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231989,924 (3.17)None
Trip is celebrated Grapevine photographer Susan Lipper's new, conceptually ambitious artist's book: an assembled narrative of a fictional road trip in America, destination and starting point unknown. Adrift. The date is the present, but only slightly so. The viewer is cast without aid amongst snatches of text and vernacular objects, staged or found, that render the landscape neither familiar nor foreign. Semiotic interplay is introduced with seemingly objective signs and symbols, readable in a traditional sense, yetawhat meanings do they serve here? Re-appropriating the documentary.… (more)
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This oddity consists of a photograph on the recto with a caption of a sort facing which suggests snippets from a fiction of some sort, written by a prominent novelist. The photographs concern themselves with the banal in rural America, perhaps exclusively the South, as the few localities namechecked are all southern. As is often the case with photography which chronicles the banal, some of these are very droll, others moving, but quite a few are simply banal. I never got too interested in the narrative, such as it was, in the captions. The book is a worthwhile browse, but is terribly overpriced if new. ( )
  Big_Bang_Gorilla | Dec 16, 2020 |
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Trip is celebrated Grapevine photographer Susan Lipper's new, conceptually ambitious artist's book: an assembled narrative of a fictional road trip in America, destination and starting point unknown. Adrift. The date is the present, but only slightly so. The viewer is cast without aid amongst snatches of text and vernacular objects, staged or found, that render the landscape neither familiar nor foreign. Semiotic interplay is introduced with seemingly objective signs and symbols, readable in a traditional sense, yetawhat meanings do they serve here? Re-appropriating the documentary.

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