The Seven Against Thebes

by Aeschylus

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The third and final play in Aeschylus' Oedipodea trilogy, Seven Against Thebes is the only one of the three plays that has survived intact to this day. During the course of the action-packed play, seven would-be usurpers storm the city's gates in a series of brutal attacks. Will the family—still weakened by the curse put on its patriarch, Oedipus—be able to marshal the strength to fight back?

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11 reviews
To be honest, I consider this one of the weaker plays by the Greek tragedian Aeschyles (c. 525–c. 455 BCE). It tells the mythical story of the siege of the city of Thebes, with its seven gates, by an army led by Polyneikes, the exiled brother of the city's strongman, Eteocles. Both were sons of the infamous Oedipus, so you know you are in stormy waters. And for Aeschyles, it was also a point of reference to proclaim his recurring message: man is trapped in a divine order that he can barely understand and must above all endure, even though—in this case—it concerns a curse that can haunt a family for generations.
There is much pathos in this play, many moral messages, and a composition that is not entirely balanced, especially due to show more the passage at the end with Antigone (perhaps not added by Aeschyles himself), a foreshadowing of Sophocles' moving play later on. There are certainly strong scenes, but because Aeschyles has the action scenes in this play described only through third parties, this becomes – in my opinion – one of the less dynamic ones.
There is only one striking aspect that gives this play somewhat more value: it indirectly highlights the inferior position of women in Greek society. For this, see my History account on Goodreads: https://www.goodreads.com/review/show/8507780684
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Sete contra Tebas, de Ésquilo, é a única peça que chegou até nós de uma tetralogia que inclui Laio, Édipo e a comédia A Esfinge, e que venceu as Dionísias de Atenas em 467 a.C. Como pano de fundo da tragédia, temos a maldição lançada sobre a dinastia dos Labdácidas, reis da cidade-estado de Tebas, na Grécia, que causou o assassinato de Laio, a desgraça de seu filho Édipo, e uma guerra fratricida entre os dois filhos de Édipo, Etéocles e Polinices, para herdar seu trono. A história se inicia quando Polinices, alijado do poder por seu irmão, reúne um exército com mais seis generais gregos e cerca as muralhas de Tebas. Diante da invasão iminente, o rei Etéocles, protagonista da peça, procura acalmar os cidadãos show more em pânico e organizar a defesa da cidade. Destaca-se no texto a bela passagem em que Etéocles, informado por um espião sobre os sete generais que atacarão as portas de Tebas, identificados por seus escudos, designa os sete guerreiros tebanos que irão enfrentá-los. A extrema plasticidade desta obra-prima do teatro grego é realçada na apurada tradução poética de Trajano Vieira, autor também do posfácio a esta edição bilíngue, que inclui ainda um ensaio historiográfico do helenista inglês Alan H. Sommerstein. show less
A decent enough play about a siege with both sides being lead by the sons of Oedipus. Not really too interesting though.
A sort of continuation of the Oedipus trilogy
I didn't really like this one.
To really enjoy these plays I recommend a great translation that works for you!
*i did not read this exact translation, but this story by Euripides

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Author Information

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311+ Works 22,815 Members
Aeschylus was born at Eleusis of a noble family. He fought at the Battle of Marathon (490 b.c.), where a small Greek band heroically defeated the invading Persians. At the time of his death in Sicily, Athens was in its golden age. In all of his extant works, his intense love of Greece and Athens finds expression. Of the nearly 90 plays attributed show more to him, only 7 survive. These are The Persians (produced in 472 b.c.), Seven against Thebes (467 b.c.), The Oresteia (458 b.c.)---which includes Agamemnon, Libation Bearers, and Eumenides (or Furies) --- Suppliants (463 b.c.), and Prometheus Bound (c.460 b.c.). Six of the seven present mythological stories. The ornate language creates a mood of tragedy and reinforces the already stylized character of the Greek theater. Aeschylus called his prodigious output "dry scraps from Homer's banquet," because his plots and solemn language are derived from the epic poet. But a more accurate summation of Aeschylus would emphasize his grandeur of mind and spirit and the tragic dignity of his language. Because of his patriotism and belief in divine providence, there is a profound moral order to his plays. Characters such as Clytemnestra, Orestes, and Prometheus personify a great passion or principle. As individuals they conflict with divine will, but, ultimately, justice prevails. Aeschylus's introduction of the second actor made real theater possible, because the two could address each other and act several roles. His successors imitated his costumes, dances, spectacular effects, long descriptions, choral refrains, invocations, and dialogue. Swinburne's (see Vol. 1) enthusiasm for The Oresteia sums up all praises of Aeschylus; he called it simply "the greatest achievement of the human mind." Because of his great achievements, Aeschylus might be considered the "father of tragedy." (Bowker Author Biography) show less

Some Editions

Boutens, P.C. (Translator)
Italie, G. (Editor)
Morshead, E. D. A. (Translator)
Wecklein, N. (Editor)

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Common Knowledge

Canonical title
The Seven Against Thebes
Original publication date
467 BCE
People/Characters
Eteocles; Antigone; Ismene; spy; herald
Important places
Thebes, Greece
Important events
Expedition of the Seven against Thebes
First words
You citizens of Cadmus, he must speak home/ that in the ship's prow watches the event/ and guides the rudder, his eye not drooped in sleep. - (tr. Grene, 1956)
Last words
(Click to show. Warning: May contain spoilers.)For after the Blessed Ones and the strength of Zeus/ he is the one who saved the city/ from utter destruction, from being overwhelmed/ by the wave of foreign invaders. - (tr. Grene, 1956)

Classifications

Genres
Fiction and Literature, Poetry
DDC/MDS
882.01Literature & rhetoricClassical & modern Greek literaturesClassical Greek dramatic poetry and dramastandard subdivisions; collections; history, description, critical appraisal; Specific periodsAncient period to ca. 499
LCC
PA3827 .S4 .H4Language and LiteratureGreek language and literature. Latin language and literatureGreek literatureIndividual authorsAeschylus
BISAC

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ISBNs
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1
ASINs
12