The Baker's Boy
by J. V. Jones
The Book of Words (1), Book of Words/Sword of Shadows Universe (The Book of Words 1)
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Melliandra, forced into a betrothal with a sinister prince, flees Castle Harvell with Jack, a kitchen apprentice with an uncontrolled power to work miracles. The Book of Words is a new fantasy adventure series featuring lethal conspiracies..
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A young servant and a young noblewoman in the same castle leave of their own accord though not together, then add in sex and politics and this isn’t your traditional fantasy series. The Baker’s Boy by J.V. Jones is the first book of The Book of Words trilogy.
Coming into this book I expected a “classic” or “traditional” fantasy trilogy, by the end of the prologue that assumption was out the window. Yet upon finishing this book I can say that the classic/traditional tropes were there but so were elements akin with George R.R. Martin and Joe Abercrombie’s writing especially connected with sex and politics. Although the titular character, Jack, does feature prominently along with the standard young noble woman, Melli, the show more character whose story arc in the book that felt more complete was the Knight of Valdis Tawl. The other story arc was the deadly political contest between Baralis and Maybor, Melli’s father, as they jockey for being the power behind the throne in the Four Kingdoms especially on who would be Prince Kylock’s future queen. Then there were outside observers, in particular Archbishop Tavilisk of Rorn, who while not “doing” much in this book look to be important as the series continues. In addition to the “main” characters traveling in circles with minor character development there were questionable decisions that Jones had like the non-regnant queen of the Four Kingdoms being the political figure in charge for the infirmed king instead of the chancellor, Baralis, and the aforementioned queen questioned the very clean appearance of her 17-year old son’s room in a castle filled with royal servants who might take care of that for the heir to the kingdom. Yet with all these issues, Jones writes a very readable book that is engaging if you’re into political intrigue and mysterious magical powers that the reader sees will be important, but the characters still aren’t in control of after one book.
The Baker’s Boy is an interesting opening volume to a fantasy trilogy. J.V. Jones mixes classic tropes with darker ones to create an intriguing story that will get readers attention from the start while building up elements for later in the series. show less
Coming into this book I expected a “classic” or “traditional” fantasy trilogy, by the end of the prologue that assumption was out the window. Yet upon finishing this book I can say that the classic/traditional tropes were there but so were elements akin with George R.R. Martin and Joe Abercrombie’s writing especially connected with sex and politics. Although the titular character, Jack, does feature prominently along with the standard young noble woman, Melli, the show more character whose story arc in the book that felt more complete was the Knight of Valdis Tawl. The other story arc was the deadly political contest between Baralis and Maybor, Melli’s father, as they jockey for being the power behind the throne in the Four Kingdoms especially on who would be Prince Kylock’s future queen. Then there were outside observers, in particular Archbishop Tavilisk of Rorn, who while not “doing” much in this book look to be important as the series continues. In addition to the “main” characters traveling in circles with minor character development there were questionable decisions that Jones had like the non-regnant queen of the Four Kingdoms being the political figure in charge for the infirmed king instead of the chancellor, Baralis, and the aforementioned queen questioned the very clean appearance of her 17-year old son’s room in a castle filled with royal servants who might take care of that for the heir to the kingdom. Yet with all these issues, Jones writes a very readable book that is engaging if you’re into political intrigue and mysterious magical powers that the reader sees will be important, but the characters still aren’t in control of after one book.
The Baker’s Boy is an interesting opening volume to a fantasy trilogy. J.V. Jones mixes classic tropes with darker ones to create an intriguing story that will get readers attention from the start while building up elements for later in the series. show less
http://osgabookreviews.wordpress.com/2012/04/20/review-the-bakers-boy-by-j-v-jon...
I went into this knowing that it was the first book in a trilogy, and that it would be mostly setup for the other two books in the series. I went into this knowing that it was very standard, crunchy granola fantasy. A coming of age story with a pretty girl met by chance on the road, stereotypical villains, a coming of age type quest, stuff like that. But... Come on. Nothing happened in this book! And when I say nothing, I mean nothing. Nothing was resolved in the end, and for that matter, I never really even figured out what there was to be resolved. All of the hurdles in this book were such trivial matters.. I never discovered any overarching story line, show more nothing bigger and badder out there that would come crashing into the story to help tie it together. I still kept holding out hope as I turned each page.. But it never happened.
So obviously this was a pretty big disappointment. I didn't hate it, but I think "meh" is as good as it gets when it comes to finding a word to describe it. And that sucks! I really wanted a crunchy granola standard sort of fantasy. It's been a long time since I read anything like that, I was hoping that reading it would feel sort of like coming home. And I guess it did.. If by "home" you mean some place super boring where nothing ever happens and there is a lot of sex and groping and slutty chicks.
That's another thing.. The women in this book. With the exception of Melli and the Queen, every other woman was weirdly loose with granting access to what was under their petticoats. All the men needed to do was ask if the woman fancied a tumble, and it was a done deal. And holy gold digger, apparently every woman has a price in these books. It was sort of insulting... And really not expected, seeing as though it's written by a female author.
I don't know.. Maybe I'll read the next in the series, in hopes that I can squeeze something out of the time I've already invested into this.. But I need a break first. I'll read something that's actually good and well thought out, something with.. I don't know, a plot maybe? Yeah, a plot, that's the ticket! When I'm ready for some more potential pain, maybe I'll come back and try this series out again. Maybe. show less
I went into this knowing that it was the first book in a trilogy, and that it would be mostly setup for the other two books in the series. I went into this knowing that it was very standard, crunchy granola fantasy. A coming of age story with a pretty girl met by chance on the road, stereotypical villains, a coming of age type quest, stuff like that. But... Come on. Nothing happened in this book! And when I say nothing, I mean nothing. Nothing was resolved in the end, and for that matter, I never really even figured out what there was to be resolved. All of the hurdles in this book were such trivial matters.. I never discovered any overarching story line, show more nothing bigger and badder out there that would come crashing into the story to help tie it together. I still kept holding out hope as I turned each page.. But it never happened.
So obviously this was a pretty big disappointment. I didn't hate it, but I think "meh" is as good as it gets when it comes to finding a word to describe it. And that sucks! I really wanted a crunchy granola standard sort of fantasy. It's been a long time since I read anything like that, I was hoping that reading it would feel sort of like coming home. And I guess it did.. If by "home" you mean some place super boring where nothing ever happens and there is a lot of sex and groping and slutty chicks.
That's another thing.. The women in this book. With the exception of Melli and the Queen, every other woman was weirdly loose with granting access to what was under their petticoats. All the men needed to do was ask if the woman fancied a tumble, and it was a done deal. And holy gold digger, apparently every woman has a price in these books. It was sort of insulting... And really not expected, seeing as though it's written by a female author.
I don't know.. Maybe I'll read the next in the series, in hopes that I can squeeze something out of the time I've already invested into this.. But I need a break first. I'll read something that's actually good and well thought out, something with.. I don't know, a plot maybe? Yeah, a plot, that's the ticket! When I'm ready for some more potential pain, maybe I'll come back and try this series out again. Maybe. show less
I enjoyed this series quite a bit. While it is not a fantasy classic, it was well worth reading. It reminded me of Tad Williams but at the same time was unique enough to stand on its own.
A grimdark fantasy world where political intrigue and nascent magic collide, following orphaned kitchen apprentice Jack, who discovers miraculous powers, and noble Melliandra, who flees a forced marriage; their paths intertwine as they escape Castle Harvell, pursued by the sinister Chancellor Baralis, who schemes to control the kingdom, while a knight, Tawl, begins his own quest, setting up interwoven storylines in a sprawling epic.
What we have here is an orphan boy raised as a servant for the noble folk of Midkemia err, the Six Duchies no, that's not it. Oh yes, the Four Kingdoms. Well, Pug soon finds out. Wait, no. Fitz soon learns that he's a...Dammit. Sorry. Ahem. Jack soon learns that he has an incredible power and he may be destined for shit that isn't baking bread.
Then we have Melli, the pampered noble princess that wants to be more. That is, she wants to have her very own personality. She doesn't want to marry the wicked little demon of a prince, so she runs away. Well, can't fault the poor girl. Can't blame her for not wanting to be married to Prince Kylock:
So, anyway. We also have a young knight by the name of Tawl. Yes, really. I'm not kidding. That's show more his name. He don't like it either. Well, he's supposed to strike out and find the Chosen One (see paragraph #1), but doesn't know where to look. All he's told by the wiseguy that set him on his quest is that he was looking for...drumroll a boy.
So....likeable but boring protagonists? Don't worry. We have shallow, greedy, and sinister villains aplenty.
First we have Melli's father, the richest noble in the Four Kingdoms, and an owner of a few apple trees to boot, Lord Maybor. Then we have his archenemy of all time, the Chancellor Baralis. They spend the entire novel cooking up evil ways to undermine and assassinate each other. They also do everything they can to grope and/or dry-hump every female in the novel. Of course, when they're not plotting or molesting chambermaids, they each have personal manservants to sit by and listen to their mastermind schemes.
Brilliant.
Finally, we have this third mega-villain sitting back and observing shit. Tavilisk the Hutt, Archbishop of Rorn. He's always eating and being a douche to his sarcastic manservant (yes, to be a villain in these books you must have your own manservant).
As far as story, well. Heroes wander and villains plan dastardly acts. Hilarity ensues, and everyone lives happily...err, nevermind. Apparently you have to read the sequel to see anything happen. show less
Then we have Melli, the pampered noble princess that wants to be more. That is, she wants to have her very own personality. She doesn't want to marry the wicked little demon of a prince, so she runs away. Well, can't fault the poor girl. Can't blame her for not wanting to be married to Prince Kylock:
So, anyway. We also have a young knight by the name of Tawl. Yes, really. I'm not kidding. That's show more his name. He don't like it either. Well, he's supposed to strike out and find the Chosen One (see paragraph #1), but doesn't know where to look. All he's told by the wiseguy that set him on his quest is that he was looking for...drumroll a boy.
So....likeable but boring protagonists? Don't worry. We have shallow, greedy, and sinister villains aplenty.
First we have Melli's father, the richest noble in the Four Kingdoms, and an owner of a few apple trees to boot, Lord Maybor. Then we have his archenemy of all time, the Chancellor Baralis. They spend the entire novel cooking up evil ways to undermine and assassinate each other. They also do everything they can to grope and/or dry-hump every female in the novel. Of course, when they're not plotting or molesting chambermaids, they each have personal manservants to sit by and listen to their mastermind schemes.
Brilliant.
Finally, we have this third mega-villain sitting back and observing shit. Tavilisk the Hutt, Archbishop of Rorn. He's always eating and being a douche to his sarcastic manservant (yes, to be a villain in these books you must have your own manservant).
As far as story, well. Heroes wander and villains plan dastardly acts. Hilarity ensues, and everyone lives happily...err, nevermind. Apparently you have to read the sequel to see anything happen. show less
This is the first of a trilogy. I loved the first two, but was disappointed by the ending of the third, which came off as rather cliche to me. Nevertheless, his style is entertaining and characters comprehendible, making for a quick read.
Classic adventure story. Feels like a lighter version of massive epics such as the Wheel of Time.
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The Baker's Boy has most of the qualities of a highly successful fantasy epic – it's a fat volume with a substantial cast and a vivid, colorful landscape. But between its sense of sly wit and its focus on character rather than concept, it's a remarkably readable epic that doesn't need twenty-page appendixes and glossaries to enable readers to keep up with the story.
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Epic Fantasy of the 90s
111 works; 4 members
Author Information

21 Works 7,801 Members
J. V. Jones was born in Liverpool in 1963. When she was twenty she began working in the music industry. She later moved to San Diego, California. She currently lives in Rancho La Costa, California. She is the author of both the Book of Words series and the Sword of Shadows series. (Bowker Author Biography)
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- Canonical title
- The Baker's Boy
- Original title
- The Baker's Boy
- Original publication date
- 1995; 1996 (1st mass market printing) (1st mass market printing)
- People/Characters
- Jack; Melli (Mellisandra); Tawl; Baralis; Crope; Grift (show all 8); Bodger; Maybor
- Dedication
- This book is dedicated, with love, to the memory of my father, William Jones
- First words
- "The deed is done, master." Lusk barely had a second to notice the glint of the long-knife, and only a fraction of that second to realize what it meant.
- Last words
- (Click to show. Warning: May contain spoilers.)He drained his glass and stood up. "You look a little pale, Baralis. We'll plan our journey another day."
- Blurbers
- McKiernan, Dennis L.; Kurtz, Katherine
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