mangrove swamps of Honduras, show more Gin is afforded the opportunity to stake her claim to her brother's life again. This feverish world of tropical impulses and artistic ambition leads, inevitably, to a death swathed immediately in mystery, as the various imperatives of passion, narcissism, and creativity hold them all in relentless thrall. show lessTags
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Patrick McGrath is master of the unreliable narrator. His skill is applied with precision and deliberation. Even though I know Gin is unreliable, her judgment and opinions to be taken with the mightiest grain of salt, he eventually lulls me into complacence. I fall under a spell of sorts and frame my perceptions to align with Gin’s; no matter that I know better. And in the end, when McGrath pulls the curtain back to reveal the truth I knew was there all along, I’m still astonished. I also know and love McGrath’s adept use of foreshadowing and I shouldn’t be surprised by anything that happens, but yet I am. This is my fifth McGrath novel and even though his style pervades, he manages to create widely diverse situations and show more characters.
This time we have a couple of ill-fated lovers who indulge in a very 1950s style of bohemian living. Typical enough, but the circumstances are tilted and the narrator of their story definitely biased. She is willfully blind to her brother Jack’s faults. She willfully scandalizes Vera, his lover and mother of his children. She willfully aggrandizes his art and his calling. He is the perfect father and brother at all times. Even his faults are made magnificent and part of his higher calling. We know this cannot be true, but still, McGrath makes it all seem so reasonable. So right.
The descriptions of life in the wretched Port Mungo are shrouded by the mists of time and distance. We weren’t there. Our narrator wasn’t either, but yet we find the expected truth of what we’re told comforting. Of course Jack is an exile; he wants perfection and won’t settle for anything less. Artistic credibility and integrity are noble pursuits indeed. Vera’s abandonment of him and their daughters is almost on cue. We expect it and raise Jack even higher in our esteem in the face of her cowardice and selfishness.
But then the cracks appear. Why did Jack so easily let Anna, his surviving daughter, go to his proper, upstanding brother Gerald? This in the face of the zeal with which he persevered as Peg’s father; his martyrly devotion to show up Vera’s shortcomings so starkly. Why has his return to the New York art scene been so tepid and lackluster? Why has Vera continued to fall back into his life with such unexpected regularity? Why does Anna display behavior so contrary to her Sussex upbringing? The façade crumbles and reality is bathed in the full light of Vera’s scorn and Gin’s disbelief. Very well done and an intriguing, hypnotic tale. The Rathbone Curse indeed. show less
This time we have a couple of ill-fated lovers who indulge in a very 1950s style of bohemian living. Typical enough, but the circumstances are tilted and the narrator of their story definitely biased. She is willfully blind to her brother Jack’s faults. She willfully scandalizes Vera, his lover and mother of his children. She willfully aggrandizes his art and his calling. He is the perfect father and brother at all times. Even his faults are made magnificent and part of his higher calling. We know this cannot be true, but still, McGrath makes it all seem so reasonable. So right.
The descriptions of life in the wretched Port Mungo are shrouded by the mists of time and distance. We weren’t there. Our narrator wasn’t either, but yet we find the expected truth of what we’re told comforting. Of course Jack is an exile; he wants perfection and won’t settle for anything less. Artistic credibility and integrity are noble pursuits indeed. Vera’s abandonment of him and their daughters is almost on cue. We expect it and raise Jack even higher in our esteem in the face of her cowardice and selfishness.
But then the cracks appear. Why did Jack so easily let Anna, his surviving daughter, go to his proper, upstanding brother Gerald? This in the face of the zeal with which he persevered as Peg’s father; his martyrly devotion to show up Vera’s shortcomings so starkly. Why has his return to the New York art scene been so tepid and lackluster? Why has Vera continued to fall back into his life with such unexpected regularity? Why does Anna display behavior so contrary to her Sussex upbringing? The façade crumbles and reality is bathed in the full light of Vera’s scorn and Gin’s disbelief. Very well done and an intriguing, hypnotic tale. The Rathbone Curse indeed. show less
Patrick McGrath is master of the unreliable narrator. His skill is applied with precision and deliberation. Even though I know Gin is unreliable, her judgment and opinions to be taken with the mightiest grain of salt, he eventually lulls me into complacence. I fall under a spell of sorts and frame my perceptions to align with Gin’s; no matter that I know better. And in the end, when McGrath pulls the curtain back to reveal the truth I knew was there all along, I’m still astonished. I also know and love McGrath’s adept use of foreshadowing and I shouldn’t be surprised by anything that happens, but yet I am.
This is my fifth McGrath novel and even though his style pervades, he manages to create widely diverse situations and show more characters. This time we have a couple of ill-fated lovers who indulge in a very 1950s style of bohemian living. Typical enough, but the circumstances are tilted and the narrator of their story definitely biased. She is willfully blind to her brother Jack’s faults. She willfully scandalizes Vera, his lover and mother of his children. She willfully aggrandizes his art and his calling. He is the perfect father and brother at all times. Even his faults are made magnificent and part of his higher calling. We know this cannot be true, but still, McGrath makes it all seem so reasonable. So right.
The descriptions of life in the wretched Port Mungo are shrouded by the mists of time and distance. We weren’t there. Our narrator wasn’t either, but yet we find the expected truth of what we’re told comforting. Of course Jack is an exile; he wants perfection and won’t settle for anything less. Artistic credibility and integrity are noble pursuits indeed. Vera’s abandonment of him and their daughters is almost on cue. We expect it and raise Jack even higher in our esteem in the face of her cowardice and selfishness.
But then the cracks appear. Why did Jack so easily let Anna, his surviving daughter, go to his proper, upstanding brother Gerald? This in the face of the zeal with which he persevered as Peg’s father; his martyrly devotion to show up Vera’s shortcomings so starkly. Why has his return to the New York art scene been so tepid and lackluster? Why has Vera continued to fall back into his life with such unexpected regularity? Why does Anna display behavior so contrary to her Sussex upbringing? The façade crumbles and reality is bathed in the full light of Vera’s scorn and Gin’s disbelief. Very well done and an intriguing, hypnotic tale. The Rathbone Curse indeed. show less
This is my fifth McGrath novel and even though his style pervades, he manages to create widely diverse situations and show more characters. This time we have a couple of ill-fated lovers who indulge in a very 1950s style of bohemian living. Typical enough, but the circumstances are tilted and the narrator of their story definitely biased. She is willfully blind to her brother Jack’s faults. She willfully scandalizes Vera, his lover and mother of his children. She willfully aggrandizes his art and his calling. He is the perfect father and brother at all times. Even his faults are made magnificent and part of his higher calling. We know this cannot be true, but still, McGrath makes it all seem so reasonable. So right.
The descriptions of life in the wretched Port Mungo are shrouded by the mists of time and distance. We weren’t there. Our narrator wasn’t either, but yet we find the expected truth of what we’re told comforting. Of course Jack is an exile; he wants perfection and won’t settle for anything less. Artistic credibility and integrity are noble pursuits indeed. Vera’s abandonment of him and their daughters is almost on cue. We expect it and raise Jack even higher in our esteem in the face of her cowardice and selfishness.
But then the cracks appear. Why did Jack so easily let Anna, his surviving daughter, go to his proper, upstanding brother Gerald? This in the face of the zeal with which he persevered as Peg’s father; his martyrly devotion to show up Vera’s shortcomings so starkly. Why has his return to the New York art scene been so tepid and lackluster? Why has Vera continued to fall back into his life with such unexpected regularity? Why does Anna display behavior so contrary to her Sussex upbringing? The façade crumbles and reality is bathed in the full light of Vera’s scorn and Gin’s disbelief. Very well done and an intriguing, hypnotic tale. The Rathbone Curse indeed. show less
It's a book where, say, a woman might walk toward her lover for what looks like it will be a scene of tender reconciliation, and instead slashes his hand open with a hidden razor blade...after which the maid, of course, comes in quietly to wipe up the blood.
That's Port Mungo in a nutshell. Random acts of decorum are followed by random acts of mayhem, over and over again, and all of it is told to us by a narrator who knows how to deploy anadiplosis and antistrophe and aporia to their most effective degree--one sentence after another of rhetorical perfection, a narrative voice that makes the weirdness of the story itself all the more unsettling. It's a hermetically sealed story, perfectly told, where any relationship to a separate show more reality from the story is completely beside the point. It didn't teach me anything. It didn't strive for greater meaning. It was just a great read--complete and hysterical fun, made all the more fun by its glorious prose. show less
That's Port Mungo in a nutshell. Random acts of decorum are followed by random acts of mayhem, over and over again, and all of it is told to us by a narrator who knows how to deploy anadiplosis and antistrophe and aporia to their most effective degree--one sentence after another of rhetorical perfection, a narrative voice that makes the weirdness of the story itself all the more unsettling. It's a hermetically sealed story, perfectly told, where any relationship to a separate show more reality from the story is completely beside the point. It didn't teach me anything. It didn't strive for greater meaning. It was just a great read--complete and hysterical fun, made all the more fun by its glorious prose. show less
A thoroughly engaging work of fiction, ranging through the psychological struggles of becoming an artist, set in Europe, New York,and ultimately in British Honduras, and pressured by the dichotomy of family relationship of brother and sister. This is an inside look at what the artist deals with, even though the world may not value the results. What turns this novel into a wild ride is the passion and the pain, the matching of talent in a steamy, torrid love affair, and the realization, at the end, this may indeed be an unreliable narrator in the death that provides the binding thread. Absolutely loved it and couldn't put it down.
Non sempre un artista è un Beato Angelico, spesso è egoista e cattivo marito e padre, impegnato com'è nella ricerca del suo stile e della fama. Di questo è convinta Gin, la sorella di Jack Rathbone che si è rifugiato con la famiglia a Port Mungo nell'Honduras dove dipinge le sue migliori opere, ma dove la moglie inizia a tradirlo e la figlia maggiore scompare. Gin va a trovarlo e prende atto dello sfacelo della famiglia del fratello che compatisce, ma che comunque comincia a sospettare di comportamenti distruttivi.
Pian piano, raccogliendo notizie da amici e parenti e dalla moglie infedele, scopre infine con sorpresa e disgusto che razza di bastardo sia il suo geniale e famoso fratello.
Un libro tragico, crudo e inquietante che fruga show more nell'egoismo, nella perversione, nella disperazione e nella follia umana con tale maestria da lasciare profondamente scossi. show less
Pian piano, raccogliendo notizie da amici e parenti e dalla moglie infedele, scopre infine con sorpresa e disgusto che razza di bastardo sia il suo geniale e famoso fratello.
Un libro tragico, crudo e inquietante che fruga show more nell'egoismo, nella perversione, nella disperazione e nella follia umana con tale maestria da lasciare profondamente scossi. show less
Dec 5, 2012 (Edited)Italian
ack Rathborne è un pittore. A soli diciassette anni si innamora perdutamente di Vera Savage, anche lei artista. Alla ricerca dell'ispirazione e della concentrazione necessarie alla loro opera, si trasferiscono ai Tropici, a Port Mungo. Dopo un periodo idilliaco, Vera cade nella spirale dell'alcol e del tradimento e sarà Jack a occuparsi della figlia Peg. Fino a quando la ragazza, sfuggita al controllo del padre e sedotta dalla vita dissoluta della madre, muore misteriosamente durante una gita in barca con la donna. Questa, almeno, la versione di Jack: molti anni dopo, a New York, la seconda figlia svelerà il lato oscuro della vicenda.
Jan 24, 2020Italian
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Author Information

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Patrick McGrath was born in London in 1950 and grew up near Broadmoor Hospital where his father was the medical superintendent for many years. He attended Stonyhurst College and received his BA in English from the University of London. Among other jobs, he worked as an orderly in a mental hospital and as a teacher before becoming a writer. He is show more seen as a leader of the neo-Gothic writers; his books include Spider, The Grotesque, Port Mungo, Trauma and Asylum. His novel Martha Peake won the Premio Flaiano Prize in Italy. McGrath resides in New York City and London. (Bowker Author Biography) Patrick McGrath is the author of Asylum and The Grotesque, among other novels. He lives in New York City and London and is married to the actress Maria Aitken. (Publisher Provided) show less
Some Editions
Common Knowledge
- Canonical title*
- Port Mungo
- Original title
- Port Mungo
- Original publication date
- 2004
- People/Characters
- Vera Savage; Jack Rathbone; Gin Rathbone; Anna Rathbone; Peg Rathbone
- Important places
- New York, New York, USA
- Dedication
- For Maria
- First words
- When he first came back to New York, and that would be twenty years ago now; my brother Jack was in a kind of stupor, for it was shortly after the death of his daughter Peg.
- Last words
- (Click to show. Warning: May contain spoilers.)Then all at once, I could hear Jack laughing! - somewhere up at the top of the house, the lovely wild laughter I remembered from my childhood and dear god it did for me, it did for me utterly, and as the floodgates opened my poor heart murst and the pain poured out of me like a river -
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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