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Loading... High Ground Coward (2018)by Alicia Mountain
None No current Talk conversations about this book.  evil_cyclist | Mar 16, 2020 |  no reviews | add a review
Alicia Mountains urgent and astonishing debut collection maps a new queer landscape through terrain alive and sensual, defiant and inviting. With a voice that beckons while it howls, Mountain nimbly traverses lyric, confessional, and narrative modes, leaving groundbreaking tracks for us to follow. High Ground Coward offers fists full of soil, leftovers for breakfast, road trip as ritual, twins of lovers and twins of ourselves. This world blooms with hunger-inducing detail, its speakers asking us to consider what it will take to satisfy our own appetites while simultaneously trying to nourish one another. "Ferocious, even the softest part," Mountain shows us "a way to fall in love with wanting," leaving us "ravenous, but gradually." Bearing witness to identity formation in solitude and communion, High Ground Coward is an almanac of emotional and relational seasons. Mountains speakers question the meaning of inheritance, illness, violence, mythology, and family architecture. Whether Mountain is at work revealing the divinity of doubt, the entanglement of devotion, or the dominion that place holds over us, High Ground Coward heralds a thrilling poetic debut. From "Scavenger We three eat food and are in love. This is the easy way to say there are stores beneath the floor. Potatoes and shallots, hard-necked garlic streaked purple, jars beside jars, themselves each staving globes of suction. Preservation, a guardian hunger. In the evening I whisper to the boiled beet, like a naked organ in my flushed hand: You are ground blood, you are new born, you have never been nothing thawfruit seedflower greenstart rootbulb handpull shedscrub mouthsweet and again. No library descriptions found. |
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 Google Books — Loading...GenresMelvil Decimal System (DDC)811.6Literature English (North America) American poetry 21st CenturyLC ClassificationRatingAverage: (5)
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Wikipedia in English
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High Ground Coward by Alicia Mountain is the Iowa Poetry Prize winner for 2017. Mountain is a poet and Ph.D. candidate at the University of Denver. Her work has been published or is forthcoming in Prairie Schooner, Pleiades, Witness, Zone 3, Colorado Review, and elsewhere. Mountain's work was nominated for a 2016 Pushcart Prize. She won an Academy of American Poets College Prize in 2014 and was a 2015 Idyllwild Fellow. She received her MFA from the University of Montana in Missoula.
This collection presents aspects from the poet's life. The landscape of Montana comes to stimulating life, especially in the winter. Spring comes but it is in conjunction with a relationship. There is a stream of consciousness in the work that seems organic and organized like a messy desk. It is all there and you know where everything is located but it is not in clearly labeled folders. The urgency of he voice adds to the natural flow of information. At times it seems a bit chaotic but never out of control. There still is a fuzziness that comes with words:
My father had no sons.
My mother sends my wife her love.
In all of this, forgiveness
assumes sin and I’m not sorry.
~ The Book is a Hungry Darkness
Much is implied but without the detail that a second person would assign to the same information. Like modernist's stream of consciousness put the reader inside a narrative brain, Mountain removes much of the narrative and puts the reader inside her mind without a guide. The careful reader will not be lost. "Little Rectangular Earths" and "Elysian / Echo" let the reader into a mind with naked thoughts.
There is a mix of memories road trips, childhood, trains, jobs, friends, and lovers in the work take on an almost dream-like quality. The imagery is constant and vivid as in "Closing Costs" although at times fragmented as memories or images of memories often are.
This collection of poems for slow enjoyment; take your time. Images need to build and collect. Although this collection may not be for everyone, it does offer intensity that is absent from much of modern poetry. (