Fall Into Darkness
by Christopher Pike
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Did Sharon murder her best friend? They heard the screams in the darkness, on the cliff edge, before Ann fell to her death. But there's no body. Was it murder or suicide? Or did she never hit the ground?Tags
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“You five made an interesting group. I wonder if you knew who loved who. Or who loved what.” — Attorney John Richmond to Sharon McKay
This is so good it’s difficult to know where to begin. Christopher Pike wrote this in 1990 and I have no qualms about calling this a young adult classic. Even that seems a slight, because Fall into Darkness is so entertaining, so enthralling, perhaps the term classic shouldn’t be prefaced by the young adult label. This is really that good, I kid you not.
In many ways, this plays out like a very old soft noir, black and white drama from the Golden Age of film. The only difference is that here, the setting is updated, and the characters are younger, just on the cusp of real adulthood — if they show more survive. Fall into Darkness begins with a bang, with Sharon McKay on trial for the murder of her best friend, Ann Rice. Sharon is poor but talented, so talented musically that she has been accepted to Juilliard. Ann was the beautiful and rich one. If you think you already see where this one is headed, boy are you wrong.
The “witnesses” are all friends of the girls in one way or another. Most attended Wonderwood High together in Utah. True to life at this age, romances and loyalties are fluid among the friends, and also true to life at their age, they often blame Heaven for woes they’ve brought upon themselves by their own actions. When Pike wrote for this particular age group, he always seemed to be writing for the slightly smarter, slightly more “experienced” teenagers, and it gives his characters a bit of bite, and realism. When they do stupid things, it’s because that’s how they would really act in a particular situation, and it rings true.
The narrative is mesmerizing, floating back and forth between the trial, and Sharon’s memories of everything that led up to the event in question. Though on trial for a murder she didn’t commit, everyone saw Ann and Sharon go for a walk near the cliffs. But it’s what everyone heard that is at the root of the murder charge, since Ann’s body has not been found. Ann screamed “Don’t!” and then she was gone. But what really happened, and why?
I really need to tiptoe around all the secrets slowly revealed as Sharon’s suave and astute attorney, John Richmond, — who may want a little more in “payment” than Sharon has planned — questions the young men about what happened, about the history of the girls in relation to the boys, and about the suicide of Ann’s brother. It is obvious to the reader that Richmond has figured out what happened, and has a plan to get at the truth. But even if he does get an acquittal for Sharon, is that the end, the real truth?
I wish I could say more, but this one has more than one twist, including some unexpected violence, and an ending that’s so, so…Well, you’ll have to read it to believe it. I can’t recall the last time I couldn’t put a book down, no matter how good. This one had me up half the night because I had to know how it all ended. Fall into Darkness has a page-turning narrative and terrific movement. The characters are written as real young adults of the time, giving this an edge. Everything about this courtroom thriller filled with flashbacks is top-tier. Loved this, and can’t imagine anyone not loving it. Highly recommended. show less
This is so good it’s difficult to know where to begin. Christopher Pike wrote this in 1990 and I have no qualms about calling this a young adult classic. Even that seems a slight, because Fall into Darkness is so entertaining, so enthralling, perhaps the term classic shouldn’t be prefaced by the young adult label. This is really that good, I kid you not.
In many ways, this plays out like a very old soft noir, black and white drama from the Golden Age of film. The only difference is that here, the setting is updated, and the characters are younger, just on the cusp of real adulthood — if they show more survive. Fall into Darkness begins with a bang, with Sharon McKay on trial for the murder of her best friend, Ann Rice. Sharon is poor but talented, so talented musically that she has been accepted to Juilliard. Ann was the beautiful and rich one. If you think you already see where this one is headed, boy are you wrong.
The “witnesses” are all friends of the girls in one way or another. Most attended Wonderwood High together in Utah. True to life at this age, romances and loyalties are fluid among the friends, and also true to life at their age, they often blame Heaven for woes they’ve brought upon themselves by their own actions. When Pike wrote for this particular age group, he always seemed to be writing for the slightly smarter, slightly more “experienced” teenagers, and it gives his characters a bit of bite, and realism. When they do stupid things, it’s because that’s how they would really act in a particular situation, and it rings true.
The narrative is mesmerizing, floating back and forth between the trial, and Sharon’s memories of everything that led up to the event in question. Though on trial for a murder she didn’t commit, everyone saw Ann and Sharon go for a walk near the cliffs. But it’s what everyone heard that is at the root of the murder charge, since Ann’s body has not been found. Ann screamed “Don’t!” and then she was gone. But what really happened, and why?
I really need to tiptoe around all the secrets slowly revealed as Sharon’s suave and astute attorney, John Richmond, — who may want a little more in “payment” than Sharon has planned — questions the young men about what happened, about the history of the girls in relation to the boys, and about the suicide of Ann’s brother. It is obvious to the reader that Richmond has figured out what happened, and has a plan to get at the truth. But even if he does get an acquittal for Sharon, is that the end, the real truth?
I wish I could say more, but this one has more than one twist, including some unexpected violence, and an ending that’s so, so…Well, you’ll have to read it to believe it. I can’t recall the last time I couldn’t put a book down, no matter how good. This one had me up half the night because I had to know how it all ended. Fall into Darkness has a page-turning narrative and terrific movement. The characters are written as real young adults of the time, giving this an edge. Everything about this courtroom thriller filled with flashbacks is top-tier. Loved this, and can’t imagine anyone not loving it. Highly recommended. show less
This book came through on the shelving cart and I picked it up out of overwhelming nostalgia. My best friend in sixth grade, Marnee, and I read every single book that Christopher Pike had written. We were obsessed. I bought her this particular book for her 12th birthday party. I fondly flipped through the first few pages, and then checked it out to myself to read on my lunch hour.
Sharon and Ann are best friends. Sharon is poor and an extremely talented pianist (on her way to Julliard); Ann is an unbelievably wealthy orphan who secretly hates Sharon. Consumed by her fiery hatred, she decides to hurt Sharon as much as she can.
She decides the best way to do this is to fake her own death, to set Sharon up for her own murder. Ann, Sharon, show more Ann's fiancee Paul, Sharon's boyfriend Fred, and their friend Chad go camping one night...where Ann screams and jumps off a cliff (with a bungee cord tied to her waist), leaving Sharon at the top, the obviously guilty murderer.
But, where's the body? Why did Ann hate Sharon so much? Paul was supposed to be in on the plan - what went wrong? What does Chad know? Why on earth is Sharon dating Fred, who is a total dipshit? Can Sharon's prettyboy lawyer uncover the truth in time for Sharon to go to Julliard?
As with most Christopher Pike novels, the plot is a wee bit unbelievable, the parents are universally absent, the teenagers are completely horny and murderous, and the exotic babes with long black hair are always the evil ones. I wonder if Christopher Pike has an exotic babe with long black hair in his past... show less
Sharon and Ann are best friends. Sharon is poor and an extremely talented pianist (on her way to Julliard); Ann is an unbelievably wealthy orphan who secretly hates Sharon. Consumed by her fiery hatred, she decides to hurt Sharon as much as she can.
She decides the best way to do this is to fake her own death, to set Sharon up for her own murder. Ann, Sharon, show more Ann's fiancee Paul, Sharon's boyfriend Fred, and their friend Chad go camping one night...where Ann screams and jumps off a cliff (with a bungee cord tied to her waist), leaving Sharon at the top, the obviously guilty murderer.
But, where's the body? Why did Ann hate Sharon so much? Paul was supposed to be in on the plan - what went wrong? What does Chad know? Why on earth is Sharon dating Fred, who is a total dipshit? Can Sharon's prettyboy lawyer uncover the truth in time for Sharon to go to Julliard?
As with most Christopher Pike novels, the plot is a wee bit unbelievable, the parents are universally absent, the teenagers are completely horny and murderous, and the exotic babes with long black hair are always the evil ones. I wonder if Christopher Pike has an exotic babe with long black hair in his past... show less
The book starts with Sharon McKay, a high school senior and accomplished pianist, standing trial for the murder of her best friend, the rich and beautiful Ann Rice (yes. Ann Rice. And Pike uses her full name almost every time he mentions her.) Sharon and Ann had been camping up on a ridge with Ann's fiance, Paul, his brother (and Ann's gardener), Chad, and Sharon's newish boyfriend Fred. After the girls went off together for a walk, the boys heard Ann shout "Don't!" and when they got to the edge of the cliff they found Sharon crying that Ann had gone over the side.
But no one could find her body...
The story is told by flipping between flashbacks from the perspective of different friends and the present-day trial and its aftermath. show more Sharon, who swears she is innocent, is helped through the trial by her seriously creepy court-appointed attorney, John Richmond, who keeps putting his hand on her leg and making very inappropriate sexual banter. So you know that is going to go well.
Of course, nothing is as it seems and the whole thing turns into a vicious circle of double-crossing, lies, misunderstandings, and manipulations. And some seriously fucked up high school students with apparently no parental supervision or interaction with the ordinary world.
The cheesy descriptions may be more compelling than the plot for much of this young adult suspense novel, but Pike does throw in a few twists that I had forgotten, and even though I rolled my eyes through the first half of the novel, I did get caught up in it towards the end.
[full review here: http://spacebeer.blogspot.com/2009/01/fall-into-darkness-1990.html ] show less
But no one could find her body...
The story is told by flipping between flashbacks from the perspective of different friends and the present-day trial and its aftermath. show more Sharon, who swears she is innocent, is helped through the trial by her seriously creepy court-appointed attorney, John Richmond, who keeps putting his hand on her leg and making very inappropriate sexual banter. So you know that is going to go well.
Of course, nothing is as it seems and the whole thing turns into a vicious circle of double-crossing, lies, misunderstandings, and manipulations. And some seriously fucked up high school students with apparently no parental supervision or interaction with the ordinary world.
The cheesy descriptions may be more compelling than the plot for much of this young adult suspense novel, but Pike does throw in a few twists that I had forgotten, and even though I rolled my eyes through the first half of the novel, I did get caught up in it towards the end.
[full review here: http://spacebeer.blogspot.com/2009/01/fall-into-darkness-1990.html ] show less
Sharon McKay is on trial for her best friend Ann Rice’s murder. Never mind that there’s no body, no real witnesses, and no evidence. Sharon and Ann’s friends saw them hike up to the cliff that night and heard Ann scream “Don’t!” before she either fell or was pushed off the cliff. Everybody seems to be convinced that Sharon killed Ann.
Scenes of the trial from Sharon’s POV alternate between scenes prior to the accident/murder from Ann’s POV. What Sharon didn’t know was that Ann was obsessed. Ann’s brother, Jerry, had loved Sharon and had killed himself after their relationship ended. Ann blamed Sharon and wanted her to suffer. What better way to do that than frame her for murder, thereby ruining her bright future? show more (I’m sure you can think of better and less risky ways she could have gotten her revenge, but just roll with it.)
I loved Christopher Pike’s books when I was a teen. They haven’t held up quite as well for me now that I’m an adult, but I can understand why Teen Me loved them: they almost always have shocking revelations and riveting banana pants moments.
The first half of this book was a straightforward murder...story. I can’t really call it a mystery, because everything was laid out for readers to see: Ann’s motive, her plan, who she decided to involve. All of it by page 32. The main question seemed to be “Did Ann survive her regrettably complicated plan or not?”
However, I trust Pike to always find a way to complicate things, and about halfway through the book he did just that. Bad things happened during Ann's plan. A character I hadn’t paid much attention to did something unexpected. Yes! Great fun up ahead!
Except not so much. Honestly, this book could have used more banana pantsery. Pike used up what little there was too quickly and put everything out in the open too fast. The ending was just...boring. And a little too silly to take seriously. I couldn’t help but laugh at all the kiss-related dialogue at the end. Paraphrasing: “You’re a bad kisser!” “No, you are!” “That was the best kiss I ever had. Really!” Oh, just stop it.
I almost missed the epilogue because the last couple pages were slightly stuck together. If anything, the epilogue actually made things worse, adding “depressing” to “mediocre” in the list of words I’d use to describe this book. I was not a fan of the implication that Sharon might have to pay her lawyer back with sexual favors, or settle for a lesser lawyer. I suppose the “it’s going to cost you” could have been referring to money, but there were a few lines earlier on that suggested otherwise. In general, I’m not surprised that the ending was changed for the made-for-TV movie (although Wikipedia’s description of the changed ending makes it sound like more of a mess than an improvement).
One more thing: I imagine the courtroom scenes would make actual lawyers and judges cringe. I’m pretty sure that real lawyers can’t get away with telling objecting lawyers to shut up (yes, he actually said that out loud, but the judge was so dazzled by the story he was laying out that he didn’t say anything).
(Original review posted on A Library Girl's Familiar Diversions.) show less
Scenes of the trial from Sharon’s POV alternate between scenes prior to the accident/murder from Ann’s POV. What Sharon didn’t know was that Ann was obsessed. Ann’s brother, Jerry, had loved Sharon and had killed himself after their relationship ended. Ann blamed Sharon and wanted her to suffer. What better way to do that than frame her for murder, thereby ruining her bright future? show more (I’m sure you can think of better and less risky ways she could have gotten her revenge, but just roll with it.)
I loved Christopher Pike’s books when I was a teen. They haven’t held up quite as well for me now that I’m an adult, but I can understand why Teen Me loved them: they almost always have shocking revelations and riveting banana pants moments.
The first half of this book was a straightforward murder...story. I can’t really call it a mystery, because everything was laid out for readers to see: Ann’s motive, her plan, who she decided to involve. All of it by page 32. The main question seemed to be “Did Ann survive her regrettably complicated plan or not?”
However, I trust Pike to always find a way to complicate things, and about halfway through the book he did just that. Bad things happened during Ann's plan. A character I hadn’t paid much attention to did something unexpected. Yes! Great fun up ahead!
Except not so much. Honestly, this book could have used more banana pantsery. Pike used up what little there was too quickly and put everything out in the open too fast. The ending was just...boring. And a little too silly to take seriously. I couldn’t help but laugh at all the kiss-related dialogue at the end. Paraphrasing: “You’re a bad kisser!” “No, you are!” “That was the best kiss I ever had. Really!” Oh, just stop it.
I almost missed the epilogue because the last couple pages were slightly stuck together. If anything, the epilogue actually made things worse, adding “depressing” to “mediocre” in the list of words I’d use to describe this book. I was not a fan of the implication that Sharon might have to pay her lawyer back with sexual favors, or settle for a lesser lawyer. I suppose the “it’s going to cost you” could have been referring to money, but there were a few lines earlier on that suggested otherwise. In general, I’m not surprised that the ending was changed for the made-for-TV movie (although Wikipedia’s description of the changed ending makes it sound like more of a mess than an improvement).
One more thing: I imagine the courtroom scenes would make actual lawyers and judges cringe. I’m pretty sure that real lawyers can’t get away with telling objecting lawyers to shut up (yes, he actually said that out loud, but the judge was so dazzled by the story he was laying out that he didn’t say anything).
(Original review posted on A Library Girl's Familiar Diversions.) show less
This book was reminiscent of one of Pike's other novels, Gimme A Kiss. I was a bit annoyed by it at first, but then Pike actually mentions the other book. Not by name specifically, but there is no doubt through the context clues that he's talking about it! I loved the Pike-ception, even though this book was not his best work. I would recommend reading Gimme A Kiss before reading this book, but it's not necessary.
Another relatively strong mystery from Christopher Pike. He was excellent at mixing thriller with whodunnit stories. This one wasn't as good as the one I read before it, but still worked by starting with a trial and then flipping back and forth between that and the backstory. At first I was worried it wouldn't work, but it actually did. The motive was a bit weak, really, and the mystery didn't hold strong long since the author explained it by mid book. The point was mainly seeing the trial unfold, be discovered, and the events which followed afterward.
I especially loved the bizarre lawyer as a character. Not conventional, but fun. The heroine with her addiction to music wasn't fully fleshed out, but she worked well for what she needed show more to be in the story. The baddies had weak motives that only work so far. This is more of a plot-drive tale than a character-enriched one, as in standard with most mysteries and YA.
Easy to get into, hard to put down, but not particularly nail-biting with tension, suspense, or intrigue. When reading the book it's enjoyable, yet won't be something you'll remember much a year after reading it. Pike is an excellent author who has written a good book here, but if you looked at his other library of offerings, you'd be more impressed. show less
I especially loved the bizarre lawyer as a character. Not conventional, but fun. The heroine with her addiction to music wasn't fully fleshed out, but she worked well for what she needed show more to be in the story. The baddies had weak motives that only work so far. This is more of a plot-drive tale than a character-enriched one, as in standard with most mysteries and YA.
Easy to get into, hard to put down, but not particularly nail-biting with tension, suspense, or intrigue. When reading the book it's enjoyable, yet won't be something you'll remember much a year after reading it. Pike is an excellent author who has written a good book here, but if you looked at his other library of offerings, you'd be more impressed. show less
The book started off slowly and I had to restart it after setting it aside for a couple months. The second time the book captured my attention. Things really pick up after the first chapter. Fall into Darkness as a title works on many levels but I don't want give anything away! It's a short but thrilling read.
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Author Information

130+ Works 30,261 Members
Christopher Pike is the pseudonym of Kevin Christopher McFadden, one of America's most popular young adult fiction writers. He was born in Brooklyn, New York, on November 12, 1954, but grew up in Los Angeles, California. He took on various jobs before writing Slumber Party, Weekend, and Chain Letter, all of which became bestsellers. His other show more works include The Last Vampire series; the Final Friends trilogy; The Lost Mind; Witch; Whisper of Death; Alosha; The Yanti; Bury Me Deep; and Fall into Darkness. He also writes the children's series Spooksville and adult novels including Sati; The Season of Passage; The Listeners; The Cold One; The Blind Mirror and Falling. (Bowker Author Biography) show less
Common Knowledge
- Canonical title
- Fall Into Darkness
- Original publication date
- 1990
- People/Characters
- Ann Rice; Sharon McKay
- Important places
- Utah, USA
- First words
- The trial was for murder.
- Last words
- (Click to show. Warning: May contain spoilers.)Sharon wondered if she should get another lawyer.
Classifications
- Genres
- Fiction and Literature, Teen, Horror, Young Adult
- DDC/MDS
- 813.54 — Literature & rhetoric American literature in English American fiction in English 1900-1999 1945-1999
- LCC
- PZ7 .P626 — Language and Literature Fiction and juvenile belles lettres Fiction and juvenile belles lettres Juvenile belles lettres
- BISAC
Statistics
- Members
- 464
- Popularity
- 65,251
- Reviews
- 9
- Rating
- (3.47)
- Languages
- Czech, English, German, Italian
- Media
- Paper, Audiobook
- ISBNs
- 14
- ASINs
- 2





























































