Painting the Darkness

by Robert Goddard

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From the author of the James Maxted series, "a plot worthy of Wilkie Collins" unfolds as an Englishman struggles to maintain his sanity and his marriage (Kirkus Reviews).

Robert Goddard's international bestselling third novel is a masterful exercise in suspense set in Victorian-era England. On a mild autumn afternoon in 1882, thirty-four-year-old husband and father William Trenchard sits quietly at home when the creak of the garden gate announces the arrival of a mysterious visitor.

The show more stranger claims he is Sir James Davenall, the former fiancé of Trenchard's wife, Constance. He was thought to have committed suicide eleven years ago. Although Constance remembers him, Davenall's family refuses to recognize him as one of their own.

Forced into an uneasy alliance with the stranger, Trenchard struggles to hold on to his wife and his sanity until the dark secrets of the Davenall family can finally be brought to light.

"[Painting the Darkness] has all the ingredients of a first-class melodrama . . . engaging and satisfying." —The Times (London)

"It explodes into action so that the reader is hooked by the time he reaches the third page. . . . A superb storyteller." —Sunday Independent (Ireland)

"This exciting story, with its careful complexity and completeness—no loose ends—is a joy to read." —Publishers Weekly.
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10 reviews
Once you read one Goddard, you start to hunger for more. This is my 4th. Or maybe my 5th. If you don’t like long, involved and convoluted plots with lots of characters (many not what they seem), shenanigans and the unexpected, don’t read him. If you do like all those things along with a dash of the historical, I’m sure you’ll become an addict like me once you read one.

As usual, one of the main characters is drawn into the plot indirectly and it is quite a while before we know precisely why. Ostensibly it’s for one reason, but Goddard is never so straightforward and I was just waiting for the truth. He’s taken for one hell of a ride. Mostly, he’s a pawn and is used and abused pretty much the whole time.

Then there’s James show more Norton and his bid to get back into his family’s good graces and claim his inheritance. I knew better than to become emotionally connected to him or his cause. His family didn’t help me though; what a bunch of spiteful, entitled assholes. Only Constance got any sympathy from me, but I had a feeling she was going to suffer in the end, too. I can’t give anything more away, but if you like sordid family dramas, check this out. It's not quite as tight and addictive as some of his other books; it meanders quite a bit and lacks some of the physical danger and relentless pacing, but it is good and rewards the effort. show less
I really enjoyed this book as I always do with Goddard, as someone said, 'once you have read one you want to read them all', but now I think I have done that. Goddard is THE master of intrigue, every detail of the story is important and it is necessary to concentrate on every word. This story is further back into history than usual and he has used the language appropriate for the time which is very clever. Right to the very end I was astonished at how all the loose ends were tied up but the twists and turns still kept coming. The last few pages left me gasping. Yes I REALLY enjoyed it.
Robert Goddard is a master of the mystery genre. Beware - if you read one of his books, you'll probably want to read them all 13 or 14 off the reel.

This elaborately plotted story, like some other of RG's books, is set among the upper classes of late Victorian England.
I just finished reading Painting the Darkness by Robert Goddard. It's bit of an involved plot, but I'll try to explain it. One mild autumn day in 1882, William Trenchard sits smoking his pipe in his family home. When a stranger approaches him, he is puzzled but not overly worried. Trenchard cannot know what havoc will be wrought on his life and all he holds dear.

The stranger announces he is James Norton - but is, in reality Sir James Davenell - former fiance of Trenchard's wife, Constance. He disappeared 11 years ago and was declared a suicide. Now he's back to claim his inheritance and Constance. Sir Hugo, James' brother, and his mother Lady Catherine, are convinced that James Norton is an imposter and force Trenchard - who fears the show more loss of his wife - into an uneasy alliance against him. But Trenchard must plumb the depths of his despair before he can uncover the shocking secrets of the Davenell family.

I thought this book was really well-written, although the plot was very convoluted it was very good. I give this story an A!
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½
Robert Goddard is a master of the mystery genre. Beware - if you read one of his books, you'll probably want to read them all 13 or 14 off the reel.

This one is a period piece set in late Victorian England, a tale of aristocrats, suicide, inheritance, brilliantly plotted.
Twists and turns, as only Goddard can produce. A good summer read.
Is he or isn't he? The year is 1882 and London is buzzing with the news that James Davenall, missing for 11 years, presumed dead, and now calling himself Norton, has come back to wrest the baronetcy and family fortune from his younger brother, Hugo. James also plans to reclaim his beloved Constance, once his fiancee, and now another man's wife. The Davenalls vehemently reject Norton's claims, and so begins a sensational court battle fraught with a myriad familial mysteries and peccadillos going back 40 years. The narrative shifts continually between past and present, and the reader's curiosity heightens as the characters' motivations and the twists in the plot unfold. An unusual, well-written page-turner, highly recommended for most show more fiction collections. Literary Guild alternate. show less

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Author Information

Picture of author.
41+ Works 10,840 Members
Robert Goddard was a reader of history at Cambridge.

Some Editions

Marcellino, Fred (Cover artist)

Awards and Honors

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Series

Belongs to Publisher Series

Goldmann (41195)

Common Knowledge

Canonical title
Painting the Darkness
Original title
Painting the Darkness
Original publication date
1989
People/Characters
William Trenchard; Constance Trenchard; Richard Davenall; Hugo Richard Davenall; James Norton; Catherine Davenall (show all 9); Prince Napoleon Joseph Charles Paul Bonaparte; Cora Pearl; Melanie Rossiter
First words
It was ten years since William Trenchard had first met Constance Sumner and helped her begin to forget the tragedy of her fiancé's suicide.
Last words
(Click to show. Warning: May contain spoilers.)Then, and always, there was none.

Classifications

Genres
Fiction and Literature, Mystery, Historical Fiction
DDC/MDS
823.914Literature & rhetoricEnglish & Old English literaturesEnglish fiction1900-1901-19991945-1999
LCC
PR6057 .O33 .P27Language and LiteratureEnglishEnglish Literature1961-2000
BISAC

Statistics

Members
381
Popularity
82,122
Reviews
9
Rating
(3.87)
Languages
7 — Danish, Dutch, English, French, German, Japanese, Swedish
Media
Paper, Audiobook, Ebook
ISBNs
32
ASINs
8