A Man of Two Faces: A Memoir, A History, A Memorial
by Viet Thanh Nguyen
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LONGLISTED FOR THE NATIONAL BOOK AWARDThe highly original, blistering, and unconventional memoir by the Pulitzer Prize-winning author of The Sympathizer, which has now sold over one million copies worldwide
With insight, humor, formal invention, and lyricism, in A Man of Two Faces Viet Thanh Nguyen rewinds the film of his own life. He expands the genre of personal memoir by acknowledging larger stories of refugeehood, colonization, and ideas about Vietnam and America, writing with his show more trademark sardonic wit and incisive analysis, as well as a deep emotional openness about his life as a father and a son.
At the age of four, Nguyen and his family are forced to flee his hometown of Ban Mê Thu?t and come to the USA as refugees. After being removed from his brother and parents and homed with a family on his own, Nguyen is later allowed to resettle into his own family in suburban San José. But there is violence hidden behind the sunny façade of what he calls AMERICATM. One Christmas Eve, when Nguyen is nine, while watching cartoons at home, he learns that his parents have been shot while working at their grocery store, the SàiGòn M?i, a place where he sometimes helps price tins of fruit with a sticker gun. Years later, as a teenager, the blood-stirring drama of the films of the Vietnam War such as Apocalypse Now throw Nguyen into an existential crisis: how can he be both American and Vietnamese, both the killer and the person being killed? When he learns about an adopted sister who has stayed back in Vietnam, and ultimately visits her, he grows to understand just how much his parents have left behind. And as his parents age, he worries increasingly about their comfort and care, and realizes that some of their older wounds are reopening.
Profound in its emotions and brilliant in its thinking about cultural power, A Man of Two Faces explores the necessity of both forgetting and of memory, the promises America so readily makes and breaks, and the exceptional life story of one of the most original and important writers working today.
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wow. this is incredible. i haven't read his fiction, which is what he's famous for, so can only imagine how good it must be. because this is stellar. the way he writes, the things he does on the page, his ability to surprise with a little humor here and there. this is such a great book. he's left me with so much to think about.
i could quote it all but i'll quote his quoting of arundhati roy, who said: "There's really no such thing as the 'voiceless.' There are only the deliberately silenced, or the preferably unheard."
i could quote it all but i'll quote his quoting of arundhati roy, who said: "There's really no such thing as the 'voiceless.' There are only the deliberately silenced, or the preferably unheard."
This memoir – it is really more than a memoir as the subtitle suggests – expands upon themes Professor Nguyen has explored in his previous works: colonialization, racism, the difficulties facing refugees in this country, and notions of identity complicated by a complicated war. Not only does Nguyen explore his own family’s flight from Vietnam during the fall of Saigon in 1975, but also his parents flight from North Vietnam to South Vietnam when the communists took over the northern part of the country and the complex relationship they had as “invaders” and “imperialists” with the Montagnards who populated in the region where they settled. Beyond that, Nguyen explores his family’s life as refugees first in Pennsylvania show more than in San Jose, California. Nguyen pulls no punches in his assessments of Vietnam War films and the prejudices he and his family faced here in America. As a Caucasian American, I found the criticisms sharp and difficult, but hardly unwarranted. As ever, Nguyen’s writing is lyrical and full of interesting typographic devices, like lines of poetry, and his style is self-effacing and humorous in the face of the challenges his family faced. show less
This memoir tells the story of Viet Thanh Nguyen's escape from Vietnam at the age of four with his brother and parents to America™ as he writes it. And then what follows is a rage at the racism, the eradication of their previous lives and the effect this has on him.
Written in a fragmentary form with text justified on both sides of the page and sometimes laid out as poetry, the dominant themes are circled around again and again. Racism, the American Dream, colanisation and colonisers, being seen as Asian not Vietnamese, war and how all of this has shaped him.
There is an indepth exploration of the use of film to rewrite history, particularly for war films - Apocalypse Now, Green Berets. All watched and uncomfortable in some way. This is show more how America rewrites history.
Eventually you realise that Green Berets is a work of propaganda so spectacular and atrocious that only the Third Reich or Hollywood could have made it.
p91
As VTN becomes a father and takes on a new role, his understanding of his parents becomes clearer. They may not have said 'I love you', but their actions, their working long hours in the shop, providing a 'good' education for their children, all were about protecting and providing - symbols of love. And then, in later years, saying the words. So here is a new role, fatherhood, that helps him to find his voice.
The title comes from the opening line in The Sympathizer,
I am a spy, a sleeper, a spook, a man of two faces.
p2
I wonder how many refugees see themselves as having two faces - their place of birth and where they settle after escaping. Perhaps settle is the wrong word because VTN sounds anything but settled. He is a spy for America inside his own home and a spy for Vietnam outside of his home. He is a sleeper in that for decades he doesn't tell his parents everything he does, including dating J, and his parents don't burden him with their worries and losses. He is a spook in the ghostly sense because he is a ghost of his own emotions, often numb at critical events.
I actually wondered as I read it whether there was anything new in this book. Margo Jefferson and Christina Sharpe have both written fragmentary memoirs exploring racism, representation, family and being 'othered'. Their innovation was subtler such as Jefferson crossing out elements of the quotes that didn't fit her, reflecting deletion, and writing in her own. Both also showed the importance of writing and finding their own voices. This is not to diminish the strength of voice that VTN discovers, merely to point out that he is not the only one that thinks like this and there is little acknowledgement of this idea. Other textual playings are to black out Trump's name whenever it is needed in the book and that feels clumsy - I had to say the word in my head when I read it so it's still there, like it or not.
My heart always sinks when I see a quote that says 'Every American needs to read it.'The same happened with The Maid by Stephanie Lander and then with this book. What I suspect is that those who need to read it are the very people who won't. It's a book that preaches to the converted. show less
Written in a fragmentary form with text justified on both sides of the page and sometimes laid out as poetry, the dominant themes are circled around again and again. Racism, the American Dream, colanisation and colonisers, being seen as Asian not Vietnamese, war and how all of this has shaped him.
There is an indepth exploration of the use of film to rewrite history, particularly for war films - Apocalypse Now, Green Berets. All watched and uncomfortable in some way. This is show more how America rewrites history.
Eventually you realise that Green Berets is a work of propaganda so spectacular and atrocious that only the Third Reich or Hollywood could have made it.
p91
As VTN becomes a father and takes on a new role, his understanding of his parents becomes clearer. They may not have said 'I love you', but their actions, their working long hours in the shop, providing a 'good' education for their children, all were about protecting and providing - symbols of love. And then, in later years, saying the words. So here is a new role, fatherhood, that helps him to find his voice.
The title comes from the opening line in The Sympathizer,
I am a spy, a sleeper, a spook, a man of two faces.
p2
I wonder how many refugees see themselves as having two faces - their place of birth and where they settle after escaping. Perhaps settle is the wrong word because VTN sounds anything but settled. He is a spy for America inside his own home and a spy for Vietnam outside of his home. He is a sleeper in that for decades he doesn't tell his parents everything he does, including dating J, and his parents don't burden him with their worries and losses. He is a spook in the ghostly sense because he is a ghost of his own emotions, often numb at critical events.
I actually wondered as I read it whether there was anything new in this book. Margo Jefferson and Christina Sharpe have both written fragmentary memoirs exploring racism, representation, family and being 'othered'. Their innovation was subtler such as Jefferson crossing out elements of the quotes that didn't fit her, reflecting deletion, and writing in her own. Both also showed the importance of writing and finding their own voices. This is not to diminish the strength of voice that VTN discovers, merely to point out that he is not the only one that thinks like this and there is little acknowledgement of this idea. Other textual playings are to black out Trump's name whenever it is needed in the book and that feels clumsy - I had to say the word in my head when I read it so it's still there, like it or not.
My heart always sinks when I see a quote that says 'Every American needs to read it.'The same happened with The Maid by Stephanie Lander and then with this book. What I suspect is that those who need to read it are the very people who won't. It's a book that preaches to the converted. show less
Deeply personal and political...A witty and scathing look at what it means to be a refugee, an immigrant, and an American in a world that doesn't see you as you see yourself.
Very powerful and very good. Recommended for anyone who works on “refugees issues
I listened to the audiobook, and would have like the hardcover better I think. Viet Thanh Nguyen reads so beautifully, and even with him reading his own audiobook, it wasn't as compelling.
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103 works; 1 member
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16+ Works 7,779 Members
Viet Thanh Nguyen was born in Ban Me Thuot, Viet Nam. In 1975, he came to the United States as a refugee with his family. He received degrees in English and ethnic studies from the University of California Berkeley. After receiving a Ph.D. in English from Berkeley, he began teaching at the University of Southern California and has been there ever show more since. He is an associate professor of English and American studies and ethnicity. He is the author of Race and Resistance: Literature and Politics in Asian America and Nothing Ever Dies: Vietnam and the Memory of War. The novel The Sympathizer won the First Novel Prize from the Center for Fiction, the 2016 Andrew Carnegie Medal for Excellence in Fiction, the Asian/Pacific American Award for Literature in Fiction, and the 2016 Pulitzer Prize for fiction. His latsest novel is The Refugees. He co-edited Transpacific Studies: Framing an Emerging Field with Janet Hoskins. (Bowker Author Biography) show less
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- 979.4 — History & geography History of North America Great Basin and Pacific Slope region of United States California
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- F869 .S394 .N58 — Local History of the United States, Canada and Latin America United States local history California
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