Voyages in the Underworld of Orpheus Black

In VOYAGES IN THE UNDERWORLD OF ORPHEUS BLACK, a conscientious objector named Harry loses his brother, Ellis, during a bombing raid in London in December 1944. Despite being injured, Harry returns to the site where Ellis was apparently killed, determined to rescue Ellis — or at least retrieve his body. Along the way, Harry meets several helpers who guide and help him on his perilous quest.

This is a complex, layered book that will reward contemplation and re-reading. The main text — Harry's narrative — discusses Harry's immediate task (rescuing Ellis) and carries running references to Harry's longer-term task of writing a book, "Warriors of the Machine," which forms a critique of both the mechanization of World War Two and the show more industrial future of war. A secondary text — Orpheus's tale — comments on Harry and the other characters, playing with and re-examining the myth of Orpheus and Eurydice. These two texts entwine at times, although Harry does not understand why there are gaps in his consciousness or why his actions seem to be directed by an external agent.

The artistic project of this book could be easily missed by readers expecting a graphic novel. While the illustrations are integral to the telling of the story, representing Harry's sketches and plans for his book, they also form their own allegorical third text. The book is best enjoyed slowly, in sips rather than gulps, and teen readers may need someone to discuss its complexity with others.

VOYAGES IN THE UNDERWORLD OF ORPHEUS BLACK is a lush, powerful commentary that uses the example of World War Two to create a discussion about violence, mechanized warfare, and what humans owe to one another. Definitely worth your time and attention. show less

The first thing that came to my mind as I read Voyages was that it is sort of like a modern A Quiet on the Western Front.

A WWII retelling of Orpheus and Eurydice that begins on Boxing Day, 1944, this is the story of two brothers. Ellis, fighting on the front lines and Harry, who is, much to the chagrin of his father and brother, a conscientious objector. Further disturbing Harry is his father's work developing weapons/munitions.

Harry is not necessarily avoiding the war--he's on the home front and a fire fighter, and at the start of the book he's helping at a warehouse fire where, mistaking a pile of mannequins for real people, has an ever greater realization about the horrors of war. He just wishes that his family could understand show more things they way he does.

He and Ellis agree to meet at the White Horse pub and their talk goes well, but soon after Harry leaves, a V2 hits the building, killing all in it. Harry's bus is hit as well, but it's not fatal, and when he later wakes at the hospital, he's in a state of delirium. He then embarks on a journey to rescue his brother from the underworld.

I wasn't sure what to expect from this book, though I will happily read anything about WWII. But I didn't think I would connect to a CO in this particular war, given what we were fighting for and against. But I have to admit that I enjoyed it a lot. Harry's point that maybe we should stop focusing on building weaponry that increases in its accuracy and deadliness, that we should stop meeting hate with more hate, is significant.

I also loved the format of this novel--it's Harry's narrative, but it's interspersed by poetry, gorgeous illustrations, and "primary sources" (Harry's journals, CO card, letters, etc.). It's a little confusing to know what's reality and what is Harry's delirium here, but I think that's the point. And after all, being in a constant state of war such as this would make anyone crazy.

Thank you to Candlewick Press for giving me this review copy--it's another great entry from them and well worth a look. show less

Harry Black is a conscientious objector to the war; he is also an artist. His brother Ellis is a soldier; he is also a writer. They don't see eye-to-eye, however, both risk his their lives for his country. Harry is a firefighter—tasked with responding to the fires that break out during the devastating air raids on the city of London. In a rare wartime opportunity, Harry and his brother meet up for a beer at a London pub. Soon after they separate, the block where the pub stood is bombed to obliteration. Harry finds himself in the hospital in a hazy, surreal state of shock. Ellis' whereabouts are unknown. There is also a curious young German girl in the hospital—Agatha.

It is in this otherworldly scenario that Harry draws and thinks, show more and digs to the tune of an unknown musician who plays with great beauty amidst the horrors. The reader has the benefit of understanding the musician's purpose. The story is told in prose, in Harry's sketches, and in the haunting speech of the musician, whose words turn often to song,

"I've a story to tell of Harry Black,
who went to the Underworld and how he came back;
of the love for his brother, who'd pushed him away.
Of London by starlight, under attack,
of bombs falling, of people calling
through darkened streets,
of sirens and wayfarers, of lost souls,
of vicious women and mindless dogs.
These are the things of which I'll sing."

There are many books about WWII, the Kindertransport, the bombing of London. None are like this one. Read it.

More at: https://shelf-employed.blogspot.com/2019/06/voyages-in-underworld-of-orpheus-bla...

(My copy of Voyages in the Underworld of Orpheus Black was provided by the publisher.) show less

There were many things I liked very much about this book. The theme of eyes, inviting us to consider our perceptions and the perceptions of the narrator. The illustrations, which really added depth to the story -- most of the time. (Adding random hanged people to lampposts in that one drawing may have been a bit over the top, for instance.) Harry's introspection about war, conscientious objection to war, and his conflicts with himself, his family, and a very war-oriented English society, all were thought-provoking and sometimes beautiful. The authors' father's experience may have helped shape the authentic character of Harry: he was a conscientious objector during that war. I found the "Orpheus" interludes less attractive. I can't show more critique whether the poetry is good or bad, but it had no consistent rhythm and it rhymed... sometimes, for a few uneven lines (rather like a clerihew) and then stopped again. I found it awkward. Then the infelicitous line (Orpheus praising Harry's artwork) "Harry, you're a wizard!" had me setting the book down for an hour in disbelief. Seriously, Orpheus? You've got the wrong story here! "Harry, you're a wizard!" could have worked as humour in a book set in the 21st century, but in this context it was so jarring that I couldn't stop snickering about it, which spoiled the mood entirely. I was reading an ARC, so perhaps an editor caught it before publication. Page 130 in my copy.

With a different voice for Orpheus this could have been a great book and a classic. It's still a good read. show less

Harry Black is lost between the world of war and the land of myth in this illustrated novel that transports the tale of Orpheus to World War II-era London.

The story of Harry Black as he searches for his brother is told in a mixture of prose, poetry and if you are at all familiar with the myth of Orpheus there aren't too many surprises here.
The book starts out strong as the story starts with Harry's art and we are introduced to Harry's himself and his experiences defending London from the fires caused by The Blitz and even from the very beginning there is a bit of a surreal feel to his story. However after Harry's injuries and introduction to the character of Agatha things begin to slow down and drag on, to get repetitive with no real show more forward momentum to the story.
The art is very effective, and after the story gets started it is used randomly to enhance the story instead of being like a graphic novel where it tells the story. My copy is an early review copy so all the art was in black and white, the official release will have some color art apparently, but I actually feel the art and its part in the story is made stronger by being black and white.
Mixed in with all that are breaks into the poetry. I enjoyed most of them, they had such a different voice to them it felt like it was written by someone else. Towards the end though, they got a bit less clear and effective I feel.
The ending is where things really fell apart, after dragging on for so long it felt as though the author realized he had to finish his story and began to rush and cram things in and things began to lose cohesion.
There was a lot to like here, and I am glad I read this book but overall it needed some serious tightening up and clarity to give it a stronger ending. A last note, I found it worth reading for the imagery of the eyes, both visually and with words, and for the scene where he finds them. show less

I received this book as part of LibraryThing’s early reviewer program.

Voyages in the Underworld of Orpheus Black is a special book. The combination of poems, narrative and illustrations (which are excellent) makes for a good work. Overall I enjoyed it.

But thought that some of the transitions between poem and narrative felt a little jarring. Also I wish there was more about what real life was like life during wartime. A little more depth would be helpful.

Voyages in the Underworld of Orpheus Black by Marcus Sedgwick and Julian Sedgwick is quite a journey. This book is not only beautiful with the drawings and poetry but also engaging and touching as the prose takes the reader on a journey.

Harry is a conscientious objector, wanted to be a war artist and is a firefighter. Harry’s brother, Ellis is on the front lines and a wedge is driven between the brothers because of their beliefs.

Always hoping for reconciliation with his brother, Harry meets with Ellis at a local pub. The pub is bombed later in the evening, injuring Harry. When Harry awakes, it’s to the news that his brother has been killed even though his body hasn’t been found. Harry begins his journey to try and find his show more brother, refusing to give up on him.

Harry’s commitment to finding his brother made my heart ache. He’s steadfast in spite of the fact that he’s injured, weak and losing touch with reality.

Perhaps because he’s injured, Harry begins to merge the plot of a story he’s writing, with his desperate hunt for his brother and the myth of Orpheus and Eurydice. I was only vaguely familiar with the story of Orpheus and Eurydice but I found that didn’t matter as I made my way through this book.

The art in this book captures the stark reality of the way, with a strange intimacy that I didn’t expect. The drawings are detailed, sometimes tragic and very poignant. show less