Between the Rivers
by Harry Turtledove
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In ancient Mesopotamia, a revolt breaks out against the gods by men seeking the right to choose their own destiny. They say that by dictating every little act the gods are destroying human creativity. The leader is a young merchant and his main task is to find a talisman that will assure victory.Tags
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A stand-alone historical fantasy set in Ancient Mesopotamia, dealing with free will and the relationship of a god with his worshippers.
Sharur is a trader from the city of Giblil; the city god, En-Giblil, is lazy and doesn’t bother to micromanage his worshippers as other gods do. As a result, the Giblut are an inventive and industrious people, who have taken to thinking for themselves, helped by the preponderance of smiths and scribes in the city.
A trading trip to the mountains is a disaster; the mountain gods have forbidden their people to trade with the Giblut. It seems something was traded from the mountains which should not have been - a vessel of the god’s power. Terrified by the loss, the mountain gods threaten Sharur...
An show more excellent read, although the writing style may be rather off-putting - it’s very rhythmic and repetitive. Of course, those who have read The Epic of Gilgamesh will recognise the style.
Highly recommended, especially as a resource for Mythic Babylon or Dara Happan Glorantha. show less
Sharur is a trader from the city of Giblil; the city god, En-Giblil, is lazy and doesn’t bother to micromanage his worshippers as other gods do. As a result, the Giblut are an inventive and industrious people, who have taken to thinking for themselves, helped by the preponderance of smiths and scribes in the city.
A trading trip to the mountains is a disaster; the mountain gods have forbidden their people to trade with the Giblut. It seems something was traded from the mountains which should not have been - a vessel of the god’s power. Terrified by the loss, the mountain gods threaten Sharur...
An show more excellent read, although the writing style may be rather off-putting - it’s very rhythmic and repetitive. Of course, those who have read The Epic of Gilgamesh will recognise the style.
Highly recommended, especially as a resource for Mythic Babylon or Dara Happan Glorantha. show less
I thoroughly enjoyed this book. Even though it is alternative history, Turtledove's description of ancient Mesopotamia is pretty accurate. His premise on how the ancient gods lost their powers is clever and insightful. I loved the interaction between the gods, ghosts, and living characters.
In standard Turtledove fashion, this feels like a historical fantasy. It is set in a 'mythical' world with 2 rival cities that have just developed enough civilization to need trade, and to be able to conduct full scale war on each other. The book follows the rulers of one city and a merchant family. It was quite interesting, I just wish there was another after it.
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288+ Works 43,042 Members
Harry Turtledove was born in Los Angeles, California on June 14, 1949. He received a Ph.D. in Byzantine history from UCLA in 1977. From the late 1970's to the early 1980's, he worked as a technical writer for the Los Angeles County Office of Education. He left in 1991 to become full-time writer. His first two novels, Wereblood and Werenight, were show more published in 1979 under the pseudonym Eric G. Iverson because his editor did not think people would believe that Turtledove was his real name. He used this name until 1985 when he published Herbig-Haro and And So to Bed under his real name. He has received numerous awards including the Homer Award for Short Story for Designated Hitter in 1990, the John Esthen Cook Award for Southern Fiction for Guns of the Southand in 1993, and the Hugo Award for Novella for Down in the Bottomlands in 1994. (Bowker Author Biography) show less
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- Original publication date
- 1998
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- 324
- Popularity
- 97,690
- Reviews
- 4
- Rating
- (3.56)
- Languages
- English
- Media
- Paper, Ebook
- ISBNs
- 5
- ASINs
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