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Night Fisher

by R. Kikuo Johnson

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1607172,711 (3.34)1
"With the end of high school just around the corner, his best friend, Shane, has grown distant. Rumors abound. Loren suspects that Shane has left him behind for a new group of friends. Their friendship is put to the test when they get mixed up in a petty crime. Johnson has a naturalistic ease in exploring these relationships, which sets this drama apart. This graphic novel debut is at once an unsentimental portrait of that most awkward period between adolescence and young adulthood and that rarest of things -- a mature depiction of immature lives. His lush-yet-unsentimental-depiction of Maui creates an immersive, visceral sense of place." -- page 4 of Cover.… (more)
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1542 ( )
  freixas | Mar 31, 2023 |
Loren is a Boston transplant to Maui with his dentist father. He attends an elite prep school with his best friend Shane. He and Shane have drifted apart as Shane gets more involved with a dicey, drug-using crowd. They reconnect in this environment primarily because Loren has access to his dad's truck which is used to facilitate runs of petty theft. The boys are arrested when police find stolen goods in the truck. A days-in-the-life glimpse of Loren's balancing act between responsible straight-A student and the murky future of his adulthood. Black-and-white sketches set a brooding ambience just right for portraying teens facing their personal crossroads.
  Salsabrarian | Feb 2, 2016 |
Beautifully drawn. ( )
  CelineNorah | Jan 27, 2009 |
A graphic novel about a high school kid who moves to Hawaii with his father. Somewhat mundane story about how he and his best friend smoke meth, then get busted stealing a generator. His best friend, though, betrays him in that the friend has already been accepted to MIT. ( )
  ethanr | Mar 6, 2007 |
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The Hawaiian setting is traditionally portrayed as exotic and beautiful; by emphasizing elements that evoke those memories, Johnson undercuts that stereotype with his story.
 
Lacking in plot, Night Fisher feels more like a rumination than a story, but Johnson’s dynamic artwork holds your interest. Even in black and white, the pencils capture the lush vegetation of Hawaii, along with the blight of increasing construction.
 
Johnson's debut is not only remarkably assured but astonishingly fresh, one that refuses to trade in the usual hoary high-school clichés.
added by stephmo | editMonsters & Critics (Jul 30, 2005)
 
It is a first novel by a talented young author, with all the limitations, and all the strengths, that one would expect from such a thing. With his accomplished traditional drawing skills, his easy brushwork, his ability to frame and block a story, his subtle but high-flown ambitions, and his way with character “actors,” Johnson could someday be as well-known among casual readers as, say, Craig Thompson, or as masterful a High Artist as, say, Jaime Hernandez, or even — and this would be fortuitous indeed — both at the same time.
 
Miss this one, and you're needlessly depriving yourself of a sublime and arresting reading experience. Night Fisher is a debut of stunning power, delivered with more than a dash of real authority. Every moment depicted, no matter how seemingly inconsequential, is imbued with its own weight and reality, its own raw beauty and ugly truth. The story begins effortlessly, it unfolds with precision and concision, and the ending is devastating in its simplicity, in its implications, and in its seeming inevitable nature.
 
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"With the end of high school just around the corner, his best friend, Shane, has grown distant. Rumors abound. Loren suspects that Shane has left him behind for a new group of friends. Their friendship is put to the test when they get mixed up in a petty crime. Johnson has a naturalistic ease in exploring these relationships, which sets this drama apart. This graphic novel debut is at once an unsentimental portrait of that most awkward period between adolescence and young adulthood and that rarest of things -- a mature depiction of immature lives. His lush-yet-unsentimental-depiction of Maui creates an immersive, visceral sense of place." -- page 4 of Cover.

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