The Taking

Half a star for the brilliant con-artistry that must have been required to get such a ridiculously bad novel published. The prose was horrible - and I say this as a fan of a lot of Koontz's work. I mean, it was really, really bad. Purple doesn't even begin to cover it. It was a rambling, lurid, barely coherent mess of a book. I struggled through to the end because I hate to leave a book unfinished, but it took me about three months to read it, where a decent book of similar length will take me a day or two, on average.

And it wasn't just the writing; the storycrafting was also terrible. Aside from being almost unbearably boring, it was also in places incredibly stupid, with poorly thought out events, random consequences, show more zero-dimensional characters and an ending that was a such a complete rip-off it made me actually resent the author for making me plow through the book to get to it. show less

This story focuses on Molly and Neil, living two rather normal lives in a small, rather uninteresting town until it starts to rain, a colossal, torrential, unnatural rain that brings with it an evil, malevolent being against which there is no defense. And it causes insanity and brings death. But somehow Molly, Neal, and a very small number of others seem to be immune to this evil alien, though not the humans it infects. There is something deliciously mysterious about Molly and, by the way dogs (Koontz works it in, don’t worry), that this evil spirit seems to respect. Molly also soon discovers that it seems to be leaving alone the children, even if viciously killing their own parents, so she makes it her mission to round them up for show more protection. But she soon questions whether she is actually “saving” them from this monster or conveniently “harvesting” them for it. There are a few other adults graced with this seeming exemption from death engaged in this same mission. I won’t reveal that answer in this review.

Dean Koontz is at his best in this supernatural thriller. Through his masterful use of language and manipulative use of the written word he paints a vivid imagery of his scenes and places the reader amongst the action and in fear of life and limb.

One of his best works, this was heading for five stars until the ending which seemed to me to just kind of fizzle. It felt almost like Dean Koontz didn’t know how to end a dramatic and high intensity story line with a dramatic and explosive ending so he didn’t even try. It seemed like a cop out. Unless there was some type of subtle reference that I didn’t catch, which is quite possible, I just felt the ending was highly improbable considering the events throughout the book. Having said that, the book was otherwise intense, exciting, and a real page turner. show less

Um, wow. This was really terrible. I have no idea why I finished it. Basically, there's a bunch of sparkling rain and people start seeing weird stuff in mirrors, and everybody immediately assumes that it signals an alien invasion. They're right, which saves a bunch of time, but I'm still not sure how they knew. The prose is a solid shade of purple, people suspiciously quote T.S. Eliot, and dolls get possessed. And because this is a Koontz novel, there are magical dogs, questionable science, preachy theology, and a serial killer. I saw the "twist" ending a mile away, but thought "No, that would be too silly, even for Koontz" - and was of course completely wrong. Clearly nothing is too silly for Koontz. I've liked several of his other show more books, but this was simply awful. show less

A re-read for me that made me instantly question how I ever could have forgotten this book. Or perhaps the subject didn’t connect me back then, as a younger reader. Koontz is often ‘accused’ of injecting his religious beliefs into his work. The same could be said here, though to good effect. This is an alien encounter like no other, blending horror and supernatural elements expertly, yet being in some ways thought-provoking. Those who enjoyed Phantoms might like this, and there’s no need to let personal faith or lack of spoil this. Highly imaginative, and the story has a satisfying conclusion.

The Taking is an alien novel. Y'know, the kind with strange beings from beyond the stars, those flying ship things, encroaching alien fungi, and rain that smells like semen and causes apocalyptic flooding. Yep. Oh, and plenty of references to H.G. Wells. Gotta have those.

The book is a perfectly enjoyable sci-fi alien invasion thriller. In fact, in the beginning it was brilliant. I zipped through the first 200 pages like ~insert black hole/time warp analogy here~. Unfortunately, about 250 pages in, 2 things started happening. The story began to bog down a bit, and I began to notice a rather annoying trend in Koontz's writing. There are a lot of references to classic science fiction novels. A LOT! Being a book lover, initially I loved show more seeing the titles of all those great novels...but eventually it felt more like he was using them to better his own novel. Simply by dropping their names every so often, it felt more like an exploitation, a cheap way to get more readers to like a novel. It became tiresome.

Overall I still really liked The Taking. It was well written, a great page turner, and I liked the author's style. It makes his incessant need to quote and reference other authors all the more frustrating when he's perfectly capable of writing his own work, but it's still a worthwhile alien invasion novel that I certainly wouldn't discourage anyone from reading. show less

Just too over done for my tastes. I suppose if you can fully give in the the unbelievable.... not just in the subject matter, but in how the characters act, etc. I like Koontz. His descriptive text are outstanding and he makes me understand the scene and the players with humor and clarity, but this is just too much. I really feel like his later books he was more controlled and I appreciate the restraint.

Many years ago I read and enjoyed several of this author's books although I can't recall much about them now. So it was with a pleasant anticipation that I picked up this book and at first I found it interesting and creepy.

Molly wakes in the middle of the night due to very heavy rain that has not managed to wake her husband, and she goes downstairs. She sees that the rain is luminous and it has driven a lot of coyotes onto her porch. The animals look terrified of something out in the rain which she can sense as a forbidding presence, and she has a mystical experience with them, feeling a sense of union. Then they run off and she goes upstairs where her husband is having a nightmare about something huge descending from the skies. After show more he wakes up, they both see a reflection in the bedroom mirror showing the room as if the house has been abandoned for years and has odd vegetation growing in it - and a suggestion of something moving around. And after that, TV and telephone communication is gradually cut off, but not before they have seen evidence that the rainfall is world wide and that monsters are taking over.

So far, so creepy. And yet I found a problem almost from the start because there was loads of infodumping, even in the opening pages. Molly has a history - something awful happened to her when she was eight years old and a few years later her beloved mother died of cancer. Her mother was a writer, whose work is already out of print, and she, an author herself, is concerned that the same will happen to hers. And her husband is the best thing that has ever happened in her life - they have a totally empathic relationship. Unfortunately, none of that is dripfed into the scenes between the characters, or conveyed with their dialogue etc. There is throughout the book a tendency to headhop between characters and to have paragraphs of information giving their back story, but it is especially noticeable at the beginning and gets in the way of the menace the writer is trying to create.

There were resonances in this book with others I've read: the strange 'vegetation' which begins to appear is an obvious harkening back to 'The War of the Worlds' and its red weed, and that book/film is name checked more than once. The beginning also reminded me of Stephen King's 'The Mist'. Some images are genuinely creepy, such as the animated doll and the sense of something vast moving above and resonating rather than being heard, in people's bones and blood. Yet there do seem to be rather a lot of hobbyhorses being ridden, including liberal treatment of prisoners, bad parenting, whether climate change is real (the book was published in 2004) and others.

Most adult characters in the book, apart from Molly and her husband, are nasty, and if they are not, have a very short life expectancy (apart from people we don't actually 'meet' although they are performing the same child-rescue role that Molly and Neil take on). Molly's child/teacher-killing father turns up. Some supposed friends or neighbours are literally possessed by the alien force and turn out to be enemies. Multiple types of creature - insectoid, reptillian, simian, fungoid - are spawning everywhere and threatening humanity. Dead bodies are bizarrely reanimated. The whole tone of the book is extremely downbeat and with the huge power of the invading force and its permutation into the whole ecosystem, did seem to be an 'extinction of all life on earth' story for much of the book.

Against that are the preternaturally understanding dogs who help the couple rescue children, and the twist that something which seemed hostile apparently wasn't the lights that kept coming over Molly in the fog and making her feel awful because of the way they saw into her character. And Molly's ability to hold onto hope as a result of her childhood experiences.

The problem, or one of the main ones I found, was that Molly as a character is incredibly bland. Her husband is also Mr Perfect. So to hang the whole book on them is problematic. And the changed premise revealed at the end made the whole thing come crashing down like a house of cards, although I had found it increasingly less like an alien invasion and more like a Hieronymus Bosch painting. If the whole incident was meant to be the Rapture where the bad and good are taken up either to hell or heaven, where was Jesus Christ? The rain apparently heralded the time that Satan was given to ravage the Earth just before the Second Coming - that is the clue given by Paulie, Neil's brother when they speak to him on the phone before communication is cut off. So it seems that was why it was being made over into a form of Hell, and why everything goes instantly back to normal when Satan suddenly has to leave. .

I didn't find it realistic that the children were all good either. Having all the surviving adults at the end being useful and skilled such as doctors, carpenters, engineers and so on was rather convenient as was the sudden departure of Satan and his minions, but if that was because Molly refused to sacrifice one child to save the others, I don't see her as a Christ substitute. For me the book jumped ship from one genre to something so completely "out there" it ceased to have all credibility. For that reason I can only award a 1-star rating. show less