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Savage imaginings : historical and contemporary constructions of Australian Aboriginalities (2001)

by Lynette Russell

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Discussion of the way Aboriginal art and culture have been portrayed in museums, textual studies and photo-essays. Argues that Aboriginal culture has often been reduced to a moment frozen in pre-colonial time. Includes bibliography and index. Author is an archaelogist and historian who has worked in several Aboriginal organisations. She is the editor of 'Colonial Frontiers: Indigenous-European Encounters in Settler Societies'.… (more)
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To be modern is to find ourselves in an environment that promises us adventure, power, joy, growth, transformation of ourselves and the world - and, at the same time, that threatens to destroy everything we have, everything we know, everything we are. (Marshall Berman 1983)
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The opening and closing ceremonies of the Olympic Games in Sydney showed that indigenous issues and Aboriginal culture have become fashionable accompaniments to contemporary expressions of Australian national identity.
Reconcilation has become so much of a commonplace saying that for many its true meaning has been lost or at the very least obscured. The reconciling of black and white Australians is only truly possible if we analyse and theorise the colonial construction of the nation's power structures. This book begins this process by considering how we know what we think we know about Aboriginal Australia, and suggests ways that we might break out of the constraints of colonialism.
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Discussion of the way Aboriginal art and culture have been portrayed in museums, textual studies and photo-essays. Argues that Aboriginal culture has often been reduced to a moment frozen in pre-colonial time. Includes bibliography and index. Author is an archaelogist and historian who has worked in several Aboriginal organisations. She is the editor of 'Colonial Frontiers: Indigenous-European Encounters in Settler Societies'.

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