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Rome. Father Asser is waiting to die. His idealism has landed him in a papal prison on false charges of heresy, but then salvation arrives in an unexpected form. Cardinal Balotelli also dreams of a better Europe, free from the ravages of the Norlanders. He has an important job for Asser, one that will take him home to Wessex. Wessex. King Aethelwolf's power is fading, but none of his feckless children are fit to rule. His eldest sons would rather fight each other than the blood-thirsty show more Norlander invaders. His daughter, Swift, is clever and cunning, but sometimes blinded by her ambition. Finally there's Alfred, his once-promising younger son, whom nobody has seen in years. Then Wolf meets a young priest with a proposition from Rome that could change everything. show lessTags
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High Aethel Wolf is aging and the inheritance of Wessex is subject to challenge. His eldest children all think they are capable, his youngest are either banished or not so keen on power. Now there is a threat from the Norlanders who are raiding the wessex coasts and threatening the fragile peace. Meanwhile in Rome, Asser is released from his prison and charged with defending Wessex by creating a treaty with Wolf. Wolf's estranged son, Aethelfraed, does not want to meet his father but circumstances mean new alliances need to be formed quickly.
Essentially this is the story of the rise of Alfred the Great but is 'Alfred: the Lost Years' so historically it is very interesting. However the style of writing is rather quirky, it's not show more deliberately comic (like 'Horrible Histories') but nor is it straight historical fiction, there is lots of fact in amongst the fiction and the humour. In the acknowledgements this makes sense and Robinson says he is strongly influenced by a number of writers but what this reader senses is the entertaining narrative of a Ken Follett and the sense of the dark humour of Terry Pratchett. For some readers this won't work, however I really liked it! show less
Essentially this is the story of the rise of Alfred the Great but is 'Alfred: the Lost Years' so historically it is very interesting. However the style of writing is rather quirky, it's not show more deliberately comic (like 'Horrible Histories') but nor is it straight historical fiction, there is lots of fact in amongst the fiction and the humour. In the acknowledgements this makes sense and Robinson says he is strongly influenced by a number of writers but what this reader senses is the entertaining narrative of a Ken Follett and the sense of the dark humour of Terry Pratchett. For some readers this won't work, however I really liked it! show less
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160 works; 1 member
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- Canonical title
- The House of Wolf
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- Reviews
- 2
- Rating
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- English
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- ISBNs
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