No Country for Young Men

by Julia O'Faolain

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'Entertaining and rich in comedy . . . gripping and moving.' William Trevor Sister Judith Clancy is told that she must leave the protection of her convent and return to her family. So begins the unravelling of community ties which form this brilliant and devastating story of human and political relations in twentieth century Ireland. Past and present, memory, madness and buried trauma shift in a disturbing kaleidoscope as four generations of the O'Malleys and Clanceys attempt to come to show more terms with the after-effects of the Irish Civil War. No Country for Young Men was shortlisted for the Booker Prize. 'One of the very best books of its kind that has ever been my pain and pleasure to read.' Guardian 'A book to be bought and read and thought about.' Irish Times show less

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3 reviews
I was very impressed by this one - both the book and the writer were previously unfamiliar to me but they don't deserve to be forgotten.

This is a story rooted in the political and ideological history of modern Ireland, but also about how the culture shapes the expectations of people who live there and the complex relationship of the Irish with their American diaspora. It tells a story of a family over four generations from the civil war of the 1920s up to the late 1970s, and their relationships with two American visitors who get too close to the republican in-fighting. It presents all sides in Ireland's long-standing political debate between republican hard-liners and economic pragmatists, and must have been a brave choice for the show more Booker jury at a time when the IRA were still so active.

It does have its faults - for me it could have done with some editing - it is quite long and there are sections that failed to hold my interest, but the gradual revelation of secrets and the ending were subtly devastating.
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A really unfortunately mediocre book that has glimpses of brilliance. Ireland in the 1920s and 1980s, reflected in its characters as a commentary on the modernisation of the free state, is told through a series of characters that are well developed. However, the writing is at times woeful (in particular the odd similes) and the concepts are never fully developed. The most important parts of the story are wasted and in the end the book is too long, relatively unimaginative and fades into nothing.
I was unable to finish this. I loved the same author's The Women In The Wall in 2009, and I feel that this is probably an equally good book. Set in contemporary Ireland, it seems to be about the influence of history and memory, the relations between Ireland and the US, and many more things. But I somehow lost the trail of what was happening fairly early on, and never really managed to get it back for more than a few pages at a time.

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Booker Prize
491 works; 62 members
Irish writers
87 works; 17 members

Author Information

Picture of author.
17+ Works 564 Members
Julia O'Faolain was born to Irish writers Sean and Eileen O'Faolain in London, 1932. She was educated at University College in Dublin, the University of Rome, and the Sorbonne. She worked as an editor, language teacher and translator. In 1968, she published We Might See the Sights, her first collection of short stories, which was followed by other show more collections, as well as novels, including Godded and Codded (1970) and No Country for Young Men (1980). She co-wrote Not in God's Image: Women in History from the Greeks to the Victorians with her husband, Lauro Martines. (Bowker Author Biography) show less

Awards and Honors

Common Knowledge

Original publication date
1980

Classifications

Genres
Fiction and Literature, General Fiction, Historical Fiction
DDC/MDS
823.914Literature & rhetoricEnglish & Old English literaturesEnglish fiction1900-1901-19991945-1999
LCC
PR6065 .F3 .N6Language and LiteratureEnglishEnglish Literature1961-2000
BISAC

Statistics

Members
131
Popularity
248,599
Reviews
3
Rating
½ (3.55)
Languages
English, French
Media
Paper, Ebook
ISBNs
8
ASINs
2