Sound Theory, Sound Practice

by Rick Altman

38 Members (4.13)

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Cinema as event - The material heterogeneity of recorded sound - Four and a half film fallacies - Sound space - Reading, writing and representing sound - She sang live, but the microphone was turned off: the live, the recorded, and the subject of representation - Sound/history - Historical and theoretical issues in the coming of recorded sound to the cinema - Translating America: the Hollywood multilinguals 1929-1933 - 1950s magnetic sound - Sound's dark corners - Women's voices in the Third show more World cinema - The sound of early Warner Bros. cartoons - Imagining the sound(s) of Shakespeare: film sound and adaptation - Conventions of sound in documentary - And then there was sound: the films of Andrei Tarkovsky - A baker's dozen of new terms for sound analysis. show less

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Author Information

Rick Altman
7 Works 255 Members

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Canonical title
Sound Theory, Sound Practice

Classifications

Genres
Nonfiction, Music, History, General Nonfiction
DDC/MDS
791.43 — Arts & recreation Recreation, sports, and performing arts Public performances Motion pictures, radio, television, podcasting Motion pictures
LCC
PN1995.7 .S69 — Language and Literature Literature (General) Literature (General) Drama Motion pictures
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Members
38
Popularity
766,173
Rating
(4.13)
Languages
English
Media
Paper
ISBNs
2