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The Photographer's Eye: Composition and Design for Better Digital… (2007)

by Michael Freeman

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605927,135 (4.08)2
Design is the single most important factor in creating a successful photograph. The ability to see the potential for a strong picture and then organize the graphic elements into an effective, compelling composition has always been one of the key skills in making photographs. Digital photography has brought a new, exciting aspect to design - first because the instant feedback from a digital camera allows immediate appraisal and improvement; and second because image-editing tools make it possible to alter and enhance the design after the shutter has been pressed. This has had a profound effect on the way digital photographers take pictures. Now published in sixteen languages, The Photographer's Eyecontinues to speak to photographers everywhere. Reaching 100,000 copies in print in the US alone, and 300,000+ worldwide, it shows how anyone can develop the ability to see and shoot great digital photographs. The book explores all the traditional approaches to composition and design, but crucially, it also addresses the new digital technique of shooting in the knowledge that a picture will later be edited, manipulated, or montaged to result in a final image that may be very different from the one seen in the viewfinder.… (more)



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Showing 1-5 of 8 (next | show all)
Any two dimensional artist should read this book closely, to understand the principles of composition. The last chapter is the most photography-centric but even then it is good advice on how to approach subject matter and style. ( )
  dmturner | Jun 29, 2020 |
El primer libro que aborda la composición y el diseño en fotografía digital. Cómo encontrar las mejores oportunidades fotográficas a través del análisis de situaciones y lugares. Ejemplos de proyectos fotográficos reales con ilustraciones esquemáticas para explicar cómo y por qué funciona una imagen. La fotografía digital ha aportado un elemento nuevo y estimulante al diseño: primero porque la visión instantánea que proporciona una cámara digital permite aprender y mejorar con suma rapidez, y segundo porque las herramientas de edición digital hacen posible modificar y mejorar el diseño después de pulsar el disparador. Estos aspectos han tenido un profundo efecto en la forma en que los fotógrafos captan sus imágenes. Este libro muestra de qué modo cualquiera puede desarrollar la habilidad para captar excelentes fotografías digitales. Explora todos los enfoques tradicionales de la composición y el diseño y se adentra en técnicas digitales que emplean nuevas tecnologías para ampliar las posibilidades del medio sin comprometer la visión del fotógrafo
  Haijavivi | Jun 2, 2019 |
As someone only just playing around with digital photography, I picked up this book as a complement to Bryan Peterson's Understanding Exposure to get me started and provide some inspiration. Neither book disappointed. Where Peterson's book is an excellent starting manual for people new to the world of photography, Freeman's goes into much greater depth about composition techniques.

The book is divided into 6 chapters, with each chapter further divided into sections dealing with a certain aspect of photographic design. Whilst some sections make reference to others, and in particular to photographs on other pages, in general it is possible to read this book piecemeal, skipping over bits that are of no interest, or returning and dipping into others. Each section abounds with example photographs, many also exploiting instances of photographs that didn't quite work to further highlight a point.

As many have already said, the writing is at times a little academic, and has the feel of being written with a photography or similar course in mind, but there is little that should prevent the average reader from understanding everything covered here. Freeman quotes a number of other photographers to illustrate his points, as well as dipping into other artistic fields to contrast the particular challenges of photography. One genuine criticism I have of the book is that Freeman sometimes describes certain features of (albeit famous) photographs that, perhaps for economic or legal reasons, do not appear in the book. Whilst said images can easily be found with a quick search on the Internet, it nevertheless detracts from the book's readability, particular for the novice this book is clearly aimed at.

Just to pick up on two of the most common criticisms many of the negative reviews have on here:

* the photographs are rubbish - whilst I personally find this to be pretty harsh criticism, the fact that not every image is a spectacular masterstroke is in my opinion one of the book's greatest strengths. These may only be 'ordinary' photographs, but by illustrating what makes them work it is easy to understand the principles being explored, whether focusing on the basic elements, perspective, timing, exposure etc. For instance, there is a photograph in one section of a house and a tree--an entirely throwaway image, one that you wouldn't normally linger to look at for more than a split-second--but its inclusion is used as an illustration of using natural elements of the subject as a frame within the picture.

* the book has no lessons, it simply describes why some photographs work - this is more valid criticism, and I think down to personal taste. I found the book's structure to be almost perfect - each section explored one particular concept, with a number of real-world examples used to highlight how this idea can be employed, and why this makes the photograph 'work' where a different angle, a different exposure, a different composition etc. failed.

Ultimately, with a value price tag, the buyer can't go wrong with this one. If you agree with other comments that the photographs should be nothing short of spellbinding in order to be able to learn from them, by all means look elsewhere. Nevertheless, this book's structure and the authorship, combined with ample photographic examples, make for an excellent beginner's guide for improving composition, and being aware of what is possible behind the lens. ( )
  Fips | Oct 30, 2016 |
Lots of great ideas here - this is a book to work through slowly. ( )
  deldevries | Sep 27, 2016 |
This is perhaps the most explicative book I've read about why photographs work, and do not work, and how to leverage those lessons through the practice of photography. ( )
  jaygheiser | Sep 14, 2013 |
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Philosophical, lyrical, sometimes obscure commentaries on how photographs are made and what they mean are thick on the ground, usually by non-photographers.
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