Polite Conversation (Hesperus Classics)

by Jonathan Swift

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A companion piece to the popular Directions to Servants, Polite Conversation is a witty, brilliantly conceived treatise on manners and small talk from the master of English satire. Beginning with an "expert" introduction to the perils of ill-educated discourse, Swift seeks to offer a remedy for conversational disasters. His aim: to ensure one is always equipped with the correct response, no matter the situation, and the means with which to stoke up conversation when it lapses into awkward show more silence. To prove his theses, he then proffers three mock dialogues, citing the drawing room as the most suitable place to display the art of elegant and polite conversation. The result is a hilarious and deeply ironic analysis that is as relevant today as when it was first conceived. Irish clergyman and satirist Jonathan Swift (1667#150;1745) is best remembered for his philosophical parody Gulliver's Travels. show less

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bluepiano Another tongue-in-cheek self-help manual from the same period.

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1,112+ Works 45,723 Members
Apparently doomed to an obscure Anglican parsonage in Laracor, Ireland, even after he had written his anonymous masterpiece, A Tale of a Tub (c.1696), Swift turned a political mission to England from the Irish Protestant clergy into an avenue to prominence as the chief propagandist for the Tory government. His exhilaration at achieving importance show more in his forties appears engagingly in his Journal to Stella (1710--13), addressed to Esther Johnson, a young protegee for whom Swift felt more warmth than for anyone else in his long life. At the death of Queen Anne and the fall of the Tories in 1714, Swift became dean of St. Patrick's Cathedral, Dublin. In Ireland, which he considered exile from a life of power and intellectual activity in London, Swift found time to defend his oppressed compatriots, sometimes in such contraband essays as his Drapier's Letters (1724), and sometimes in such short mordant pieces as the famous A Modest Proposal (1729); and there he wrote perhaps the greatest work of his time, Gulliver's Travels (1726). Using his characteristic device of the persona (a developed and sometimes satirized narrator, such as the anonymous hack writer of A Tale of a Tub or Isaac Bickerstaff in Predictions for the Ensuing Year, who exposes an astrologer), Swift created the hero Gulliver, who in the first instance stands for the bluff, decent, average Englishman and in the second, humanity in general. Gulliver is a full and powerful vision of a human being in a world in which violent passions, intellectual pride, and external chaos can degrade him or her---to animalism, in Swift's most horrifying images---but in which humans do have scope to act, guided by the Classical-Christian tradition. Gulliver's Travels has been an immensely successful children's book (although Swift did not care much for children), so widely popular through the world for its imagination, wit, fun, freshness, vigor, and narrative skill that its hero is in many languages a common proper noun. Perhaps as a consequence, its meaning has been the subject of continuing dispute, and its author has been called everything from sentimental to mad. Swift died in Dublin and was buried next to his beloved "Stella." (Bowker Author Biography) show less

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Genre
Fiction and Literature
DDC/MDS
824.5Literature & rhetoricEnglish & Old English literaturesEnglish essaysQueen Anne 1702–45
LCC
PR3724 .C6Language and LiteratureEnglishEnglish Literature17th and 18th centuries (1640-1770)
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33
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½ (4.25)
Languages
English
Media
Paper
ISBNs
7