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Leila Beaumont is a gorgeous and talented portrait painter trapped in a loveless marriage with her profligate husband, Francis. Though long ago, Francis very much played the hero, rescuing and wedding the orphaned 17-year-old Leila - Francis' more recent hedonistic lifestyle of drinking, drugging and womanizing has not only earned him quite a few enemies in London, but lost him the love of his wife.When Francis turns up dead in the Beaumont townhouse, right after a loud and vitriolic show more argument with his wife, Leila is seen as the primary suspect, innocent though she is. Because of Francis' many enemies and victims, government officials instigate a quiet investigation, many of whom fear fallout from Francis' numerous blackmail and extortion schemes.
The man they call on - the sexy blue-eyed Comte d'Esmond - is a man of many talents who has spent the past ten years as one of the government's most trusted covert operatives; a man who also has a dark and treacherous past.
Neither Leila, nor Esmond is especially happy to be working together - their relationship is one of intense attraction accompanied by intense resistance. Leila had long ago given up on the idea of love and saw her husband as a means of propriety in London, but now she finds the dangerous Esmond's seductive charm nearly irresistible.
But work together they must: Esmond, with a carefully hidden identity that would shock Leila to the core and Leila with her own secrets to keep...
It's danger that unites them and it's danger that chains their hearts: Esmond's virility and bold touch enflame Leila's blood...and draw her into the most irresistible intrigue of all...truly passionate love.
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I'm a sucker for anything of the redeem-the-villain category, so I practically devoured this book.
In comparison to Lion's Daughter, I found it much easier to read, and the characters were generally much more likable. I liked them more, at any rate. It's quite possible that the lack of any "exotic" scenery (i.e. Albany) made for a better setting.
I loved Compte d'Esmond and Lady Brentmoor characters' quite a lot. Though the countess' sentence structure did seem a bit odd to me. It appeared as if she was purposefully ignoring the accord of the subject with the predicate. Initially I thought that this was due to 19th century speech styles, however the rest of the characters didn't seem to have this problem.
On the other hand, I didn't really show more feel a "spark" between the two heroes. In Lion's Daughter, the tension between Esme and Varian was quite palpable. Yet Esmond and Leila's encounters were just... there. Perhaps I just don't get the appeal of oriental sultan-look-alikes.
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review of book 1: The Lion's Daughter
review of book 3: Lord of Scoundrels
review of book 4: The Last Hellion show less
In comparison to Lion's Daughter, I found it much easier to read, and the characters were generally much more likable. I liked them more, at any rate. It's quite possible that the lack of any "exotic" scenery (i.e. Albany) made for a better setting.
I loved Compte d'Esmond and Lady Brentmoor characters' quite a lot. Though the countess' sentence structure did seem a bit odd to me. It appeared as if she was purposefully ignoring the accord of the subject with the predicate. Initially I thought that this was due to 19th century speech styles, however the rest of the characters didn't seem to have this problem.
On the other hand, I didn't really show more feel a "spark" between the two heroes. In Lion's Daughter, the tension between Esme and Varian was quite palpable. Yet Esmond and Leila's encounters were just... there. Perhaps I just don't get the appeal of oriental sultan-look-alikes.
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review of book 1: The Lion's Daughter
review of book 3: Lord of Scoundrels
review of book 4: The Last Hellion show less
I would have liked Captives of the Night more if it weren't for the murder mystery that directs most of the plot. It's pretty evenly balanced with the romance, so that the romance isn't overwhelmed or anything. Rather I found the murder mystery more of a distraction because I wasn't in the mood for a murder mystery. The hero, while something of a caricature at times, and seemingly less than or "almost human," as he's described, was original and interesting, and the heroine, despite her hang-ups about the sinfulness of sex and her own desires (which are actually dealt with very sympathetically,) was strong and intelligent. I liked how she demanded to become involved in the murder mystery, which the hero was investigating. She became his show more equal and his partner. Still, I never really connected with the characters and kept expecting more from the story than what I found. What really stands out about this book is the cover. What a creepy creepy man. His come hither look is more like a pervy ax murderer glare.
P.S. I read this series out of order - Captives of the Night first, then The Lion's Daughter second. Only after reading The Lion's Daughter do I understand some of Ismal's history, which was only refered to obliquely in Captives of the Night. Getting his backstory helps with fleshing out his character a bit more, so I would suggest reading The Lion's Daughter first. show less
P.S. I read this series out of order - Captives of the Night first, then The Lion's Daughter second. Only after reading The Lion's Daughter do I understand some of Ismal's history, which was only refered to obliquely in Captives of the Night. Getting his backstory helps with fleshing out his character a bit more, so I would suggest reading The Lion's Daughter first. show less
I started reading this expecting just another historical romance novel, but I was surprised to discover that romance tale was secondary to a very intriguing murder plot. This book keeps you guessing right until the end.
I'm so glad I had the opportunity to read this book, I've often heard hints of the prior Scoundrels books without any clear sense of whether or not I'd read them. I can say that CAPTIVES OF THE NIGHT was new to me, and while it did have some old school pacing and melodrama issues, I enjoyed it.
There were things I liked about this book, but overall I thought the plot was convoluted and unneccessarily complicated. It took a long while for me to really like the characters, Ismal and Leila. The writing was good and some of the dialogue was very good, but I just didn't love the book.
A real pleasure! I loved all the twisty turns and decadent romance in this murder mystery.
http://ktleyed.blogspot.com/2009/08/captives-of-night-by-loretta-chase.html
http://ktleyed.blogspot.com/2009/08/captives-of-night-by-loretta-chase.html
I don't have much to say, mostly bc I struggled with the connection between the characters. The story was fine. ...more
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Series
Common Knowledge
- Canonical title
- Captives of the Night
- Original title
- Captives of the Night
- Original publication date
- 1994
- People/Characters
- Leila Beaumont; Ismal, Comte d'Esmond; Lady Fiona Woodleigh Carroll; David Ives, Marquess of Avory; Francis Beaumont
- Important places
- London, England, UK; England, UK; Paris, France; France; Venice, Veneto, Italy
- Blurbers
- Quinn, Julia; Laurens, Stephanie; Putney, Mary Jo; Dodd, Christina
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- Members
- 443
- Popularity
- 69,124
- Reviews
- 13
- Rating
- (3.69)
- Languages
- 6 — Chinese, English, French, Hungarian, Italian, Spanish
- Media
- Paper, Audiobook, Ebook
- ISBNs
- 11
- ASINs
- 2





























































