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After a brutal battle with the underworld that nearly destroyed him, Locke Lamora and his trusted sidekick, Jean, fled the island city of their birth and landed on the exotic shores of Tal Verrar to nurse their wounds. But even at this westernmost edge of civilization, they can't rest for long---and they are soon back doing what they do best: stealing from the undeserving rich and pocketing the proceeds for themselves.This time, however, they have targeted the grandest prize of all: the show more Sinspire, the most exclusive and heavily guarded gambling house in the world. Its nine floors attract the wealthiest clientele---and to rise to the top, one must impress with good credit, amusing behavior…and excruciatingly impeccable play. For there is one cardinal rule, enforced by Requin, the house’s cold-blooded master: it is death to cheat at any game at the Sinspire.
Brazenly undeterred, Locke and Jean have orchestrated an elaborate plan to lie, trick, and swindle their way up the nine floors…straight to Requin's teeming vault. Under the cloak of false identities, they meticulously make their climb---until they are closer to the spoils than ever.
But someone in Tal Verrar has uncovered the duo's secret. Someone from their past who has every intention of making the impudent criminals pay for their sins. Now it will take every ounce of cunning to save their mercenary souls. And even that may not be enough.
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The second in the Gentlemen Bastards series. I’m enjoying these so much! Locke and Jean are in Tel Varrar, working on getting their lives back together after the events of the previous book. Because they are the Gentlemen Bastards, they are doing this by staging a long con to cheat their way through the most exclusive and tightly secure casino in the world before robbing its owner blind. Before this plan can come to fruition, however, they are seized by one of the most powerful men in the city and forced to become pirates (so he can be a hero who defeats pirates). Then things start to get complicated.
Even though the main characters are both guys, one of the best things about this book is the women in it. They’re everywhere! show more There’s the badass pirate captain Zamira Drakasha and her first mate Ezri, who are absolutely amazing. But it’s not just them. The seasoned gamblers Locke and Jean have a rivalry with, the boss of casino security, their bodyguard / person who will kill them if they don’t obey orders, several more pirate captains, the alchemist they consult, the innocent bystander who drinks a poisoned tankard of beer meant for someone else and the grizzled ship’s doctor who came to her aid … Women. And there’s no reason they shouldn’t be! And yet, in so many other series, these roles would go to men by default.
Also, the pirates believe cats are lucky and they love the cats so much and it’s freaking adorable! And you know that great scene in The Princess Bride where Inigo and Westley have a chat as Westley tries to climb up the cliff? This book has a ‘banter while hanging off a cliff’ scene that is even more hilarious, if such a thing is possible, show less
Even though the main characters are both guys, one of the best things about this book is the women in it. They’re everywhere! show more There’s the badass pirate captain Zamira Drakasha and her first mate Ezri, who are absolutely amazing. But it’s not just them. The seasoned gamblers Locke and Jean have a rivalry with, the boss of casino security, their bodyguard / person who will kill them if they don’t obey orders, several more pirate captains, the alchemist they consult, the innocent bystander who drinks a poisoned tankard of beer meant for someone else and the grizzled ship’s doctor who came to her aid … Women. And there’s no reason they shouldn’t be! And yet, in so many other series, these roles would go to men by default.
Also, the pirates believe cats are lucky and they love the cats so much and it’s freaking adorable! And you know that great scene in The Princess Bride where Inigo and Westley have a chat as Westley tries to climb up the cliff? This book has a ‘banter while hanging off a cliff’ scene that is even more hilarious, if such a thing is possible, show less
This book was one of those perfect reading experiences because I had already come to terms with the style -- which in a broad sense is not typically to my taste -- during the first book, so I could dive into this fully prepared and ready to enjoy the characters and dialogue (which I think was even snappier than in the first). It was very satisfying on all counts. Locke and Jeanne set off on another one of their cons, and in the process find themselves living as pirates.
One odd thing is that the author has been pretty forthcoming in interviews and such about his own struggles with depression and anxiety (and my understanding is that this in part why the series seems to be quite slow) ... and it was weird to read this book with that show more knowledge. I get that plenty of authors suffer from depression, and that most fiction is informed in some way by emotional experiences of its author, but in this book in particular, Locke's feelings of guilt, despair, and fear of betrayal felt extremely personal to the extent that I felt vaguely bad about enjoying it so much. show less
One odd thing is that the author has been pretty forthcoming in interviews and such about his own struggles with depression and anxiety (and my understanding is that this in part why the series seems to be quite slow) ... and it was weird to read this book with that show more knowledge. I get that plenty of authors suffer from depression, and that most fiction is informed in some way by emotional experiences of its author, but in this book in particular, Locke's feelings of guilt, despair, and fear of betrayal felt extremely personal to the extent that I felt vaguely bad about enjoying it so much. show less
Red Seas Under Red Skies starts with quite a bang. Locke and Jean are facing the point of each other’s crossbows, and it looks like one has turned coat on his longstanding friend and companion. The most important pages of any book are the first pages, and Lynch certainly went all out in this one. Right off, we are dragged into the story, kept guessing why these two friends are about to kill each other.
When the novel proper begins, we find Locke and Jean engaged in a high stakes gambling house (the Sinispire), doing what they do best - charismatically stealing from the rich and giving to themselves. In their minds, a noble goal indeed. The chemistry between the two protagonists is as evident in this as it was in the previous novel. show more Locke makes a fabulous protagonist. He's got a smart mouth, arrogance, audacity, and a brain that allows him to somehow survive. He's also got Jean, a loyal friend, fellow thief and fierce fighter to guard his back. The interaction between the two is one of the strongest points of the book – their banter is natural and comfortable, and reflects their lifelong friendship and deep loyalty.
Both were members of the Gentlemen Bastards in Camorr, but now they're across the other side of the world in Tal Verrar, planning a major heist at Requin's Sinspire (think mob-controlled Vegas, in medieval times). Unfortunately, one of Requin's political rivals, the Archon, the military leader, interferes. He wants Locke and Jean to help gain the upper hand on the Priori (like the Senate) by causing a war. And our heroes are caught between these two powerful men, being used by both for their own ends.
Red Seas Under Red Skies showcases Locke and Jean in a very different situation from The Lies of Locke Lamora. This time, they aren't two steps ahead of all the other plotters - in fact, they're often two steps behind. They have to think on their feet and improvise to come up with solutions to not only move the heist along, but also stay alive. And there’s an amazing supporting cast of pirates and assorted miscreants that create all sorts of sub-plots and interests.
As sequels go, Red Seas Under Red Skies is fabulous and more tightly written novel than its predecessor. Considering what a top notch job Lynch did with his debut, this is impressive. I found myself smiling throughout most of the book, grinning at the dialogue, and riding right along with Jean and Locke on their pirate adventure. At its heart, Red Seas Under Red Skies is pure fun. Readers should pray to the Crooked Warden that Lynch soon delivers unto his readers the next instalment of the Gentleman Bastards. show less
When the novel proper begins, we find Locke and Jean engaged in a high stakes gambling house (the Sinispire), doing what they do best - charismatically stealing from the rich and giving to themselves. In their minds, a noble goal indeed. The chemistry between the two protagonists is as evident in this as it was in the previous novel. show more Locke makes a fabulous protagonist. He's got a smart mouth, arrogance, audacity, and a brain that allows him to somehow survive. He's also got Jean, a loyal friend, fellow thief and fierce fighter to guard his back. The interaction between the two is one of the strongest points of the book – their banter is natural and comfortable, and reflects their lifelong friendship and deep loyalty.
Both were members of the Gentlemen Bastards in Camorr, but now they're across the other side of the world in Tal Verrar, planning a major heist at Requin's Sinspire (think mob-controlled Vegas, in medieval times). Unfortunately, one of Requin's political rivals, the Archon, the military leader, interferes. He wants Locke and Jean to help gain the upper hand on the Priori (like the Senate) by causing a war. And our heroes are caught between these two powerful men, being used by both for their own ends.
Red Seas Under Red Skies showcases Locke and Jean in a very different situation from The Lies of Locke Lamora. This time, they aren't two steps ahead of all the other plotters - in fact, they're often two steps behind. They have to think on their feet and improvise to come up with solutions to not only move the heist along, but also stay alive. And there’s an amazing supporting cast of pirates and assorted miscreants that create all sorts of sub-plots and interests.
As sequels go, Red Seas Under Red Skies is fabulous and more tightly written novel than its predecessor. Considering what a top notch job Lynch did with his debut, this is impressive. I found myself smiling throughout most of the book, grinning at the dialogue, and riding right along with Jean and Locke on their pirate adventure. At its heart, Red Seas Under Red Skies is pure fun. Readers should pray to the Crooked Warden that Lynch soon delivers unto his readers the next instalment of the Gentleman Bastards. show less
I don't know who this Scott Lynch dude is, or where he came from, but he is one hell of an author.
I love the world building in this series. I love his descriptions. I love it all, and I buy into it wholeheartedly. When I'm reading a Gentleman Bastard novel, I'm there.
Locke and Jean are two of the best characters in the current landscape of fiction. They love each other, but they hate each other sometimes. They are the best of partners, the best of friends, brothers. But they are distinct and each is wonderfully drawn.
But if anything keeps me coming back to these books, it's two things. Lynch's complex plotting. It's schemes within schemes within schemes, but it's always very clear what's going on, and the reader is never lost.
And along show more with that is the laugh-out-loud humour infused throughout the novel, usually in the dialogue between Locke and Jean. You can't help but get through certain scenes without an idiot grin on your face.
I'm not a big fan of fantasy anymore, but I'll read anything Lynch puts out. The author—and his novels—are just that good. show less
I love the world building in this series. I love his descriptions. I love it all, and I buy into it wholeheartedly. When I'm reading a Gentleman Bastard novel, I'm there.
Locke and Jean are two of the best characters in the current landscape of fiction. They love each other, but they hate each other sometimes. They are the best of partners, the best of friends, brothers. But they are distinct and each is wonderfully drawn.
But if anything keeps me coming back to these books, it's two things. Lynch's complex plotting. It's schemes within schemes within schemes, but it's always very clear what's going on, and the reader is never lost.
And along show more with that is the laugh-out-loud humour infused throughout the novel, usually in the dialogue between Locke and Jean. You can't help but get through certain scenes without an idiot grin on your face.
I'm not a big fan of fantasy anymore, but I'll read anything Lynch puts out. The author—and his novels—are just that good. show less
Well, seldom has a book made me waver so much on how I felt about it. High hopes and an exquisite prologue had me psyched for a hell of a good time. I loved The Lies of Locke Lamora, and at first taste, the sequel seemed that it would be just as much a favorite.
But then it bogged down. No big deal. Some books do that, especially when they have so many layers of plot and counter-plot twists. There did seem to be a large number of info-dump sections, that got tedious. But I trusted these to work themselves out, and at first they were rather short. Then, they got longer. And longer. And then the pace of the story bogged down. It was a struggle to get through about 100 pages there.
But then it all seemed to fall into place. The info-dumps show more and tedious details gave way to a story. A real story. And guess what? It was freakin' fantastic!
Lynch retained the skills of characterization and dialogue he'd shown in the first book. Once he had everything in place, it all came together to give an adventure, a hell-ride on the seas. He managed to introduce new characters that worked perfectly alongside the Gentlemen Bastards we already loved from the first book. Not only that, but characters we could fall in love with right along with them.
Action, adventure, a touch of romance, a caper within a caper, some double-crossing, raw emotion. Pirates. This has everything.
So why not 5-stars? Truthfully, the buildup was too long and tedious for the book as a whole to earn the highest score. Forgivable in the grand context of the whole novel, yes. But not enough to rate alongside the first book. Not quite.
And the ending. Well, while the book's issues were brought to a satisfying close, the last 50 pages or so felt rather rushed. New characters seemed to pop up in the end, having too much of a stake in the final outcome for people we'd never heard of before. Much of that just seemed convenient. Still, the overall experience was satisfying...
Except for one tiny little unresolved detail. One little bitty thing that doesn't just hint towards a sequel, but demands it. One little almost trivial detail which is purposely left unanswered to leave a reader hanging.
Hanging indefinitely, it seems. As there is no projection or clue upon when (or if) the next book will see the light of day. Except for that, I'd call this book a stand-alone. As it is now, it pushes The Republic of Thieves to the top of the "must read" pile, where it will rest until...who knows? show less
But then it bogged down. No big deal. Some books do that, especially when they have so many layers of plot and counter-plot twists. There did seem to be a large number of info-dump sections, that got tedious. But I trusted these to work themselves out, and at first they were rather short. Then, they got longer. And longer. And then the pace of the story bogged down. It was a struggle to get through about 100 pages there.
But then it all seemed to fall into place. The info-dumps show more and tedious details gave way to a story. A real story. And guess what? It was freakin' fantastic!
Lynch retained the skills of characterization and dialogue he'd shown in the first book. Once he had everything in place, it all came together to give an adventure, a hell-ride on the seas. He managed to introduce new characters that worked perfectly alongside the Gentlemen Bastards we already loved from the first book. Not only that, but characters we could fall in love with right along with them.
Action, adventure, a touch of romance, a caper within a caper, some double-crossing, raw emotion. Pirates. This has everything.
So why not 5-stars? Truthfully, the buildup was too long and tedious for the book as a whole to earn the highest score. Forgivable in the grand context of the whole novel, yes. But not enough to rate alongside the first book. Not quite.
And the ending. Well, while the book's issues were brought to a satisfying close, the last 50 pages or so felt rather rushed. New characters seemed to pop up in the end, having too much of a stake in the final outcome for people we'd never heard of before. Much of that just seemed convenient. Still, the overall experience was satisfying...
Except for one tiny little unresolved detail. One little bitty thing that doesn't just hint towards a sequel, but demands it. One little almost trivial detail which is purposely left unanswered to leave a reader hanging.
Hanging indefinitely, it seems. As there is no projection or clue upon when (or if) the next book will see the light of day. Except for that, I'd call this book a stand-alone. As it is now, it pushes The Republic of Thieves to the top of the "must read" pile, where it will rest until...who knows? show less
Summary: After the events of The Lies of Locke Lamora, Locke and Jean wash up in the island city of Tal Verrar. They've been there for two years, planning a long job at the Sinspire, the city's most glamorous and wealthy casino, with a purportedly impenetrable vault and a standing death sentence for anyone caught cheating at cards. However, their schemes are interrupted when they come face-to-face with the archon, the head of Tal Verrar's military, and its dictator in all but name. The archon knows exactly who Locke and Jean really are, and how best to get them on a leash... and how to use them as tools to provide him with exactly what he wants. Soon the duo find themselves over their heads: they're landsmen, but now they have to sail show more the Brass Sea and deal with pirates. They're also caught in a web of false identities, questionable loyalties, double-crosses, elaborate cover stories, and even more elaborate plots, and they'll have to keep all of their lies straight if they hope to get out of things not only with the money, but also with their lives.
Review: If it weren't for the fact that I didn't seriously start writing book reviews until about the time that this book was published, I'd swear that Scott Lynch read my blog (or my mind) and wrote Red Seas Under Red Skies specifically for me. (And if I'm wrong, and Scott Lynch *is* reading my blog (or my mind): Hi Scott! Thank you for writing me such an awesome book!) Because seriously, this book is jam-packed full of so many of the things that I love that it can't be just a coincidence.
To start with: this book is hilarious. Its snarky, sarcastic sense of humor almost exactly matches my own, and while I was considering copying some of the bits that I found funny into my review, there was so much funny stuff that I would have wound up copying about half the book. The best part, unsurprisingly, was the banter between Jean and Locke; if you like witty, snarky banter, this is the best you'll ever find. (I would even go so far as to say that it is equal to if not better than Buffy at its peak.) It's also some of the most colorful and creative invective I've ever read, although it's pretty coarse in places, so if your delicate ears are likely to be blistered by swearing, you may want to steer clear.
To add to the excellent dialogue, this book also involves ships! I'm repeatedly on record regarding my love for the Age of Sail, and it turns out that Lynch's fantasy sailors are just as good as the British Navy. Lynch writes ship-board action clearly and in a way that feels authentic, at least for this land-lubber. Plus, there are pirates! How can I resist?
But, apart from the snark and the pirates, this book was really all about the characters. In The Lies of Locke Lamora, there was a little bit of a feeling of Locke as the clever charmer and Jean as the muscle, but Jean really comes into his own as a full, complex, intelligent, and just plain wonderful character. The relationship between Jean and Locke is really the central story of the book, and it's developed slowly but elegantly throughout. The book starts off with this hint that one is going to betray the other, and you're all "no, that can't be right, they're buddies for life", but as the book progresses, there's always the niggling little question and you're never entirely sure one way or the other, and that's an impressive feat for an author to pull off.
The Lies of Locke Lamora starts out as a happy carefree heist tale, and then takes a turn into some seriously dark territory about halfway through. I didn't think Red Seas Under Red Skies was as dark as Locke Lamora as a whole, although there were certainly a few individual scenes that qualified. The heist plotline was also more evenly distributed throughout the book; there were a lot more twists, turns, double- and triple- and quadruple-crosses going on, and everyone has their own plans and their own master(s). I thought it was going to be hard to keep everything straight, but it all eventually made sense, and it all came together wonderfully at the end. 5 out of 5 stars.
Recommendation: Love love love. Read it. But read the equally excellent The Lies of Locke Lamora first, since the backstory is important for parts of the plot, and is never summarized in any detail. show less
Review: If it weren't for the fact that I didn't seriously start writing book reviews until about the time that this book was published, I'd swear that Scott Lynch read my blog (or my mind) and wrote Red Seas Under Red Skies specifically for me. (And if I'm wrong, and Scott Lynch *is* reading my blog (or my mind): Hi Scott! Thank you for writing me such an awesome book!) Because seriously, this book is jam-packed full of so many of the things that I love that it can't be just a coincidence.
To start with: this book is hilarious. Its snarky, sarcastic sense of humor almost exactly matches my own, and while I was considering copying some of the bits that I found funny into my review, there was so much funny stuff that I would have wound up copying about half the book. The best part, unsurprisingly, was the banter between Jean and Locke; if you like witty, snarky banter, this is the best you'll ever find. (I would even go so far as to say that it is equal to if not better than Buffy at its peak.) It's also some of the most colorful and creative invective I've ever read, although it's pretty coarse in places, so if your delicate ears are likely to be blistered by swearing, you may want to steer clear.
To add to the excellent dialogue, this book also involves ships! I'm repeatedly on record regarding my love for the Age of Sail, and it turns out that Lynch's fantasy sailors are just as good as the British Navy. Lynch writes ship-board action clearly and in a way that feels authentic, at least for this land-lubber. Plus, there are pirates! How can I resist?
But, apart from the snark and the pirates, this book was really all about the characters. In The Lies of Locke Lamora, there was a little bit of a feeling of Locke as the clever charmer and Jean as the muscle, but Jean really comes into his own as a full, complex, intelligent, and just plain wonderful character. The relationship between Jean and Locke is really the central story of the book, and it's developed slowly but elegantly throughout. The book starts off with this hint that one is going to betray the other, and you're all "no, that can't be right, they're buddies for life", but as the book progresses, there's always the niggling little question and you're never entirely sure one way or the other, and that's an impressive feat for an author to pull off.
The Lies of Locke Lamora starts out as a happy carefree heist tale, and then takes a turn into some seriously dark territory about halfway through. I didn't think Red Seas Under Red Skies was as dark as Locke Lamora as a whole, although there were certainly a few individual scenes that qualified. The heist plotline was also more evenly distributed throughout the book; there were a lot more twists, turns, double- and triple- and quadruple-crosses going on, and everyone has their own plans and their own master(s). I thought it was going to be hard to keep everything straight, but it all eventually made sense, and it all came together wonderfully at the end. 5 out of 5 stars.
Recommendation: Love love love. Read it. But read the equally excellent The Lies of Locke Lamora first, since the backstory is important for parts of the plot, and is never summarized in any detail. show less
Red Peas Under Red Pies
or
A Review of Red Seas Under Red Skies Being Written in a Manner Most Culinary
Ingredients
Instructions
1 Start in media res, and continue to show an utter lack of regard for linear narrative, just like the first book.
2 At first, appear to be another fantasy-meets-Oceans's-Eleven-esque mashup as our lovable rogues plan another enormous heist.
3 Bring a lot of readers' blood to the boil by deigning to not spend another six hundred pages rehashing the plot of the first book, but show more instead do something entirely new.
4 Reduce the heat, and continue to build up the marvellously intricate world the characters live in.
5 Sprinkle the merest dusting of foreboding into the mix, bearing in mind that this is going to be a seven part series and each layer must rest on the one beneath.
6 Don't soak the novel in blood, and yet for all that make a single death just as emotionally potent as the bloodbath in book one.
7 Season with salt and pepper and garnish with an ending that leaves the reader gagging for book three to come out already. show less
or
A Review of Red Seas Under Red Skies Being Written in a Manner Most Culinary
Ingredients
- • Two returning protagonists
- • Another fascinating city
- • Crafty crime capers
- • Language that would make a lady blush.
Except my sister. Actually it's the kind of language my sister would use. - • Pirates
- • A pinch of foreboding
Instructions
1 Start in media res, and continue to show an utter lack of regard for linear narrative, just like the first book.
2 At first, appear to be another fantasy-meets-Oceans's-Eleven-esque mashup as our lovable rogues plan another enormous heist.
3 Bring a lot of readers' blood to the boil by deigning to not spend another six hundred pages rehashing the plot of the first book, but show more instead do something entirely new.
4 Reduce the heat, and continue to build up the marvellously intricate world the characters live in.
5 Sprinkle the merest dusting of foreboding into the mix, bearing in mind that this is going to be a seven part series and each layer must rest on the one beneath.
6 Don't soak the novel in blood, and yet for all that make a single death just as emotionally potent as the bloodbath in book one.
7 Season with salt and pepper and garnish with an ending that leaves the reader gagging for book three to come out already. show less
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Author Information
33+ Works 23,152 Members
Scott Lynch is a fantasy author, best known for his Gentleman Bastard series of novels. His first novel, The Lies of Locke Lamora, was published in June 2006 under the Gollancz imprint in the United Kingdom and under the Bantam imprint in the United States. The Lies of Locke Lamora was a World Fantasy Award finalist in 2007. In both 2007 and 2008 show more Lynch was nominated for the John W. Campbell Award for Best New Writer. Lynch received the Sydney J. Bounds Best Newcomer Award from the British Fantasy Society in 2008. (Bowker Author Biography) show less
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Awards
Notable Lists
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Belongs to Publisher Series
Narrativa [Nord] (333)
Work Relationships
Common Knowledge
- Canonical title
- Red Seas Under Red Skies
- Original title
- Red Seas Under Red Skies
- Original publication date
- 2007-07-31
- People/Characters
- Locke Lamora; Jean Tannen; Ezri Delmastro; Zamira Drakasha; Requin; Maxilan Stragos (show all 14); Jabril; Selendri; Merrain; Paolo; Cosetta; Regal; Maracosa Durenna; Izmila Corvaleur
- Important places
- Camorr; Tal Verrar; Port Prodigal; The Sinspire; Ghostwind Islands; Sea of Brass (show all 9); Portable Quarter; Golden Steps; Vel Virazzo
- Dedication
- For Matthew Woodring Stover,
a friendly sail on the horizon.
Non destiti, nunquam desistam. - First words
- Locke Lamora stood on the pier in Tal Verrar with the hot wind of a burning ship at his back and the cold bite of a loaded crossbow’s bolt at his neck.
- Quotations
- When you can't cheat the game, you'd best find a means to cheat the players.
I can finger-dance a live cat into a standard deck of fifty-six, and slip it back out at leisure. Other players might complain about the noise, but they'd never spot the source.
"I think piracy's a bit like drinking," said Jean. "You want to stay out all night doing it, you pay the price the next day." - Last words
- (Click to show. Warning: May contain spoilers.)"Somewhere new."
- Publisher's editor
- Groell, Anne
- Blurbers*
- Martin, George R.R.
- Original language*
- English
- Canonical DDC/MDS
- 813.6
- Canonical LCC
- PS3612.Y5427
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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