Carve the Mark

There was a hunger inside me, and there always had been. That hunger was stronger than pain, stronger than horror. It gnawed even after everything else inside me had given up. It was not hope; it did not soar; it slithered, clawed, and dragged, and it would not let me stop.

And when I finally named it, I found it was something very simple: the desire to live.

This book is just Divergent with a face lift and some eyeshadow; it's just Divergent with better worldbuilding and better characters, and set in space this time. New and improved. Divergent 2.0

This is told in two perspectives, which only started working about halfway through the book, once Cyra actually started doing things. The first perspective, Akos', is told in third person, and show more was very well done. Honestly, if someone told me that Cyra's first person was written by a different author, I would believe them. Akos immediately hooked me, and Cyra immediately bored me. I cannot fathom why Roth felt the need to write in two different styles. I thought, perhaps, that the reason was Cyra's isolated and sensation-themed nature, and that the first person was to better show her introspection as a result of her life, but instead it was so unbelievably dull most of the time. She doesn't describe her pain, just says where on her body the currentshadows are now, which tells me absolutely nothing. Akos, however, was sufficiently introspective even in third person. It's utterly baffling.

Also, the first third (after Akos' initial scenes) were SO BORING and they're supposed to be the basis of the romance between the two leads (hint: they failed).

The world was awesome though! I really enjoyed it, and the worldbuilding was done super well. I'm a big fan of space opera, science fantasy stuff. Please explore more planets in the sequel! I also really liked the themes for the most part, and found that many of tropes taken straight out of Divergent fit better here, adding more meaning to the story instead of making it convoluted.

Maybe I could change. Maybe I was changing, just by believing I could.

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I borrowed Carve the Mark without knowing anything about it - I liked Divergent and was curious about what sort of stories Veronica Roth would tell next. The answer: a story about two teenagers in a world of fates, magical abilities and interplanetary travel.

Akos and Cyra belong to very different societies and very different - albeit both important - families. Akos is the youngest son of Thuvhe’s sitting oracle, while Cyra is the youngest member of the Shotet ruling family; Cyra has an adversarial relationship with her brother, whereas Akos is determined to rescue his no matter what. When Cyra and Akos are forced into each other’s company, they discover their survival could depend on learning to work together.

The title comes from show more the Shotet custom of “carving a mark” in one’s arm after killing someone. If I’d known that beforehand, I might have decided against reading this. I am idiosyncratically (and some have said, illogically) squeamish about some things: certain types of violence, poisons, things that destroy memories. Between this and my empathy for a character dealing with chronic pain, parts of this book made me - uncomfortable. A purely subjective reaction that leaves me doubting my ability to be objective. I don’t think that Carve the Mark is exceptionally dark, or even just darker than other stories I’ve loved - I suspect it’s simply dark in a way that happens to really bother me - but I’m not sure.

Nevertheless, I am really glad I kept reading. The worldbuilding is intriguing, the family dynamics are nuanced, and I became unexpectedly and fiercely attached to the characters.

I especially like the way this is so forcefully Cyra’s story. At first I thought this was an oddly paced book, for the way it begins with Akos, quickly upends his life and then abruptly switches to Cyra’s POV. When we next see Akos, some time - and several traumatic, life-altering experiences - later, it is through Cyra’s eyes.

This seemed like odd pacing because part of me expects that of course this story is going to focus on the teenage boy as he unwillingly leaves home, deals with grief and revelations about his destiny, develops his currentgift, learns to fight and so on. Because that’s what fantasy stories are about, right? Instead we get Cyra dealing with her family and her currentgift and her pain. Akos is important, and the book returns to his POV later on, but the story doesn’t revolve around him the way it so easily could.

I want to reread this, to see if I can look at it more clearly - I feel like it deserves more eloquence and objectivity than I can manage right now.

“Let me cook, okay?” He took the pot from her. The water sloshed, spilling on his shoes. “I guarantee I won’t see anything on fire.”
“That happened one time,” she said. “I’m not a walking, talking hazard.”
Like so much of what she said about herself, it was both a joke and not a joke. show less

I'm torn when it comes to this book - I liked the plot better than Divergent and I felt that the characters were more fully developed. I know some have called it slow and have given up but I felt the pace was good.

Criticisms of "Carve the Mark" focus on racism and a glorification of chronic pain. I had to go looking for the racist descriptions and yes, it's unfortunate that the cruel race was described as dark and the spiritual race pale. I don't think it was overt and Roth does develop more than 1 dimensional characters but it is problematic. Cyra's gift of pain wasn't glorified to a great extent... she hated it and it debilitated her at the beginning until Akos entered her life... I'll have to read it again.

Something I found show more troublesome considering this book has been put in the teen section of my store, is the characters' use of medicinal plants to change personality, provide relief from sleeplessness, pain and anxiety, poison someone else etc. etc. It was everywhere. All we need is to make drug-taking seem even more exciting to young people.

Lots of violence here too (and a glorification of self-mutilation when a person kills another). I can't give it a really high mark because of all the questionable elements but I did like the plot and will probably read book 2. show less

Cyra is the feared and hated sister of Ryzek Noavek, leader of the Shotet people. Possessing a deadly currentgift she can't control and which causes her insufferable pain, Cyra has been manipulated into serving as her tyrant brother's executioner and torture device. However, few people understand how she has been exploited. That is, until Akos and his brother are captured by Shotet soldiers and forced into servitude in the Noavek manor. Thrust together, Cyra and Akos struggle to overcome their animosity in order to save themselves and one another.

It's easy for me to see why so many people chose to quit Carve the Mark early. I stuck with it because I was intrigued by the world, despite its vagueness, and interested enough in the show more characters, despite their tendency to not do much of anything, but I spent about 75% of the book wishing Roth would pick up the pace. All of the elements had possibility, it was just... dull. If the second installment was already released I'd probably read it, but it's likely I'll lose interest long before it's published. show less

About 10% of the way into Carve the Mark, I started fishing through friend reviews on Goodreads. I was bored. I wanted to know if other people were bored, too. It seemed like – overwhelmingly – they were! I also learned that there was a lot of controversy surround this book, so I think it’s only fair to point out a little bit of it.

- The publisher sponsored many reviews. This means that they paid prominent bloggers, vloggers, and Goodreads accounts to read the book. This is totally different than simply providing an ARC – there’s so much more pressure to give a good review because you’re receiving actually cash money, which makes it a little more difficult to know who’s being honest about it.
- One of the protagonists show more suffers from chronic pain. I’m going to detail this more in my review later, because this aspect was the one I really thought was poorly handled.
- There’s some problematic racism stuff. I actually didn’t pick up much on this, but a lot of other reviewers saw it loud and clear that there was a pale-skinned diplomatic race, and a violent and corrupt darker-skinned race. I may have missed most the details on skin color here because I was zoning in and out of the audiobook (like I said, bored!) but I think it needs mentioning.
Okay, so now that we’ve addressed these things, let’s talk about Carve the Mark as a book.

The world-building aspects of this book were overwhelmingly slow and bogged down the plot. We are introduced to places and people that make no difference in the story and make the world a lot broader. If this were an epic fantasy novel, I would applaud this type of storytelling, because it fits within the genre. However, Carve the Mark is a YA Science-Fiction Romance and the lallygagging didn’t add anything to the story that my imagination would not have filled in otherwise. There are too many names and too many minor details for the genre, and because of this, a lot of people are DNF-ing this book. I almost did, too. But I wanted to write this review. 😉

In regards to the genre, this very well could have been a fantasy novel and you almost would not have noticed. There’s a section of the story where Cyra and Akos go on a “sojourn” to another planet and Cyra’s brother – the wicked sovereign Risek – brokers an alliance. This whole trip took up a good chunk of the middle of the book and had a lot of potential to be all science-fictiony and spacey and instead there was a lot of focus on the interior. I honestly kept forgetting that this culture had advanced technology because there’s so much conversation about fighting styles and current gifts.

Current gifts are another issue altogether. Cyra Noavek is gifted with pain as her “current gift”… which is basically a coming-of-age magic. I have a few issues with this.

-Current gifts are described as something that defines the character. Cyra is told a couple times that she feels pain because she believes everyone deserves pain. She fights against this at the beginning, but embraces it at the end.
-For someone experiencing chronic pain all over all the time, she functions perfectly well. So even if Roth wanted to use this, she didn’t bother to show how crippling it truly is. There’s a few scenes in the beginning where Cyra is drugging herself endlessly with painkillers, which is a whole additional issue.
- Cyra chooses not only to accept that the pain is a part of her character, but decides that pain is a gift – and pain is never a gift. She says that because she’s in pain, it has made her strong. I see the “you can overcome anything!” message here, but there’s a difference between finding strength in resilience, and deciding that chronic pain is a gift, not a curse.

This is the tip of the iceberg when it comes to both Cyra’s behavior and her gift, but I am exasperated enough that I felt like it needed some outlining. I think there are a lot of ways that Veronica Roth could have taken this character without making her current gift chronic pain, especially since she didn’t even follow through with it, and it was a disappointing thing to read. You can hurt people without pain being your “superpower”.

And there were a lot of unnecessary aspects that came out of the current gift situation. The Oracles, for example. There’s a lot of hullaballoo made about these characters, but ultimately, they just float around being generally useless outside of making people paranoid about their destiny. Cool concept – failure to execute effectively strikes again! With the Oracles and around the other characters, the plot was a bit of a mess. She wanted to do a lot of things, while also building this huge sandbox world where she could tie all of her characters together and say, “look how cleverly everything comes together!” Only, it doesn’t? Sometimes there are too many coincidences and I am utterly unimpressed. And this comes in the details.

Honestly, reading this book was like watching a movie, but with white tissue paper taped over the screen. You can see the lights and shapes and colors, but it’s all a bit blurry and nonsensical. You can sort of see what the story could have been, but ultimately Carve the Mark tries way too hard.

Before I wrap up this rambling review, I want to give you a list of some of the trigger warnings I noticed that I am not widely seeing discussed:

Chronic pain (obviously)
Self-mutilation
Torture
Rape (not in your traditional sense, but the relationship between Risek and Ija screams this to me)
Brainwashing
Racism
Ableism

Everyone will react differently, but I think it’s important that these things are out there so you can make your own educated choice of whether or not to read this based on these elements. Some people are saying that the trigger warnings folks are giving are overdramatic – other people are saying that they aren’t loud enough. Personally, I’d rather have them than not!

All in all, I felt like this book was a huge waste of my time? I can’t think of a moment where I was roped into the story enough that I lost myself, and with a book this thick, that should have happened. Instead, I found myself making snarky comments at some of the more ridiculous details. I thought the audiobook readers did a fine job with the content and that the cover is beautiful and that this book should have been at least 100 pages shorter, contained more actual science fiction, and made a few different core choices. show less

Thuvhe and Shotet are at war. The Thuvhesites, recognized by the galaxy's governing body known as the Assembly, live on their harsh ice planet and worship the current, which goes through all things and people and gives them special gifts and abilities. The Shotet, a militant people also living on the planet known as Thuvhe, want to be recognized as a nation and have their own history and explanations for the conflict between them and Thuvhe. Akos, the Thuvhesite son of a farmer and an oracle, and Cyra, the daughter of the ruling family of Shotet, could not be more different but both their lives are changed when their fates - and those of family and friends - are revealed to all. Because while you can change the future, you can't change show more your fate - or can you?

After the Divergent series exploded on the scene, anything Veronica Roth writes is bound to receive a lot of hype. I had a library hold on this book before I knew anything but the title. I applaud her for creating a completely different world from her first series and really enjoyed learning about the unique people groups, histories, and belief systems that populate this world. Even though there's a lot of world-building to take in, the pacing builds and keeps you turning pages faster and faster. The narrative switches back and forth between Cyra (first person) and Akos (third person). The tropes of the genre - the love story, really evil bad guys - are definitely present, so if you're sick of them you'll probably find this an "okay" read, but fans of this kind of YA fantasy/science fiction will eat it up. I enjoyed it overall, and I'm looking forward to the sequel. show less

This beginning of a new series has many elements in common with the "Divergent" series, but in a very different universe. And in fact, Roth spends much of the book on world-building rather than on character-building. In this world, there is a “current” circling the planetary system, and everyone comes into a “gift” from the current when they reach puberty.

Two warring nations on one particular planet are the focus of the story: Shotet and Thuvhe. You will be shocked, shocked to learn there are two attractive 16-year-olds, one from each nation - a boy, Akos, and a girl, Cyra, that are destined to get together.

Cyra Noavek has an unusual “currentgift" - more like a curse, at least at first - she has chronic pain, which she can show more transfer to other people by touching them. It is so intense that prolonged contact with Cyra can kill the other person. Her evil brother Ryzek, now the leader of the Shotet nation, uses Cyra as his “scourge” to punish his enemies.

Cyra’s people, the Shotet, manage to kidnap two Thuvhens, Akos and Eijeh Kereseth, from across the border and bring them to Shotet. Ryzek wanted Eijeh because Eijeh’s gift is to prophesize. Akos is useful since his gift is to disrupt the current of the gifts of others. By touching Cyra, he can control her pain enough for Ryzek to have her to appear in public with him and do his bidding (which usually involves torture).

Akos is desperate to get Eijeh out of Shotet, because the gift Ryzek has is destroying Eijeh. But Ryzek has eyes everywhere, and a gang of thugs to support him. As Cyra and Akos grow closer, they both try to give each other strength and courage to stand up to injustice.

Evaluation: This book has a predictable attraction between two teens from two enemy groups; very evil people trying to take over the government; a resistance group; lots of training in fighting and weaponry; family loyalty questions; heartbreaking loss; a great deal of angst; and some personal growth, even though it’s only book one.

But I was not impressed with the derivative plot, the superficial characterizations - most of which lacked nuance, or the flimsy motivation for Cyra doing Ryzek’s evil bidding.

While I have seen a number of reviews for this book that condemn a perceived dichotomy between evil dark people and good light people, I didn’t think the comparative characteristics of each group was that straightforward. In my view, each had a mix of good and bad people. But adding color to one side or the other didn’t seem to serve any purpose in any event.

While I didn’t hate this book, I can’t see myself seeking out the next installment. show less