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Loading... My Brother's Keeper (2023)by Tim Powers
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. A gothic horror thriller set in Haworth in the 19thC starring the Brontës! They are fighting against the curse of the werewolf and encounter all types of supernatural and fantastical figures. It’s a race against time to stop a religious cult resurrecting something not very nice buried under an ogham inscribed slab in the church. Strange goings on in Yorkshire! I wasn’t sure about this book when I first started it. The combination of the Brontës and werewolves didn’t really gel for me. So I parked the idea of the Brontës to a certain extent and just went with the flow. I then ended up enjoying it. It’s an unusual tale and very imaginatively written. I loved Keeper the dog, such a hero! It gave an interesting insight into the three sisters and their brother. I thought their individual personalities shone through very well. I wasn’t so keen on the idea of werewolves roaming the wild and wonderful Yorkshire Moors, it could put you off a relaxing walk through the gloriously colourful heather! I don’t think the sheep would be too keen, either. Nevertheless it had an exciting plotline and it kept me turning the pages. I would recommend it to historical fantasy fans, particularly those who like some extra magic mixed in with their reading. I obtained this book from NetGalley in exchange for an honest review. I love Tim Powers, and was looking forward to this! Given the synopsis, I was half-expecting this to be part of the Romantic Poets and Nephilim sequence, but it seemed more of a stand-alone even though it shares the time-period and subject matter of the previous titles. When I started reading it, my initial reaction was that this would work as a Liminal (table-top roleplaying game) campaign! It did suffer from a number of fairly obvious typos which I trust will be fixed prior to publication, but they were few enough not to distract from the story (apart from one which made a sentence look like gobbledegook). Unfortunately, this knocks a star off my rating, along with the PDF format (which doesn't always work well on an ereader). Powers evokes the terrain and weather of the Yorkshire Moors very well, and I saw no obvious errors in the geography and geology (as a child, I used to holiday in what is now the Yorkshire Dales National Park and have a vague memory of my mother taking me to Haworth). The story is a historical fantasy, retelling the lives of the Brontë siblings with supernatural explanations for their various illnesses and eccentricities. It is very well done, and is set in Haworth between Elizabeth Branwell's death and Emily Brontë's death (the book ends with the latter), although the main action is roughly 1843-1847. The main focus of the action is Emily Brontë, with the other siblings and their father as less in focus. Recommended. no reviews | add a review
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THE TRUE STORY OF THE BRONTË SISTERS AS ONLY TIM POWERS COULD WRITE IT. This is a ghost story. It is a story about werewolves, and things that go bump in the night. It is a story of an ill-fated land, the pathless moors of Northern England so well chronicled in Wuthering Heights. And it is the story of a real family whose destiny it is to deal with this darkly glamorous and dangerous world. When young Emily Brontë helps a wounded man she finds at the foot of an ancient pagan shrine in the remote Yorkshire moors, her life becomes contentiously entwined with his. He is Alcuin Curzon, embittered member of a sect working to eradicate the resurgent plague of lycanthropy in Europe and northern England. But Emily's father, curate of the Haworth village church, is responsible for having unwittingly brought a demonic werewolf god to Yorkshire forty years ago--and it is taking possession of Emily's beloved but foolish and dissolute brother. Curzon must regard Emily's family as a dire threat. In spite of being at deadly odds, Emily and Curzon find themselves thrown together in fighting werewolves, confronting pagan gods, even saving each other from the lures of moorland demons. And in a final battle that sweeps from the haunted village of Haworth to a monstrous shrine far out on the moors, the two of them must be reluctant allies against an ancient power that seems likely to take their souls as well as their lives. No library descriptions found. |
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Secondly, what the hell did I just read? Werewolves and ghosts and Catholic sects, oh my. I won't ask why the Brontës were the main characters - that's what drew me in - but honestly, the plot was an insult to even Wuthering Heights, never mind Anne, Charlotte and Emily. And the author just - throws the reader in the deep end. Emily comes across a wounded man bearing a two-pronged knife at Ponden Kirk and tries to help him before going for back up. When she gets back, he's vanished but left his weapon, which she shows to her father. The Rev launches into a tale about a little dark haired child brought over from Ireland, who may or may not have been a werewolf, and all hell breaks loose. After that, I lost track.
Emily is the lead sister yet again, and she is both nonconforming and unrelenting, I'll give her that: 'Emily thought of the ways in which she was indeed already set apart. The idea of marriage and children had never held any attraction for her, and conviviality of the sort going on in the bigger room beyond the door at her back was unfathomable: dissipation, in every sense. The people of the village, and of the remote busy world, were ciphers - their motives, if any, only to be guessed at. Her strength and firm identity thrived in solitude.' Charlotte is either absent or opposed to her sister's behaviour, and Anne is quietly curious. Branwell - hoo boy, I forgot possession in the description above! - is not himself for much of the story, either. Emily's dog Keeper is the best of the supporting cast. I didn't really get a sense of the siblings' personalities or the Yorkshire setting, because the focus is heavily on the contrived supernatural plot. Werewolves as a horror device are ridiculous - overgrown dogs controlled by the moon and stopped by silver bullets - but the breath-sucking ghosts were cool. And on a nitpicking level, the constant reference to mid-nineteenth century women 'grabbing their coats', like the Brontës wore Barbour jackets, was jarring.
Note to self: pay better attention to the blurb in future. ( )