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Strange gifts: Eight stories of science fiction (1975)

by Robert Silverberg (Editor)

Other authors: Alfred Bester (Author), Philip K. Dick (Author), Gordon R. Dickson (Author), Horace L. Gold (Author), R. A. Lafferty (Author)2 more, Frank Belknap Long (Author), Kris Neville (Author)

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921296,272 (3.6)1
Museums and biographies both tell the stories of lives. This innovative collection examines for the first time biography - of individuals, objects and institutions - in relationship to the museum, casting new light on the many facets of museum history and theory, from the lives of prominent curators, to the context of museums of biography and autobiography. Separate sections cover individual biography and museum history, problematising individual biographies, institutional biographies, object biographies, and museums as biographies/autobiographies. These articles offer new ways of thinking about museums and museum history, exploring how biography in and of the museum enriches museum stories by stressing the inter-related nature of lives of people, objects and institutions as part of a dense web of relationships. Through their widely ranging research, the contributors demonstrate the value of thinking about the stories told in and by museums, and the relationships which make up museums; and suggest new ways of undertaking and understanding museum biographies. Dr Kate Hill is Senior Lecturer in History at the University of Lincoln. Contributors: Jeffrey Abt, Felicity Bodenstein, Alison Booth, Stuart Burch, Lucie Carreau, Elizabeth Crooke, Steffi de Jong, Mark Elliott, Sophie Forgan, Mariana Françozo, Laura Gray, Kate Hill, Suzanne MacLeod, Wallis Miller, Belinda Nemec, Donald Preziosi, Helen Rees Leahy, Linda Sandino, Julie Sheldon, Alexandra Stara, Louise Tythacott, Chris Whitehead, Anne Whitelaw… (more)
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"Published in 1979 this is a collection of stories written mostly in the ‘50s, with one in 1948 and one in 1961. These are the types of stories I cut my teeth on…science is mentioned in passing, but the people & situations are the primary interest. The aims of such stories were to challenge the reader to place ourselves in the story and see if WE could solve the predicaments posed.

How to handle the danger posed by a man who can’t think, but can predict—and react to—what will happen in the next few seconds? How would you handle knowing, intimately, everyone on Earth? What if you were so lucky that everything worked out in your favor? What would it be like to have—not just synesthesia, but an actual switching of sensory inputs? How would you handle being a couple of thousand years old, and still not physically mature? What if you had the power to access the original world from which fairy tales derived? And what if you suddenly discovered that you REALLY were an alien, raised by humans?

And what if these stories were early tales written by some of the best? Alfred Bester, Philip K. Dick, Gordon Dickson, R.A. Lafferty, Frank Belknap Long, Robert Silverberg, et al.?

These aren’t complex tales and don’t stand overmuch analysis. Just read them and muse to yourself…and enjoy." ( )
1 vote majackson | Feb 25, 2019 |
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» Add other authors

Author nameRoleType of authorWork?Status
Silverberg, RobertEditorprimary authorall editionsconfirmed
Bester, AlfredAuthorsecondary authorall editionsconfirmed
Dick, Philip K.Authorsecondary authorall editionsconfirmed
Dickson, Gordon R.Authorsecondary authorall editionsconfirmed
Gold, Horace L.Authorsecondary authorall editionsconfirmed
Lafferty, R. A.Authorsecondary authorall editionsconfirmed
Long, Frank BelknapAuthorsecondary authorall editionsconfirmed
Neville, KrisAuthorsecondary authorall editionsconfirmed
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Introduction: Science fiction is, among many other things, a literature of wonders; and perhaps the chief wonder in cour corner of the universe is the human mind.
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(Click to show. Warning: May contain spoilers.)
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Museums and biographies both tell the stories of lives. This innovative collection examines for the first time biography - of individuals, objects and institutions - in relationship to the museum, casting new light on the many facets of museum history and theory, from the lives of prominent curators, to the context of museums of biography and autobiography. Separate sections cover individual biography and museum history, problematising individual biographies, institutional biographies, object biographies, and museums as biographies/autobiographies. These articles offer new ways of thinking about museums and museum history, exploring how biography in and of the museum enriches museum stories by stressing the inter-related nature of lives of people, objects and institutions as part of a dense web of relationships. Through their widely ranging research, the contributors demonstrate the value of thinking about the stories told in and by museums, and the relationships which make up museums; and suggest new ways of undertaking and understanding museum biographies. Dr Kate Hill is Senior Lecturer in History at the University of Lincoln. Contributors: Jeffrey Abt, Felicity Bodenstein, Alison Booth, Stuart Burch, Lucie Carreau, Elizabeth Crooke, Steffi de Jong, Mark Elliott, Sophie Forgan, Mariana Françozo, Laura Gray, Kate Hill, Suzanne MacLeod, Wallis Miller, Belinda Nemec, Donald Preziosi, Helen Rees Leahy, Linda Sandino, Julie Sheldon, Alexandra Stara, Louise Tythacott, Chris Whitehead, Anne Whitelaw

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