Play It Again, Sam: A Romantic Comedy in Three Acts
by Woody Allen, Richard J. Anobile (Editor)
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Allan Felix has this thing about Humphrey Bogart. If only he had some of Bogart's technique... Bookish and insecure with women, Allan's hero, Bogey comes to the rescue, with a fantastic bevy of beauties played out in hilarious fantasy sequences. Fixed up by friends with gorgeous women, he's so awkward that even Bogey's patience is tried. Allan mostly resembles a disheveled, friendly dog and this is what ultimately charms his best friend's wife, Linda into bed. It's a tough life, making it in show more the world of beautiful people but if you can't be a hero it helps to have one... show lessTags
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Every line of Allen’s script is set alongside over 1,000 frames from the film, to create a kind of ’talking book' version of the movie, itself adapted from his hit Broadway play. Ah, for those days when one had to wait for a movie to be shown again at a revival house, or to simply read about it in the library. (Heck, by the '90s when I was a kid, I still had to do that for plenty of older films!)
This may be a completely unnecessary blast from the past, but it's a reminder of how good Allen is as a comic writer that you can simply set the script against photos and still find laughs or insights on most every page.
This may be a completely unnecessary blast from the past, but it's a reminder of how good Allen is as a comic writer that you can simply set the script against photos and still find laughs or insights on most every page.
Allen's second Broadway hit was also his debut as a stage actor, coming out after he had directed his first feature film. This was really very important in defining the "Woody Allen persona" and was adapted into a fairly faithful and charming film a few years later.
A "photonovel" of sorts of one of my favorite Woody Allen movies, "Play It Again, Sam". Includes an introduction and interview with the producer, Herbert Ross. All the lines from the movie are depicted here, with stills from the scenes they appeared in.The effect is a little stiff, but it's great for the afficiondo of the movie who would like to be able to track down the appearance of any given line.
Mesmo quando não em clima anárquico, Woody Allen ainda é o neurótico mais engraçado dos EEUU e Play It Again, Sam versa sobre um crítico de cinema com problemas de sedução que toma Humphrey Bogart como modelo. Allen, no seu melhor, explora a lacuna entre o escapismo do cinema e a realidade. Talvez a coerência excessiva e o enredo previsível sejam a maior fraqueza. Ainda assim, é uma engraçada e satisfatória comédia em que o humor realmente se desenvolve a partir do protagonista e não do enredo.
Sep 5, 2022Portuguese (Brazil)
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Allen's favorite personality-the bemused neurotic, the perpetual worrywart, the born loser-dominates his plays, his movies, and his essays. A native New Yorker, Allen attended local schools and despised them, turning early to essay writing as a way to cope with his Since his apprenticeship, writing gags for comedians such as Sid Caesar and Garry show more Moore, the image he projects-of a "nebbish from Brooklyn"-has developed into a personal metaphor of life as a concentration camp from which no one escapes alive. Allen wants to be funny, but isn't afraid to be serious either-even at the same time. His film Annie Hall, co-written with Marshall Brickman and winner of four Academy Awards, was a subtle, dramatic development of the contemporary fears and insecurities of American life. In her review of Love and Death, Judith Christ wrote that Allen was more interested in the character rather than the cartoon, the situation rather than the set-up, and the underlying madness rather than the surface craziness. Later Allen films, such as Crimes and Misdemeanors or Husbands and Wives, take on a far more somber and philosophic tone, which has delighted some critics and appalled others. In Allen's essays and fiction reprinted from the New Yorker, Getting Even New Yorker, (1971), Without Feathers (1975), and Side Effects (1980), the situations and characters don't just speak to us, they are us. (Bowker Author Biography) show less
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Fábula Tusquets Editores (242)
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- San Francisco, California, USA; California, USA
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- Play It Again, Sam (1972 | IMDb)
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