Notations
by John Cage
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"This book illustrates a collection of music manuscripts which was made in recent years to benefit the Foundation for Contemporary Performance Arts ... The text for the book is the result of a process employing I-Ching chance operations. These determined how many words regarding his work were to be written by or about which of two hundred and sixty-nine composers. Where these passages (never more than sixty-four words, sometimes only one) have been especially written for this book, they are show more preceded by a paragraph sign and followed by the author's name. Other remarks were chosen or written by the editors--John Cage and Alison Knowles. Not only the number of words and the author, but the typography too--letter size, intensity, and typeface--were all determined by chance operations. This process was followed in order to lessen the difference between text and illustrations."--Preface. show lessTags
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This bk was extremely exciting for me & is still of the utmost importance. As a young "d composer" I was very concerned w/ breaking out of almost every established musical practice. As an old fart I still am. This bk showed me a huge array of the experimentation that'd been done - mostly by composers who were expanding scores to try to address the general expansion of what was considered NEW MUSIC - music that embraced noise & extended playing techniques. Thank goodness for the deep scholarliness of John Cage! Thank goodness for the visionary publishing of Dick Higgins' Something Else Press!
I first came across this book in 2nd year music theory when the prof passed around their copy. Took me 12 years but I got my own copy. I'm still psyched.
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