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Leg Over Leg, Volumes One and Two (1855)

by Ahmad Faris al-Shidyak

Other authors: See the other authors section.

Series: Leg Over Leg (1-2)

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372664,763 (4)None
Leg over Leg recounts the life, from birth to middle age, of “the Fariyaq,” alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England, and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women’s rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures, all the while celebrating the genius and beauty of the classical Arabic language.Volumes One and Two follow the hapless Fariyaq through his youth and early education, his misadventures among the monks of Mount Lebanon, his flight to the Egypt of Muhammad 'Ali, and his subsequent employment with the first Arabic daily newspaper—during which time he suffers a number of diseases that parallel his progress in the sciences of Arabic grammar, and engages in amusing digressions on the table manners of the Druze, young love, snow, and the scandals of the early papacy. This first book also sees the list—of locations in Hell, types of medieval glue, instruments of torture, stars and pre-Islamic idols—come into its own as a signature device of the work.Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg Over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its “obscenity,” and later editions were often abridged. This is the first complete English translation of this groundbreaking work.… (more)
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This is a provisional review, because this is only the first half. But I can imagine no better book for my goodreads friends than this one: underappreciated classic? Yes. In translation? Yes. Rabelaisian tradition, but with a hefty dose of Arabic learning (and mocking of such learning)? Yes.

If you're still not on board, I can expand. This is a novelized autobiography, in which our main character, "the Fariyaq", kind of wanders around Lebanon and Egypt and some other places, and he's a copyist and a poet and really, really, really obsessed with language. None of this is even remotely the point, though. The point is the unstoppable wallowing in literature and life.

If you're still not on board, consider that the first chapter is mostly an apology for the book, which foresees people complaining that the book is alternatively incomprehensible, and filth. One defense is to say, well, the stuff you don't understand is so great that the filth pales in comparison, so don't complain too much. The other is to say "I know many a noble churchwarden whose virtues are acknowledged among men and yet has no compunction about referring to "things quivering," "things rounded,"... the thick, raised pudendum and the raised, thick pudendum, the pudendum thick of lip, the vulva huge, the vulva mighty, the vulva long of clitoris... the glans, the "knotty rod," the man with a strong penis, the "thick stick," the large glans, the tip of the glans if it's broad, the edges of the glans, the donkey's glans... to "stick the kohl-stick in her kohl-pot," to "furrow" her, to "push" her, or to "ram it in all the way to the hilt."

The whole list is four pages long, that's only the first ludicrously over the top, imaginative, hilarious, discomforting list in this half of the novel.

If you're still not on board, I don't know what to say. ( )
  stillatim | Oct 23, 2020 |
Such aggravation can not be quieted, and such itches cannot be scratched, without creating either a flap or a second skin.

The reader will find an ongoing accrual of skins and experiences along with an already and ongoing buffering of resistances. There is a simultaneous sheen and scar. The reader parses, scrolls, and remains astonished and somewhat lost. Are there really that many relevant terms? Recoiling and heaving with both delight and frustration, the reader pushes on -- it is written. The book floated along my horizons for months. Misgivings about toting it abroad left it gestating. It bursts with lists and grammars of wonder and futility. There are whispers of both Shandy and Tom Jones, but I felt its bosom cousin remains Burton's Anatomy. A few intrepid souls here point to how a grasp of the Koran is of integral assistance. ( )
  jonfaith | Feb 22, 2019 |
Showing 2 of 2

» Add other authors

Author nameRoleType of authorWork?Status
al-Shidyak, Ahmad Farisprimary authorall editionsconfirmed
Davies, HumphreyTranslatorsecondary authorsome editionsconfirmed
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Leg over Leg recounts the life, from birth to middle age, of “the Fariyaq,” alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England, and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women’s rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures, all the while celebrating the genius and beauty of the classical Arabic language.Volumes One and Two follow the hapless Fariyaq through his youth and early education, his misadventures among the monks of Mount Lebanon, his flight to the Egypt of Muhammad 'Ali, and his subsequent employment with the first Arabic daily newspaper—during which time he suffers a number of diseases that parallel his progress in the sciences of Arabic grammar, and engages in amusing digressions on the table manners of the Druze, young love, snow, and the scandals of the early papacy. This first book also sees the list—of locations in Hell, types of medieval glue, instruments of torture, stars and pre-Islamic idols—come into its own as a signature device of the work.Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg Over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its “obscenity,” and later editions were often abridged. This is the first complete English translation of this groundbreaking work.

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Leg over Leg recounts the life, from birth to middle age, of “the Fariyaq,” alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England, and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women’s rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures, all the while celebrating the genius and beauty of the classical Arabic language.

Volumes One and Two follow the hapless Fariyaq through his youth and early education, his misadventures among the monks of Mount Lebanon, his flight to the Egypt of Muhammad 'Ali, and his subsequent employment with the first Arabic daily newspaper—during which time he suffers a number of diseases that parallel his progress in the sciences of Arabic grammar, and engages in amusing digressions on the table manners of the Druze, young love, snow, and the scandals of the early papacy. This first book also sees the list—of locations in Hell, types of medieval glue, instruments of torture, stars and pre-Islamic idols—come into its own as a signature device of the work.

Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg Over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its “obscenity,” and later editions were often abridged. This is the first complete English translation of this groundbreaking work. [Amazon.co.uk]
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