Opera: A Crash Course

by Stephen Pettitt

A Crash Course

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Description

Providing background knowledge designed to enable readers who are new to opera to derive enhanced enjoyment from it, this book includes a guide to the operatic repertoire from Baroque and Classical to the present. There are also short biographies of the great composers and performers, an explanation of devious plots, coverage of the world's great opera houses, and explanations to help with common difficulties such as what the words mean, why so many people are milling about, and how a woman show more can possibly make such a noise if she's dying of consumption. show less

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2 reviews
I picked up this little book for a mere £2 from my local second hand book supplier. I thought that it would provide a few minutes of entertaining divertimento: I was wrong. This tome is written in what I call the Dorling Kindersley style. Each double page spread can be read as a stand alone document but, the book can be read in a normal fashion. It is absolutely jam packed with information that an ignoramus such as I did not know and, I suspect that even an expert may learn from this work. The style is light but this should not be confused with uninformative. In 144 pages of A5 size paper, this book squeezes in a history of the genre and its leading exponents sufficient for all but the most serious follower of opera.

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5 Works 97 Members

Series

Common Knowledge

Canonical title
Opera: A Crash Course
Original publication date
1998

Classifications

Genres
Music, Nonfiction, General Nonfiction, History, Art & Design
DDC/MDS
782.1Arts & recreationMusicVocal musicOperas and related dramatic vocal forms; concert versions
LCC
ML1700MusicLiterature on musicLiterature on musicHistory and criticismVocal music
BISAC

Statistics

Members
86
Popularity
372,941
Reviews
1
Rating
(4.20)
Languages
Dutch, English, German
Media
Paper
ISBNs
6
ASINs
1