Writing in the Dark: Dancing in The New Yorker: An Arlene Croce Reader

by Arlene Croce

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"From 1973 until 1998 Arlene Croce wrote The New Yorker's Dancing column, which was created for her. Her reviews and essays revealed the logic and history of ballet, modern dance, and their post-modern variants to a generation of theatergoers. The reviews offer vital commentary on the late workds of George Balanchine and on such classics as The Sleeping Beauty, Giselle, and Cinderella. Ms. Croce chronicles the flourishing careers of Paul Taylor, Twyla Tharp, Mark Morris, Merce Cunningham, show more Mikhail Baryshnikov, and Suzanne Farrell and, as the century ends, the problematic status of the great national ballet companies; New York City Ballet, Britain's Royal Ballet, and Russia's Kirov and Bolshoi Ballets."--Jacket. show less

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8+ Works 298 Members
Arlene Croce is the author of several books, including The Fred Astaire and Ginger Rogers Book, Afterimages, Going to the Dance, and Sight Lines. She lives in Brooklyn and is at work on a study of the ballets of George Balanchine. (Bowker Author Biography)

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Canonical title
Writing in the Dark: Dancing in The New Yorker: An Arlene Croce Reader

Classifications

Genres
Nonfiction, General Nonfiction
DDC/MDS
792.8Arts & recreationRecreation, sports, and performing artsStage presentationsBallet and modern dance
LCC
GV1624.5 .N4 .C79Geography, Anthropology and RecreationRecreation. LeisureRecreation. Leisure
BISAC

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54
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564,298
Rating
(4.00)
Languages
English
Media
Paper, Ebook
ISBNs
4
ASINs
3