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Fantasy. Fiction. Romance. HTML:I am Meredith Gentry, princess and heir apparent to the throne in the realm of faerie, onetime private investigator in the mortal world. To be crowned queen, I must first continue the royal bloodline and give birth to an heir of my own. If I fail, my aunt, Queen Andais, will be free to do what she most desires: install her twisted son, Cel, as monarch . . . and kill me.My royal guards surround me, and my best loved–my Darkness and my Killing Frost–are show more always beside me, sworn to protect and make love to me. But still the threat grows greater. For despite all my carnal efforts, I remain childless, while the machinations of my sinister, sadistic Queen and her confederates remain tireless. So my bodyguards and I have slipped back into Los Angeles, hoping to outrun the gathering shadows of court intrigue. But even exile isn’t enough to escape the grasp of those with dark designs.
Now King Taranis, powerful and vainglorious ruler of faerie’s Seelie Court, has leveled accusations against my noble guards of a heinous crime–and has gone so far as to ask the mortal authorities to prosecute. If he succeeds, my men face extradition to faerie and the hideous penalties that await them there. But I know that Taranis’s charges are baseless, and I sense that his true target is me. He tried to kill me when I was a child. Now I fear his intentions are far more terrifying. show less
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Well, blow me away and call me Mary Poppins -- I actually enjoyed this. After the forgettable melodrama that was "Mistral's Kiss", I figured this series was done for. I hate leaving a series unfinished, though, so I picked this up for half-off. I was surprised to find things -- real plot -- happening. It wasn't just chapter after chapter of touchy-feely (pun intended) conversations and wasted time. There was story development, great strides of it, in fact. And it wasn't even a particularly long book. Best of all, in my opinion, the Frost problem has been "taken care of", if you will. I can't stand him, and I was quite happy with the way things turned there -- I won't say more and risk a spoiler. Anyway, I'm truly and surprisingly show more looking forward to reading the next book, "Swallowing Darkness". Go figure. show less
After the debacle of [b:Mistral's Kiss|30224|Mistral's Kiss (Merry Gentry, #5)|Laurell K. Hamilton|https://images.gr-assets.com/books/1438472731s/30224.jpg|4198], this installment of magical fairy sex adventures had a much better structure. Moreover, Merry spent most of it wearing clothes and dealing with political intrigue. The book even opens on a meeting with lawyers, in which tedious minutiae quickly segue into Merry baldly giving mean averages of how often she has sex. I did wonder who was taking the minutes and how they phrased them. As is generally the case with fae, it seems, the meeting then breaks up into violence and acrimony.
There was considerably less sex and magic in this book and more violence, as a result of which it show more worked better for me as a novel but is less fun to mock. No new technicolour men were introduced, although Cristall the sparkly rainbow guy got a cameo. Unfortunately for him it was as a torture victim. Doyle continues to wear wraparound sunglasses with his all-black attire, which must cause people to mistake him for the monolith in [b:2001: A Space Odyssey|70535|2001 A Space Odyssey (Space Odyssey, #1)|Arthur C. Clarke|https://images.gr-assets.com/books/1432468943s/70535.jpg|208362]. Since events took place in LA, a supporting cast of humans (police, doctors, lawyers) react amusingly to fairy shenanigans. Perhaps my favourite example was the pragmatic nurse who had to deal with a giant dog jumping into her ambulance then turning into a naked Doyle. She merely says, "What the hell" then gives him a blanket. (I hope it was a silver thermal one.)
The overriding message I got from this update to the Merry Gentry story is that absolutist hereditary monarchy, never a solid idea, is especially catastrophic for magical immortals. All the fairy monarchs have clearly gone completely mad as absolute power has corrupted them absolutely. Merry should really introduce the notion of representative democracy to the Seelie and Unseelie courts posthaste. Also, someone urgently needs to set up a rule of law, to prevent rulers resorting to torture on any pretext (pique, boredom, etc).
I can't really comment any further without spoiling, so will cut here.
Events come thick and fast in the latter third of the book. (After writing that I noticed the double entendre and am very sorry.) A sort of magical A-bomb detonates in a manner that I found even less comprehensible than most magic in the series. This causes Frost, him of the sparkly silver hair, to sacrifice himself somehow, turn into a stag, and disappear. To my annoyance, I actually cared about this, as I've become invested in Doyle, Frost, and Merry having a happy threesome relationship. Alas poor Frost, maybe you'll return at some suitably dramatic juncture. At least both Merry and Doyle cried over you, as well they should. Then followed the revelation that Merry is pregnant, which was extremely predictable as soon as she started saying she felt under the weather. When previously making predictions about who would be the daddy, though, I radically underestimated the heights of absurdity to which this series aspires. Not only is Merry pregnant with triplets, but it seems that EVERYONE is the daddy. Indeed, I lost track. Were there nine fathers or just six? I remain confused. Those kids are going to have assign their dads numbers and some sort of visitation rota, either way. More importantly, what colours will their hair be?
The final twist in the story is by the far the least pleasant - that Merry's uncle has beaten and raped her. I was greatly relieved that this scene took place off-page as I hate reading rape scenes. I'm not sure what it says about Laurell K Hamilton, her audience in general, or me specifically, but reading about Andais torturing her guards doesn't break the fantasy atmosphere of the books, whereas a rape description definitely would. I wish the rape hadn't been included at all, as there seems no strong narrative pretext. Taranis was already murderous, unstable, and unhinged. Given that Cel and Andais have also made or threatened incestuous overtures, though, I really think the whole fairy royal family have gone wrong and are overdue for a revolution that ends with their heads on pikes.
To conclude on a happier note, I'm pleased that Rhys finally got to air his issues like an adult, hopefully reducing the level of ambient passive-aggression. Also, I liked the addition of many dogs to the household of Merry and her harem, although it will undoubtedly worsen the already parlous hair-in-the-carpets situation. It would be nice if Merry could spend her pregnancy recuperating peacefully and cuddling puppies. Somehow I doubt that is what will transpire.
There was considerably less sex and magic in this book and more violence, as a result of which it show more worked better for me as a novel but is less fun to mock. No new technicolour men were introduced, although Cristall the sparkly rainbow guy got a cameo. Unfortunately for him it was as a torture victim. Doyle continues to wear wraparound sunglasses with his all-black attire, which must cause people to mistake him for the monolith in [b:2001: A Space Odyssey|70535|2001 A Space Odyssey (Space Odyssey, #1)|Arthur C. Clarke|https://images.gr-assets.com/books/1432468943s/70535.jpg|208362]. Since events took place in LA, a supporting cast of humans (police, doctors, lawyers) react amusingly to fairy shenanigans. Perhaps my favourite example was the pragmatic nurse who had to deal with a giant dog jumping into her ambulance then turning into a naked Doyle. She merely says, "What the hell" then gives him a blanket. (I hope it was a silver thermal one.)
The overriding message I got from this update to the Merry Gentry story is that absolutist hereditary monarchy, never a solid idea, is especially catastrophic for magical immortals. All the fairy monarchs have clearly gone completely mad as absolute power has corrupted them absolutely. Merry should really introduce the notion of representative democracy to the Seelie and Unseelie courts posthaste. Also, someone urgently needs to set up a rule of law, to prevent rulers resorting to torture on any pretext (pique, boredom, etc).
I can't really comment any further without spoiling, so will cut here.
Events come thick and fast in the latter third of the book. (After writing that I noticed the double entendre and am very sorry.) A sort of magical A-bomb detonates in a manner that I found even less comprehensible than most magic in the series. This causes Frost, him of the sparkly silver hair, to sacrifice himself somehow, turn into a stag, and disappear. To my annoyance, I actually cared about this, as I've become invested in Doyle, Frost, and Merry having a happy threesome relationship. Alas poor Frost, maybe you'll return at some suitably dramatic juncture. At least both Merry and Doyle cried over you, as well they should. Then followed the revelation that Merry is pregnant, which was extremely predictable as soon as she started saying she felt under the weather. When previously making predictions about who would be the daddy, though, I radically underestimated the heights of absurdity to which this series aspires. Not only is Merry pregnant with triplets, but it seems that EVERYONE is the daddy. Indeed, I lost track. Were there nine fathers or just six? I remain confused. Those kids are going to have assign their dads numbers and some sort of visitation rota, either way. More importantly, what colours will their hair be?
The final twist in the story is by the far the least pleasant - that Merry's uncle has beaten and raped her. I was greatly relieved that this scene took place off-page as I hate reading rape scenes. I'm not sure what it says about Laurell K Hamilton, her audience in general, or me specifically, but reading about Andais torturing her guards doesn't break the fantasy atmosphere of the books, whereas a rape description definitely would. I wish the rape hadn't been included at all, as there seems no strong narrative pretext. Taranis was already murderous, unstable, and unhinged. Given that Cel and Andais have also made or threatened incestuous overtures, though, I really think the whole fairy royal family have gone wrong and are overdue for a revolution that ends with their heads on pikes.
To conclude on a happier note, I'm pleased that Rhys finally got to air his issues like an adult, hopefully reducing the level of ambient passive-aggression. Also, I liked the addition of many dogs to the household of Merry and her harem, although it will undoubtedly worsen the already parlous hair-in-the-carpets situation. It would be nice if Merry could spend her pregnancy recuperating peacefully and cuddling puppies. Somehow I doubt that is what will transpire.
I thought, "What the hell." Hamilton has sold enough books to fill a desiccated Lake Eerie, so I just had to pick one up, almost in spite of my own literary snobbishness. I've been wrong before. The fourth Harry Potter movie was out before I decided to pick up Philosopher's Stone and I was pleasantly surprised at the journey the good Ms. Rowling took me on.
I will tell you that I tried. Twenty pages worth of trying. The book (read: paper better used for wiping the asses of dysentery sufferers) was a lesson in mediocrity on par with the profound literary masterpiece known as The Hunger Games. The first page was tough and I wanted to stop, but I thought, "No, Atreyu wouldn't quit now." So I slugged on, and each page was worse than the show more previous one. Lame exposition of situations–and in an environment– thinner than the wasted paper it was printed on.
Here is Ms. Hamilton's attempt at simile: "But his hair was uniquely his own, silver, like metal beaten into hair." I reread this three times thinking I was missing some deeper meaning, refusing to believe that this line slipped passed the eyes of the authors many drafts, and an agent, and a line editor, and a story editor, and a copy editor, and a final read by all of the above.
Here are a few more:
"...the white of his shirt was less white than his own skin."
"There was no magic to it, just the force of their physicality." The force of their physicality?
"The men across the table gave the guards the glances men give when they see another man whom they are almost certain could take them physically without breaking a sweat." Read that like you would a Shelley poem or Shakespeare. So talentless, so very sad.
Listen, writing a book is hard. I get it. No one deserves to have their art dismantled and mocked. But there is no attempt, by the author, or by the publisher, at greatness here. A book is so precious, so goddamn important, and this thing is printed...why? because of a story? because she's sold books before? Because, because, becaaaaaause, because of the wonderful things she does?
Bad books have always been written. They shall always be written, but I guess I'm more concerned with the impetus that compels so many people to pull 25 bucks out of their pocket and slam it on the counter gleefully for this trash. "LOOK," I say to the average reader. "There sits Picture of Dorian Gray, Bleak House, Pillars of the Earth, Drood, The Idiot, Dune, anything by Gene Wolfe! pick up that instead, PLEASE. It's even cheaper!"
As a lover of books, it hurts my heart and my brain.
Just another rant. Not like anybody reads these anyway. show less
I will tell you that I tried. Twenty pages worth of trying. The book (read: paper better used for wiping the asses of dysentery sufferers) was a lesson in mediocrity on par with the profound literary masterpiece known as The Hunger Games. The first page was tough and I wanted to stop, but I thought, "No, Atreyu wouldn't quit now." So I slugged on, and each page was worse than the show more previous one. Lame exposition of situations–and in an environment– thinner than the wasted paper it was printed on.
Here is Ms. Hamilton's attempt at simile: "But his hair was uniquely his own, silver, like metal beaten into hair." I reread this three times thinking I was missing some deeper meaning, refusing to believe that this line slipped passed the eyes of the authors many drafts, and an agent, and a line editor, and a story editor, and a copy editor, and a final read by all of the above.
Here are a few more:
"...the white of his shirt was less white than his own skin."
"There was no magic to it, just the force of their physicality." The force of their physicality?
"The men across the table gave the guards the glances men give when they see another man whom they are almost certain could take them physically without breaking a sweat." Read that like you would a Shelley poem or Shakespeare. So talentless, so very sad.
Listen, writing a book is hard. I get it. No one deserves to have their art dismantled and mocked. But there is no attempt, by the author, or by the publisher, at greatness here. A book is so precious, so goddamn important, and this thing is printed...why? because of a story? because she's sold books before? Because, because, becaaaaaause, because of the wonderful things she does?
Bad books have always been written. They shall always be written, but I guess I'm more concerned with the impetus that compels so many people to pull 25 bucks out of their pocket and slam it on the counter gleefully for this trash. "LOOK," I say to the average reader. "There sits Picture of Dorian Gray, Bleak House, Pillars of the Earth, Drood, The Idiot, Dune, anything by Gene Wolfe! pick up that instead, PLEASE. It's even cheaper!"
As a lover of books, it hurts my heart and my brain.
Just another rant. Not like anybody reads these anyway. show less
Ah, the next book in the Meredith Gentry series (book #6 if you want to keep track). This is a series that I read because I like reading about the Seelie and Unseelie courts. I am not sure why else I read it. The plot is complex and interwoven and the characters interesting. Meredith herself is an interesting contrast of personality traits. Like most of Laurell Hamilton's books I think I can best review this by breaking it down into the good, the bad, and the ugly.
This series makes no secret about devoting itself to sex. Strangely this book was lacking in the numerous number of pages detailing sex scenes. There were a measly two sex scenes; no sex until around 200 pages into the book...I mean wow! That's got to be a record. There is a show more lot of talking about sex. So onto the good, the bad, and the ugly.
The Good
- The plot moves...seriously the plot actually advances in this book (notice I didn't say quickly). A good portion of the 300+ pages are devoted to plot!
- We get to hear about Frost's past; I love Frost and I loved hearing about his past.
- Amazing fairy things continue to happen and amazing creatures are introduced
- The book focuses on 4-5 of Merry's "men" instead of having her sleep with a plethora of them
- The Red Cap goblins are back; I love them.
The Bad
- Continuous rants about how every kind of sex is acceptable take up loads of page space. We get it, S&M can be a good thing, multiple partners can be fun...now let's move on.
- Merry humoring her thousand year old boyfriends' need for constant emotional support; geez if I had to try and not to hurt the feelings of 20 guys at once I guess it would take time...but does it have to take up soooo much page space???
The Ugly
- Merry's guards seem to never be around to guard her when something extremely bad happens...what it up with that!
- This whole book, like the last two, spans a time frame of maybe a day.
- Rumors are that Swallowing Darkness is not the end, we will continue to be tortured by this incredibly strung out story.
***SPOILER START****
- Much of the book is taken up preparing with you for a sex scene between Merry and the goblins but it doesn't lead much of anywhere.
***SPOILER END*****
Okay so, in general this book had more plot and less sex than I was actually expecting so that is a good thing. It focused more on characters I like and less at throwing in a billion new men for Merry to have at it with. All-in-all I wasn't disappointed. I read a ton of paranormal genre books and these books are still very creative and reasonably well-written compared to most of them. I know it's easy to gripe about the lack of plot, etc. etc. I am guilty of that too; still Hamilton is a good writer. I mean how many other people have made erotica hit the New York Times bestseller list?
I'll read the next book because I am a sucker for the characters. I am hoping the series doesn't drag on for too much longer though. Seems to me the overall story could come to an end soon. show less
This series makes no secret about devoting itself to sex. Strangely this book was lacking in the numerous number of pages detailing sex scenes. There were a measly two sex scenes; no sex until around 200 pages into the book...I mean wow! That's got to be a record. There is a show more lot of talking about sex. So onto the good, the bad, and the ugly.
The Good
- The plot moves...seriously the plot actually advances in this book (notice I didn't say quickly). A good portion of the 300+ pages are devoted to plot!
- We get to hear about Frost's past; I love Frost and I loved hearing about his past.
- Amazing fairy things continue to happen and amazing creatures are introduced
- The book focuses on 4-5 of Merry's "men" instead of having her sleep with a plethora of them
- The Red Cap goblins are back; I love them.
The Bad
- Continuous rants about how every kind of sex is acceptable take up loads of page space. We get it, S&M can be a good thing, multiple partners can be fun...now let's move on.
- Merry humoring her thousand year old boyfriends' need for constant emotional support; geez if I had to try and not to hurt the feelings of 20 guys at once I guess it would take time...but does it have to take up soooo much page space???
The Ugly
- Merry's guards seem to never be around to guard her when something extremely bad happens...what it up with that!
- This whole book, like the last two, spans a time frame of maybe a day.
- Rumors are that Swallowing Darkness is not the end, we will continue to be tortured by this incredibly strung out story.
***SPOILER START****
- Much of the book is taken up preparing with you for a sex scene between Merry and the goblins but it doesn't lead much of anywhere.
***SPOILER END*****
Okay so, in general this book had more plot and less sex than I was actually expecting so that is a good thing. It focused more on characters I like and less at throwing in a billion new men for Merry to have at it with. All-in-all I wasn't disappointed. I read a ton of paranormal genre books and these books are still very creative and reasonably well-written compared to most of them. I know it's easy to gripe about the lack of plot, etc. etc. I am guilty of that too; still Hamilton is a good writer. I mean how many other people have made erotica hit the New York Times bestseller list?
I'll read the next book because I am a sucker for the characters. I am hoping the series doesn't drag on for too much longer though. Seems to me the overall story could come to an end soon. show less
This is Hamilton at her absolute best, and so far, I have to say that this is the best book in the Meredith Gentry series.
Full of Hamilton's impeccably drawn characters and graceful description, this installment moves more quickly and with more twists than the more recent books before it, and is virtually impossible to put down. Here, Hamilton's penchant for eroticism is well-balanced by plot and character development, and each chapter builds upon the last to make more progress in the storyline than I'd expected from a single work.
Simply, this book is the reason so many of us love Hamilton. You wouldn't want to read it out of order, or I doubt you'd get much enjoyment from it, but it is without doubt Hamilton at her very best. Maybe my show more favorite book by her yet.
Recommended for lovers of Hamilton and this series--those who were put off by the extra focus on sex in the last book should move on to this one--they'll be rewarded for their devotion to the series. show less
Full of Hamilton's impeccably drawn characters and graceful description, this installment moves more quickly and with more twists than the more recent books before it, and is virtually impossible to put down. Here, Hamilton's penchant for eroticism is well-balanced by plot and character development, and each chapter builds upon the last to make more progress in the storyline than I'd expected from a single work.
Simply, this book is the reason so many of us love Hamilton. You wouldn't want to read it out of order, or I doubt you'd get much enjoyment from it, but it is without doubt Hamilton at her very best. Maybe my show more favorite book by her yet.
Recommended for lovers of Hamilton and this series--those who were put off by the extra focus on sex in the last book should move on to this one--they'll be rewarded for their devotion to the series. show less
I loved the first couple of Merry Gentry books, then gave up on the series when they became less plot than interminably long descriptions of her and her guards making love.
I'd sworn not to buy any of the series again, but I checked this one out of the library. Now that I've finished it, I'm glad I did.
This book is so much better than the last several, although Hamilton can't seem to get through more than a few days per book. A lot of time is spent with Merry and one or more of her consorts doing a lot of emotional processing about who loves whom more, and how the less-favored men handle their pain -- but there are also some intense scenes with Taranis and/or Andais, and of course more magic coming into being due to Merry's special show more status.
Most surprisingly to me, there are events which caused me to really feel in response. Most of the Merry Gentry books are popcorn: fun, quick, sexy reads with a beautiful half-fairy princess and her gorgeous harem having adventures and lots and lots of sex. There was some true pathos in this one -- at least for me. In fact, after a couple of years of shunning the series, I find I want to buy this book and keep it around to read again.
No one is more surprised than me. show less
I'd sworn not to buy any of the series again, but I checked this one out of the library. Now that I've finished it, I'm glad I did.
This book is so much better than the last several, although Hamilton can't seem to get through more than a few days per book. A lot of time is spent with Merry and one or more of her consorts doing a lot of emotional processing about who loves whom more, and how the less-favored men handle their pain -- but there are also some intense scenes with Taranis and/or Andais, and of course more magic coming into being due to Merry's special show more status.
Most surprisingly to me, there are events which caused me to really feel in response. Most of the Merry Gentry books are popcorn: fun, quick, sexy reads with a beautiful half-fairy princess and her gorgeous harem having adventures and lots and lots of sex. There was some true pathos in this one -- at least for me. In fact, after a couple of years of shunning the series, I find I want to buy this book and keep it around to read again.
No one is more surprised than me. show less
The Good: Taranis has been discussed at length many times in the previous books, but we finally get to see him as a major character in A Lick of Frost. Everything mentioned before pales in comparison to the reality of what Taranis is capable of. Things get dark and gritty quickly and Hamilton is the queen of dark and gritty. Some very powerful, emotional, devastating stuff goes on here with Taranis and beyond. Merry experiences bitter joy and deep loss, all in the confines of needed plot progression. Frost's backstory was an important inclusion here, really explaining who he is and why he's different than the other sidhe.
The Bad: This is another shorter book and I sincerely believe it should have been combined with Mistral's Kiss to show more make one larger novel that would fit better with the flow of the series. show less
The Bad: This is another shorter book and I sincerely believe it should have been combined with Mistral's Kiss to show more make one larger novel that would fit better with the flow of the series. show less
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There were complaints about the last book, Mistral’s Kiss, and, while I didn’t consider it a disappointment, I agree it was the weakest book in the Merry Gentry series. But Hamilton is back on track with A Lick of Frost (FYI: ALoF’s first sex scene doesn’t appear until Chapter 16). I’ve only read this book once (so far) but I think it may well end up being my favorite of the series! show more Events proceed at a breathtaking, spectacular pace. Plus, Rhys FINALLY appears “on stage” for some one-on-one time with Merry and we learn some of Frost’s fascinating history. show less
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Author Information
203+ Works 152,365 Members
Laurell K. Hamilton was born in Heber Springs, Arkansas on February 19, 1963. She received degrees in English and biology from Marion College, which is now Indiana Wesleyan University. She writes the Anita Blake: Vampire Hunter series and the Meredith Gentry series. (Bowker Author Biography)
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Awards
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Common Knowledge
- Canonical title
- A Lick of Frost
- Original title
- A Lick of Frost
- Original publication date
- 2007-10
- People/Characters
- Meredith NicEssus (Merry Gentry); Frost; Doyle; Rhys; Galen Greenhair; Sholto, Lord of That-Which-Passes-Between, King of the Sluagh (show all 42); Taranis, King of Light and Illusion; Andais, Queen of Air and Darkness; Ash; Holly; Simon Biggs; Thomas Farmer; Michael Shelby; Ambassador Stevens; Pamela Nelson; Miguel Cortez; Ernestro Bertram; Albert Veducci; Grover; Abeloec "Abe"; Sir Hugh Belenus; Hafwen; Dr. Sang; Officer Brewer; Officer Kent; Danu; Royal; Penny; Crystall; Jonty; Amatheon; Adair; Onilwyn; Minnie; Mungo; Quinnie; Lady Elasaid; Barri; Major Walters; Raymond Gillett; Shanley; Vanessa Hardy
- Important places
- Faerie; Cahokia Mounds, Illinois, USA; California, USA; Illinois, USA; Los Angeles, California, USA
- Epigraph
- I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
Upon the star that marks the hidden pole;
Fix every wander... (show all)ing thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul...
from "A Dialogue of Self and Soul" by W. B. Yeats (The Winding Stair, 1933) - Dedication
- To Jonathon, who walks the stair with me.
- First words
- I was sitting in an elegant conference room in the top of one of the gleaming towers that make up part of downtown Los Angeles.
- Last words
- (Click to show. Warning: May contain spoilers.)I had won the race to sit on the throne of the Unseelie Court, and it was bitter ashes on my tongue.
- Original language
- English
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