The Transition: A Novel
by Luke Kennard
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Description
Do you or your partner spend more than you earn? Have your credit card debts evolved into collection letters? Has either of you received a court summons? Has either of you considered turning to a life of a crime? You are not alone. We know. We can help. Welcome to the Transition. While taking part in the Transition, you and your partner will spend six months living under the supervision of your mentors, two successful adults of a slightly older generation. Freed from your financial show more responsibilities, you will be coached through the key areas of the scheme--Employment, Nutrition, Responsibility, Relationship, Finances, and Self-respect--until you are ready to be reintegrated into adult society. At the end of your six months, who knows what discoveries you'll have made about yourself? The "friends" you no longer need. The talents you'll have found time to nurture. The business you might have kick-started. Who knows where you'll be? show lessTags
Recommendations
Member Reviews
Absolute belter, this.
Unsettling, thought-provoking, mildly terrifying as well as laugh-out-loud funny in places.
The ending won't be for everyone. Had me swearing at the walls.
Unsettling, thought-provoking, mildly terrifying as well as laugh-out-loud funny in places.
The ending won't be for everyone. Had me swearing at the walls.
Well, I don't know... I don't know where to begin with this one. When you finish a book and the first thing that comes to your mind is "I won't write a review on this one", then things are quite bleak. The two stars are for the effort and the fact that Karl was an acceptable character in an array of cardboard cutouts, in a story that wanted to be "dystopian" because the genre is currently fashionable. Honestly, perhaps authors should give it a rest and try their luck with a different subject. Dystopian novels require immense capabilities on the part of the author. In my opinion, Kennard would be excellent in a psychological or domestic drama. The dystopian universe, however, is very demanding....
Our main characters are Karl and show more Genevieve, a young married couple. Karl has failed to fulfill his tax obligations and the two have no alternative but to sign up as participants in a shady organization called "The Transition". They start living in the house of Stu and Janna, another highly dysfunctional couple, they're stripped of their wages, their privacy, even the right to choose their food each day. One day, Karl decides that enough is enough. The problem is that when I reached that point, I had stopped caring.
Karl is somewhat sympathetic and guilty for certain miscalculated financial choices. He doesn't really try to make amends and behaves as if the solution will be miraculously given to him on a silver platter. Genevieve is horrible. Highly unlikable, irrational, stupid, hiding her selfishness and insecurities behind the "mental issues" smoke screen. She is so devoid of any kind of feeling that I felt she was quite a bit unrealistic and couldn't take her seriously. Moreover, the writer puts some pretty ugly words about the teaching profession in her mouth that disgusted me and infuriated me. Stu and Janna are completely unimpressive even though they're supposed too be the main antagonists. Just no....
I fear the writing wasn't what I expect to find in a book. There were a few moments of brightness and coherence, but for the most part, the dialogue was poor, the implications of the characters' choices led to nothing and the themes that Kennard chose to communicate were probably too much for his abilities. The conclusion of the story was weak, rushed, anemic. It left me feeling nothing and a dystopian novel shouldn't do that.
A friend told me that the plot reminded him of Atwood's "The Heart Goes Last" which I am planning to start very soon. But mentioning Atwood here is sacrilege. Many reviewers seem to like "The Transition". To me, this wasn't a good Dystopian novel. It wasn't even a good book. I felt no coming threat, everything was too predictable, too "soft", too horrible Netflix -inspired dialogue and an overall poor execution. And once again, I cannot help but wonder how many more wannabe -Dystopian novels does our world need?
My reviews can also be found on https://theopinionatedreaderblog.wordpress.com/ show less
Our main characters are Karl and show more Genevieve, a young married couple. Karl has failed to fulfill his tax obligations and the two have no alternative but to sign up as participants in a shady organization called "The Transition". They start living in the house of Stu and Janna, another highly dysfunctional couple, they're stripped of their wages, their privacy, even the right to choose their food each day. One day, Karl decides that enough is enough. The problem is that when I reached that point, I had stopped caring.
Karl is somewhat sympathetic and guilty for certain miscalculated financial choices. He doesn't really try to make amends and behaves as if the solution will be miraculously given to him on a silver platter. Genevieve is horrible. Highly unlikable, irrational, stupid, hiding her selfishness and insecurities behind the "mental issues" smoke screen. She is so devoid of any kind of feeling that I felt she was quite a bit unrealistic and couldn't take her seriously. Moreover, the writer puts some pretty ugly words about the teaching profession in her mouth that disgusted me and infuriated me. Stu and Janna are completely unimpressive even though they're supposed too be the main antagonists. Just no....
I fear the writing wasn't what I expect to find in a book. There were a few moments of brightness and coherence, but for the most part, the dialogue was poor, the implications of the characters' choices led to nothing and the themes that Kennard chose to communicate were probably too much for his abilities. The conclusion of the story was weak, rushed, anemic. It left me feeling nothing and a dystopian novel shouldn't do that.
A friend told me that the plot reminded him of Atwood's "The Heart Goes Last" which I am planning to start very soon. But mentioning Atwood here is sacrilege. Many reviewers seem to like "The Transition". To me, this wasn't a good Dystopian novel. It wasn't even a good book. I felt no coming threat, everything was too predictable, too "soft", too horrible Netflix -inspired dialogue and an overall poor execution. And once again, I cannot help but wonder how many more wannabe -Dystopian novels does our world need?
My reviews can also be found on https://theopinionatedreaderblog.wordpress.com/ show less
This was broken into 10, 15-minute segments. The story held my attention more or less until the end, which was anti-climactic. The book was delivered as sort of a thriller, but now I wonder if it's supposed to be more of a statement on society, relationships... something to make us take a deeper look at ourselves. Or maybe it's supposed to be a modern romance? Because my reaction to the end was sort of, "Oh.... Okay." Yesss??? And then...?? The focus of the ending seemed to be more on the relationship between Genevieve and Karl, rather than what The Transition was really up to. It just didn't really go anywhere. The story got a little sketchy in the middle as well, but perhaps that was due to having to cut out so much of it.
On an aside, show more I've come across a lot of stories lately where two similar characters also have similar names. Why are authors doing that? Is it a thing amongst writers these days? In this book, we have the two main characters Janna and Genevieve. The names actually look substantially different in print, so I can sort of excuse the author in this case, but when you're only listening to the story, they're very similar. In most cases, it's more egregious, such as in The Story of a New Name, the main characters are Lila and Lena. Very annoying. show less
On an aside, show more I've come across a lot of stories lately where two similar characters also have similar names. Why are authors doing that? Is it a thing amongst writers these days? In this book, we have the two main characters Janna and Genevieve. The names actually look substantially different in print, so I can sort of excuse the author in this case, but when you're only listening to the story, they're very similar. In most cases, it's more egregious, such as in The Story of a New Name, the main characters are Lila and Lena. Very annoying. show less
Like an echo of The Marriage Pact but with very different themes but with very similar themes.
2.5 stars
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Publishers Weekly Best Books of the Week / Starred Reviews 2018
78 works; 2 members
Author Information

19+ Works 267 Members
Luke Kennard, Senior Lecturer in Creative Writing at the University of Birmingham, won the Eric Gregory Award in 2005 for his first collection, The Solex Brothers. His second collection, The Harbour Beyond The Movie, was shortlisted for the 2007 Forward Prize for Best Collection, making him the youngest ever poet to be nominated. In 2014 he was show more named as one of the Poetry Book Society's Next Generation Poets. His latest collection, Cain, was released to critical acclaim in 2016, and his debut novel, The Transition is new from Fourth Estate. show less
Awards and Honors
Awards
Common Knowledge
- Canonical title*
- La transition
- Original title
- The Transition
- Original publication date
- 2017-03-09
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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- 5
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- (3.43)
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- English, French
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- ISBNs
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