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ELEGY FOR A LOST STAR sets the stage for a major turning point in the Symphony of Ages series. The dragon Anwyn--who has lain for three years in deathlike sleep in a grave of rock and black coal is freed by the cataclysm that concluded Requiem For The Sun. Disoriented and confused, she remembers only two things-the person who trapped her in dragon form and locked her in the grave - Rhapsody - and an all-encompassing desire to wreak vengeance. Meanwhile, Achmed, the Firbolg king, resumes show more rebuilding the his shattered home, while a guild of merciless assassins set about taking revenge on him for the killing of their leader. A horribly deformed but magical being finds its way through a carnival of freaks to the palace of an evil despot, who sees in it the potential to be the instrument by which his plans of conquest and brutal domination of a continent will be realized. With the rise of new leaders, good and evil, the long-awaited birth of the Child of Time, the dark plans of assassins and rulers, a confrontation that shakes the relationship of the Three, and a battle to the death between two dragons of unimaginable elemental power, the seeds of chaos are planted for a war that will, by its end, consume half of the world. show lessTags
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I don't have a pleasant review for this one. There's a reason that I never finished it the first time I tried reading it, way way back in 2008, besides the fact that I knew book 7 didn't have a release date (and wouldn't until 2014).
I know part of my displeasure with this book was the audiobook narrator, who just really needs to calm down and stop putting too much emphasis on all of his words. It creates this weird feeling of anticipation or building up without conclusion, like a series of independent sentences (for example: "It creates this. Weird feeling. Of anticipation or. Building up. Without conclusion.). If that makes sense. It probably doesn't.
I'm also beginning to lose patience with some of Haydon's obsessive descriptions and show more repetitiveness. This is the fifth book in the series, you don't need to describe a character's physical attributes every single time he pops up. Maybe the first time, but not over and over. This was especially annoying with Feron, the fish boy/monster with lips that were fused in the front and open in the side over soft yellow teeth. I get it. I GET IT! Please stop.
This book needed more Achmed, less Ash, less repetitive descriptions, less whining, and less talking about how beautiful Rhapsody is.
Giving it 3 stars only because of Achmed and Gruntor. show less
I know part of my displeasure with this book was the audiobook narrator, who just really needs to calm down and stop putting too much emphasis on all of his words. It creates this weird feeling of anticipation or building up without conclusion, like a series of independent sentences (for example: "It creates this. Weird feeling. Of anticipation or. Building up. Without conclusion.). If that makes sense. It probably doesn't.
I'm also beginning to lose patience with some of Haydon's obsessive descriptions and show more repetitiveness. This is the fifth book in the series, you don't need to describe a character's physical attributes every single time he pops up. Maybe the first time, but not over and over. This was especially annoying with Feron, the fish boy/monster with lips that were fused in the front and open in the side over soft yellow teeth. I get it. I GET IT! Please stop.
This book needed more Achmed, less Ash, less repetitive descriptions, less whining, and less talking about how beautiful Rhapsody is.
Giving it 3 stars only because of Achmed and Gruntor. show less
4.5 The thing that bugged me was how many sub-plots there were. It was hard to keep track of and some of the plots had nothing to do with the main plot. I'm sure they will come into play in The Assassin King, but it left a lot of name bobbling around in my head after their story was dropped. Some reappeared neared the end and I almost forgot who they were and why they were important.
Now onto the many strong points of this novel. It's consistent with the rest of the series in lore and world building and character development. It was amazing. It is so vivid and real. I always want more from the world, yet I still feel satisfied when I finish a book. The leads are still strong and diverse and make the book better. Other than the amount of show more sub-plot, whether relevant or seemingly irrelevant, it was flawless. show less
Now onto the many strong points of this novel. It's consistent with the rest of the series in lore and world building and character development. It was amazing. It is so vivid and real. I always want more from the world, yet I still feel satisfied when I finish a book. The leads are still strong and diverse and make the book better. Other than the amount of show more sub-plot, whether relevant or seemingly irrelevant, it was flawless. show less
Continuing my Symphony of Ages re-read and this is...such a middle book. Spends too much time on characters that I don't care about (Anwyn, Faron), but we do get Meridion's birth at last!
I really like Haydon's prose, but sometimes get annoyed with the angst, insecurity, and whining of many of the characters. That being set I have stuck with the series for two or three characters that I love and cannot wait to read about. However, Elegy For A Lost Star reminded me of why I liked the original book in this series. I'm sure Haydon has some more great story in her and maybe one day they'll actually save the world.
The way Elizabeth Haydon puts twists in the plot and ends the book with enough untied ends so you HAVE to get the next book is breathtaking! She's not just a writer, she's an artist!
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26+ Works 10,410 Members
Elizabeth Haydon was born in 1965. She is a fantasy author. She has written two fantasy series set within the same universe. The first is the fantasy/romance/whodunit fusion called The Symphony of Ages and the second is a young adult series called The Lost Journals of Ven Polypheme. The Symphony of Ages books series consists of the Rhapsody show more Trilogy, the two Middle Books, and, as of January 2014, the first book of The War of the Known World Trilogy. The Rhapsody Trilogy is based on three characters who find themselves in a land on the brink of disaster. Rhapsody, the main character, is a Namer, a profession that includes passing down the history of the people. As a Namer, Rhapsody, can only speak the truth. A Namer has incredible power because when they speak they describe the very nature of a person or a thing. In some instances a Namer can change the parameters of a person or a thing by giving it a new name. When Rhapsody meets up with her two future companions she accidentally uses her Naming power to rename The Brother, a ruthless assassin, to "Achmed The Snake." (Bowker Author Biography) show less
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