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"Lizzie Benson slid into her job as a librarian without a traditional degree. But this gives her a vantage point from which to practice her other calling: she is a fake shrink. For years, she has tended to her God-haunted mother and her recovering addict brother. They have both stabilized for the moment, but Lizzie has little chance to spend her new free time with husband and son before her old mentor, Sylvia Liller, makes a proposal. She's become famous for her prescient podcast, Hell and show more High Water, and wants to hire Lizzie to answer the mail she receives: from left-wingers worried about climate change and right wingers worried about the decline of western civilization. As Lizzie dives into this polarized world, she begins to wonder what it means to keep tending your own garden once you've seen the flames beyond its walls. When her brother becomes a father and Sylvia a recluse, Lizzie is forced to address the limits of her own experience--but still she tries to save everyone, using everything she's learned about empathy and despair, conscience and collusion, from her years of wandering the library stacks . . . And all the while the voices of the city keep floating in--funny, disturbing, and increasingly mad"-- show less

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89 reviews
So good. I might have written it if I ever allowed anyone but Victoria to see my true self. Funny and full, pregnant really, of existential angst of a librarian, New Yorker, mother, trying to understand or at least simply navigate the quickly spiraling world.
This is a very short novel told in a series of short, seemingly disjointed segments that end up giving the novel more mood and atmosphere than plot. Offill writes gorgeously and those sentences, which feel so immediate, are finely crafted. Lizzie is a librarian living in New York. Her brother is a recovering addict who is in a relationship and expecting a baby. Her mentor has a podcast and wants to hire Lizzie to answer her mail, which deals largely with concerns about a collapsing world. Lizzie ponders global warming and how best to react to the changes in climate.

But a synopsis of what happens very much fails to explain what is so compelling about this book. As Lizzie negotiates her way through her daily life, she thinks about the show more people she knows and about what to do if everything falls apart, taking advice from doomsday preppers and scientists. It was an odd feeling reading about the end of the world while staying inside because of the pandemic. The segments about surviving were both applicable and distant from the current situation, although global warming is still occurring and the risk grows greater even as we're distracted by more immediate perils. And despite the focus on the state of the earth, this isn't a heavy-handed or hopeless novel at all. show less
½
Laugh out loud funny in many places, the shock of recognition in others, well, maybe funny in those places as well. Like slipping into someone's stream of consciousness. Written in staccato paragraphs, each one a separate thought or event. Would like to reread, there's so much there in so few pages.
I read for the writing and this is my book. As someone has written "each paragraph is a polished gem and each sentence" a perfect facet of that gem. I thought [b:Dept. of Speculation|17402288|Dept. of Speculation|Jenny Offill|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1367929545l/17402288._SX50_.jpg|24237023] was one of my favorites and this funny, quirky, anxious tale joins the bandwagon.
[b:Weather|37506228|Weather|Jenny Offill|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1566942482l/37506228._SY75_.jpg|59116540] is comforting even though the main character, Lizzie, is worried about environmental collapse and her brother is hovering at breakdown and her marriage is going through a show more rough bit, she is comforted by the survival techniques she reads about at the library where she works as a feral librarian (meanng not degreed). She relates hilariious moments with patrons. I looked forward to the style and tidbitty factoids offered and liked Lizzie, identified with her concerns even if I'm not a youngish mother working fulltime and trying to help a disintegrating brother in the midst of a divorce. show less
A librarian in New York worries about the effects of climate change while taking care of her brother, who wrestles with sobriety and suicidal impulses. Throughout her day to day routine at work, commuting, and with her husband and son, Lizzie confronts big questions: Will anywhere be safe? Is it too late?

Weather shares the same trim size and writing style as Offill's Dept. of Speculation; in a blurb on the back cover, Sheila Heti describes Offill's style as "near-pointillist" and Ben Lerner writes that through her eloquence and silence, she registers "the emotional and political weather of our present."

Quotes

I've noticed that Margot listen's differently than I do. She pays attention, but leaves her own stories out of it. (15)

Young show more person worry: What if nothing I do matters?
Old person worry: What if everything I do does? (21-22)

First, they came for the coral, but I did not say anything because I was not a coral... (41)

...it's a myth that people panic in emergencies. Eighty percent just freeze. The brain refuses to take in what is happening. This is called the incredulity response. (55)

Survival instructors have a saying: Get organized or die. (74)

She gave us a formula: suffering = pain + resistance. (121)

I keep wondering how we might channel all of this dread into action. (137)

...in times of emergency the brain can get stuck on a loop, trying to find a similar situation for comparison.
This is why you must make a plan before disaster strikes....Without a plan, people quickly lose their bearings. (171)
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½
I have slightly mixed feelings about this book. Objectively, it's excellent. The plot is fairly straightforward: a Brooklyn woman works in a library, helps answer listener letters for a former mentor's podcast, is caught up in her family's problems, and becomes gradually more obsessed with disaster preparation.

It's a short novel. 200pp doesn't do justice to that as it's physically small and there's quite a bit of white space. That's not merely an aesthetic choice; it accentuates the staccato, slightly choppy style. Overall, the feeling is of a novel that's been stripped down to its basic elements and polished. There's no excess to it, no fat. Each sentence is carefully written without an unnecessary word. As a piece of writing, it's show more really superbly done--despite the spareness, it's not at all flat and is often very funny.

So what are my qualms? I understand the point of this style of novel, but I don't feel it in my heart. It also suffers from the burden of overpraise, which is really an unfair thing to do to a book. But it would also be unfair for me to hold it against Offill that critics have called her (and Rachel Cusk) the future of fiction.
show less
By absolute coincidence this came into the library just as Covid-19 became a real, present, overwhelming truth in our lives in New York. One day there were 8 cases, days later there are 21,000 cases. 21,000. It is incomprehensible, cataclysmic. Last week I was a block from 30 Rock and there were only 2 other humans visible on the street. But in the middle of what feels like a bad movie, we go on. Its what we do. Life is filled with personal mundane crap and it doesn't stop even when annihilation seems to be right around the corner. And this, this is what Weather is about.

The coming end of the world in Weather is from climate change, or really from the end of climate and the election of an anti-intellectual authoritarian president who show more decries all efforts to save the planet. Lizzie, her husband and son live in Little Pakistan. These are good people in every sense. They are thoughtful, they help their neighbors and their extended families however they can. They think about the crisis, but they also think about relatives who are lonely or have addiction issues, about the livelihood of the car service guy and the man who owns the bodega, and the people who seek guidance at the library where Lizzie works.

Offill is really funny and wise. Her Brooklyn lens is brutal and hilarious and dead on. In one of my favorite lines as she is running out of antidepressants and has nothing but Ambien to help her decompress at the same time she is helping her brother who is an addict who may be falling off the wagon with the combined stress of a newborn and the impending apocalypse Lizzie thinks "I remind myself (as I often do) never to become so addicted to drugs or alcohol that I'm not allowed to use them,"

This is a slim book, a speedy read - it really could be a single sitting book if you have say 4 hours to spend. (It took me 10 days because I was dealing with a pandemic that closed the doors on the program I run, we went online, at the same time I had a son to get out of Serbia and a sister to get out of Morocco as borders were shutting down without warning. I strongly recommend this one, though for those with anxiety, this may not be the moment you want to jump in.) Hopefully this pandemic will be ebbing by late summer, and this will be the perfect read.
show less
½

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Offill is in total control here, and all the asides, jokes and Q&As reflect the fraying state of Lizzie’s mind as her concerns over the climate crisis, the Trump administration, pernicious algorithms and other man-made threats intensify. Lizzie’s predicament, and the real question at the heart of this novel, is how she is supposed to prepare for the end of the world when day-to-day life show more itself is so maddening....“Weather” is too sharp a book to allow for pessimism or apathy. There is simply too much to be done, and there are too many people to care for and about, the novel argues, to not work through our deepest fears and fight our way past this crisis. show less
Jake Cline, Washington Post (pay site)
Feb 27, 2020
added by Lemeritus
While marriage and motherhood remain on the radar, Weather swirls around amber waves of dread. Offill's signature achievement here is to capture the angst specific to our particular moment in time — the rising tide of anxiety, especially in New York City, about a world threatened by climate change and the ascension of right-wing strongmen, which deepens after the 2016 election. Offill show more astutely compares the "hum in the air" to the one that followed 9/11. This potent, appealing little book is about how we weather this sense of doom — with humor, incredulity, panic, disaster preparedness, or, best of all, action. show less
Heller McAlpin, NPR
Feb 11, 2020
added by Lemeritus
“Weather” is a novel reckoning with the simultaneity of daily life and global crisis, what it means for a woman to be all of these things: a mother packing her son’s backpack and putting away the dog’s “slobber frog,” a sister helping her recovering-addict brother take care of his infant daughter, and a citizen of a possibly doomed planet that might be a very different place for show more the son whose backpack she is packing, when he packs his own son’s backpack decades from now, or certainly when that someday-son does the same for his own children....Offill’s writing is shrewd on the question of whether intense psychic suffering heightens your awareness of the pain of others, or makes you blind to it. The answer, of course, is that it can do both; that it inevitably does both.... Offill’s fragmentary structure evokes an unbearable emotional intensity: something at the core of the story that cannot be narrated directly, by straight chronology, because to do so would be like looking at the sun....In “Weather,” the collapse exists on a scale at once broader and more abstract: the end of the world itself. The thing that cannot be stared at directly is not the sun, but our own doomed planet. show less
Leslie Jamison, New York Times (pay site)
Feb 7, 2020
added by Lemeritus

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Author Information

Picture of author.
15+ Works 5,801 Members

Some Editions

Gall, John (Cover designer)
Gray318 (Cover designer)
Huang, Linda (Cover designer)
Walker, Jo (Cover designer)
Walz, Melanie (Translator)

Awards and Honors

Common Knowledge

Canonical title
Weather
Original title
Weather
Alternate titles
American Weather
Original publication date
2020-02-11
People/Characters
Lizzie Benson; Ben; Henry; Sylvia; Catherine; Will (show all 8); Eli; Margot
Important places
New York, New York, USA
Important events
climate change
Epigraph
Notes from a Town Meeting in Milford, Connecticut, 1640:
Voted, that the earth is the Lord's
and the fullness thereof; voted,
that the earth is given to the Saints;
voted, that we are the Saints.
Dedication
For Lydia
First words
In the morning, the one who is mostly enlightened comes in.
Quotations
Young person worry: What if nothing I do matters?
Old person worry: What if everything I do does?
They say when you're lonely you start to lose words.
A few days later, I yelled at him for losing his new lunch box, and he turned to me and said, Are you sure you’re my mother? Sometimes you don’t seem like a good enough person. He was just a kid, so I let it go. And now, ... (show all)years later, I probably only think of it, I don’t know, once or twice a day.
“Can I ask you something?" Will says and I say "Sure, ask me something."

"How do you know all this?"

"I'm a fucking librarian.”
I remind myself (as I often do) never to become so addicted to drugs or alcohol that I’m not allowed to use them.
Funny how when you're married all you want is to be anonymous to each other again, but when you're anonymous all you want is to be married and reading together in bed.
She has never liked me because I don’t have a proper degree. Feral librarians, they call us, as in just wandered out of the woods.
I offer her some birthday cake. She goes into the usual bit about temptation and sinfulness and maybe this and maybe that, and we have to go through every station of the fucking cross before she takes a bite of it.
It is important to remember that emotional pain comes in waves. Remind yourself that there will be a pause in between waves.
These people long for immortality but can't wait ten minutes for a cup of coffee
Roses are red, Violets are blue, I feel slightly less dread, When I am with you.
Breathing in, I know that I am of the nature to grow old.

Breathing out, I know that I cannot escape old age.

Breathing in, I know that I am of the nature to get sick.

Breathing out, I know that I cannot ... (show all)escape sickness.

Breathing in, I know that I am of the nature to die.

Breathing out, I know that I cannot escape dying.

Breathing in, I know that one day I will have to let go of everything and everyone I love.

Breathing out, I know there is no way to bring them along.
Last words
(Click to show. Warning: May contain spoilers.)Dreams of running, of other animals. I wake to the sound of gunshots. Walnuts on the roof, Ben says. The core delusions is that I am here and you are there.
Blurbers
Vuong, Ocean; Jamison, Leslie; Sehgal, Parul
Original language
English
Canonical DDC/MDS
813.6
Canonical LCC
PS3565.F383

Classifications

Genres
General Fiction, Fiction and Literature
DDC/MDS
813.6Literature & rhetoricAmerican literature in EnglishAmerican fiction in English2000-
LCC
PS3565 .F383Language and LiteratureAmerican literatureAmerican literatureIndividual authors1961-
BISAC

Statistics

Members
1,448
Popularity
16,091
Reviews
82
Rating
½ (3.61)
Languages
9 — Catalan, Dutch, English, Finnish, French, German, Spanish, Swedish, Turkish
Media
Paper, Audiobook, Ebook
ISBNs
23
ASINs
6