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In these pages Sir Georg Solti relives an unparalleled musical life: his musical studies in Budapest with Dohn#65533;nyi, Kod#65533;ly, and Bart#65533;k; his exile in Zurich during World War II; his work as music director of the Bavarian State Opera in postwar Munich and similar posts in Frankfurt and London’s Covent Garden; his brilliant direction of the Chicago Symphony (1969–1991); and his freelance conducting of the world’s greatest orchestras. By turns touching and amusing, his recollections of such luminaries as Strauss, Stravinsky, Toscanini, Walter, Furtw#65533;ngler, Klemperer, Nilsson, and Domingo fill this memoir with musical pleasure.… (more)
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The autobiography of conductor Sir Georg Solti, published to coincide with his 85th birthday, charting his life in Hungary, Switzerland, Germany, England and America; and his collaboration with the great singers and musicians of our time including his work with Bartok, Kodaly and Richard Strauss and his training of Furtwangler and Toscanini.
  antimuzak | Nov 26, 2005 |
SIR GEORG SOLTI completed this work just before his death on September 5, 1997. He was scheduled to re-open the refurbished Symphony Hall in Chicago, the scene of his greatest musical triumphs. The October 25 performance with the Chicago Symphony Orchestra (made world-famous under his direction) would have been his 1,000th, as well as his 85th birthday. Anyone with an interest in opera or symphonic music will find his memoirs a must.

Solti, as Chicago Tribune music critic John von Rhein stated, was the last of his breed. His recorded legacy of almost 50 years is massive. And he was almost the last great conductor who began his career before the Second World War, leaving only a frail Carlo Maria Giulini, at 83, and Gunther Wand, at 85.

Solti's memoirs are much like his conducting: blunt. He was not one of the subtle or cerebral wielders of the baton. Rhythmic drive and sheer power often took precedence over shadings and lyric moments. He was a perfectionist, and able to transmit his will--the first qualification of a great conductor. While there aren't any of the cheap shots often found in personal notes, he does aim a few zingers at some of his contemporaries. And there are many generous moments.

 
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Für Valerie, Gabrielle und Claudia
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In February 1997, when these memoirs were nearing completion, I conducted Béla Bartok's Cantata profana with the Berlin Philharmonic and the Hungarian Radio Chorus. While the performance was in progress a great realisation came over me. I understood that my whole life, the journey I have made, is contained within the story of the Cantata.
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Never compromise, because even the best you are capable of doing is not good enough.
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(Click to show. Warning: May contain spoilers.)
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Published under the title 'Solti on Solti' in the UK and 'Memoirs' in the US.
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In these pages Sir Georg Solti relives an unparalleled musical life: his musical studies in Budapest with Dohn#65533;nyi, Kod#65533;ly, and Bart#65533;k; his exile in Zurich during World War II; his work as music director of the Bavarian State Opera in postwar Munich and similar posts in Frankfurt and London’s Covent Garden; his brilliant direction of the Chicago Symphony (1969–1991); and his freelance conducting of the world’s greatest orchestras. By turns touching and amusing, his recollections of such luminaries as Strauss, Stravinsky, Toscanini, Walter, Furtw#65533;ngler, Klemperer, Nilsson, and Domingo fill this memoir with musical pleasure.

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