'Eagle' was launched in 1950 as a wholesome, uplifting comic for British boys, as a counter to the American comics, especially "horror comics", then being imported. The headline strip was 'Dan Dare', a clean-cut British hero straight out of the popular imagination of what a World War 2 RAF flying officer would look, sound and behave like. This is a facsimile reprint of the first Dan Dare adventure, 'Voyage to Venus', all about the collapse of food supply on Earth and an expedition to Venus to ascertain if conditions there were suitable to allow food for Earth to be grown there. This ran for 77 weeks over the first eighteen months of the comic's life.

Of course, we knew nothing of the true nature of Venus then, so this was an opportunity for the artist, Frank Hampson, to allow his imagination to run riot. And run riot it did, populating the planet with not only diverse and strange (but not too strange) flora and fauna, but also with three intelligent races; the Treen, the Therons and the Atlantines. Human pluck and ingenuity wins the day over the ultra-rational Treen, and the human example inspires the downtrodden Atlantines (descended from human stock taken from Earth in prehistory) and the ever-so-slightly decadent Therons to aspire to greatness.

Hampson's style quickly evolved; early strips were fairly conventional, though the very first one shows the launch of a space rocket from the perspective of looking down back to the launch pad, an image that became much more familiar from the impressive film taken from the top of the Apollo launch towers nearly twenty years later. He soon began to find ways of breaking out of the restrictions of frame and page layout. Hampson was also quick to begin engaging in world-building; interludes from the world (usually England) of the strip were inserted and some side stories involving other characters in the strip were pointed at.

This first adventure was also written by Hampson. Whilst the art soon began to show signs of innovation, the same cannot be said of the writing. Dialogue in this first adventure is firmly located in the 1940s/50s; some of it will be almost incomprehensible to more modern readers. And the attitudes on display, whilst fairly enlightened for 1950, are certainly not in accord with modern sensibilities. Yes, there is a female lead character, Professor Peabody; she only dissolves into tears once, and under circumstances where a modern male might experience the odd emotional outburst, but in 1950, men weren't supposed to do such things. She is, however, the only woman in the Spacefleet scenes, and is usually the equal of the men (whether some of them like it or not).. Later, Digby's aunt plays an important role in unmasking the Treen plot to invade the Earth by her correct interpretation of hidden messages in Digby's forced propaganda message from Venus; whilst the formidable elderly aunt is something of a stock character in middle-class British fiction, the presence of a second female character with an important plot role is noteworthy. (It's also illuminating that the false message concerns a holiday trip where the young Digby is falsely arrested as a suspect to murder through mistaken identity; again, not quite the blanket acceptance of authority figures always being in the right that might have been expected.)

Matters of race also crop up - as long as the people with different skins are green or blue. There are no Earth minorities in Spacefleet. But at least Dan's attitude to the races of Venus is accepting, if a bit condescending in our view. Other non-British characters tend to be slightly comic stereotypes.

The one area where our modern viewpoint is definitely challenged is that of class. The Spacefleet characters are all from the RAF officer class. Dan's batman, Digby, is the only character from the "other ranks", and he is referred to as such. He is depicted as thoroughly working class, Northern and whilst displaying adequate quantities of British spirit, is not depicted in the mould of the public school sporting ethos of the other characters. This is perhaps the most glaring example of the change in our sensibilities.

As a character, Dan Dare has survived, in one form or another and in different publications and incarnations up to the present day. Any such character will go through evolution and development in a 65-year history. For all the quirks and pitfalls of such a character's first appearance, in a different milieu to our own, examination of the roots of such a character is always worthwhile, if only for what it tells us about ourselves as well as about the back story of the character. ( )