August: Osage County [Play]

by Tracy Letts

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Winner of the 2008 Pulitzer Prize for Drama"A tremendous achievement in American playwriting: a tragicomic populist portrait of a tough land and a tougher people. "-Time Out New York"Tracy Letts' August: Osage County is what O'Neill would be writing in 2007. Letts has recaptured the nobility of American drama's mid-century heyday while still creating something entirely original. "-New York magazineOne of the most bracing and critically acclaimed plays in recent Broadway history, August: show more Osage County is a portrait of the dysfunctional American family at its finest-and absolute worst. When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. The three-act, three-and-a-half-hour mammoth of a play combines epic tragedy with black comedy, dramatizing three generations of unfulfilled dreams and leaving not one of its thirteen characters unscathed. After its sold-out Chicago premiere, the play has electrified audiences in New York since its opening in November 2007. Tracy Letts is the author of Killer Joe, Bug, and Man from Nebraska, which was a finalist for the 2004 Pulitzer Prize for Drama. His plays have been performed throughout the country and internationally. A performer as well as a playwright, Letts is a member of the Steppenwolf Theatre Company, where August: Osage County premiered. show less

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25 reviews
I was uncertain about this play when I first saw it. A second viewing (the film) left me somewhat more positive. It is in the reading that I have finally come to realize the weight of this play (and I am not referring to the 3.5 hour running time; I was aware of that from the first viewing). The story of a dysfunctional family in Pawhuska, Oklahoma, sounds genuine. It is an honest story, full of ordinary everyday unhappiness and conflict. The characters are like those in a Sam Shepherd play: deeply flawed, relentlessly narcissistic, unable to find their way out of problems of their own making, and blaming the world at large for everything that went wrong. For the most part, the characters veer between sympathetic and down-right show more unlikable, much like people in real life. While this family is different from other dysfunctional families, if you came from one, you will certainly recognize the emotional torture, even if the situations are different. It is complex, with subplot on top of subplot, and in the end, as true a statement about the meaninglessness of life as any absurdist writer ever achieved - and doing it all in a realist setting. Definitely worth the investment of time. show less
There aren't technically SPOILERS following, but I will spoil the theme and tone, so be warned, and read no further. Here's what this play is NOT: One of those dramas where quirky people go through a tragedy together, but everybody heals and has a big, warm hug and laugh at the end. Yeah, this play has a few quirky people, and they definitely go through a family tragedy. There are also some funny lines and moments of levity. But sh*t gets revealed about this family, past and present, and then more stuff, and then more, and things to from tragic to unrelenting, to worse. This is about the disintegration of a family, character by character. And they do it to each other. I hope someday to see this staged (and I hope the filmmakers don't f- show more it up). show less
My goodness, did I ever enjoy getting to be a fly on the wall of the Weston family's Oklahoman home. The drama in this one does not disappoint and it has left me pondering about the ethics of incest for a few days now so there's that!
I saw the play in late 2015 or early 2016 and loved it. It made me realize my family is not the only fucked-up one and therefore I'm not defined by it.
So wanted to re-visit the story and read it. It's so amazingly bitter-sweet, it's dark and cynical and yet you have to smile all the time.

Many of the sentences are great mainly in context but there is one awesome quote I really want to put here: "I'm white and over thirty. I don't get in trouble."
This play dives deep into the inner workings of the Weston family and revels in their dysfunction. The family has serious issues, pills, alcohol, adultery, weed, etc., but it also has heart.

The story and writing reminded me of Tennessee Williams' work, southern families full of conflict and pain. It also has a dose of comedy and the ability to laugh at the absurdity of their arguments at times.

I think this is a play that won't appeal to everyone. At times it was hard for me to identify with the characters because they all seem to view themselves as victims. But over all I thought it was well written and didn't shy away from dark topics.
½
I. Feel. Better. Now.
After 138 pages of drama, death, despair, drugs, drinking, depravity = Depressing!
Think I'll read a kid's fairy tale next - nothing like these adult family issues to make you happy your aren't from the "typical family" that "great plays" are written about.
OK, that's just me after a quick read through this Pulitzer Prize play, so that I can watch the movie sometime. With Meryl Streep, Julia Roberts & a batch of "goodlookingboys", I might want to see the movie and always enjoy reading the book/play first.
It's an interesting read, but thinking I more enjoy books written by his mother, Billie Letts.
Enjoyed this quote from his mother: "I try to be upbeat and funny. Everybody in Tracy's stories gets naked or dead."

This was my first Tracy Letts play and it was a good one. Simply put, this is a dysfunctional family drama. Capital D for dysfunctional; it puts the FUN in dysfunctional.

Okay, now I'm done with the puns.

Tracy Letts is very good with his dialogue. It's quick, smart, and witty. There was hilarity in the inherent tragedy of life. I like the isolation of the play. The Weston house seemed all alone, on another plane of existence. No one was happy. Everybody had weird as all hell problems. The hardest part was letting go. But what happens to the others that are left behind? How do they go on?

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19+ Works 1,338 Members

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Govan, Lisa (Cover designer)
Habel, Julie (Photographer)

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Common Knowledge

Canonical title
August: Osage County [Play]
Original title
August: Osage County
Alternate titles*
Eine Familie
Original publication date
2007
People/Characters
Beverly Weston; Violet Weston; Barbara Fordham; Ivy Weston; Karen Weston; Bill Fordham (show all 13); Jean Fordham; Steve Heidebrecht; Mattie Fae Aiken; Charlie Aiken; "Little" Charles Aiken; Johnna Monevata; Sheriff Deon Gilbeau
Important places
Osage County, Oklahoma, USA
Related movies
August: Osage County (2013 | IMDb)
Epigraph
The child comes home and the parent puts the hooks in him. The old man, or the woman, as the case may be, hasn't got anything to say to the child. All he wants is to have that child sit in a chair for a couple of hours and th... (show all)en go off to bed under the same roof. It's not love. I am not saying that there is not such a thing as love. I am merely pointing to something which is different from love but which sometimes goes by the name of love. It may well be that without this thing which I am talking about there would not be any love. But this thing in itself is not love. It is just something in the blood. It is a kind of blood greed, and it is the fate of a man. It is the thing which man has which distinguishes him from the happy brute creation. When you get born your father and mother lost something out of themselves, and they are going to bust a hame trying to get it back, and you are it. They know they can't get it all back but they will get as big a chunk out of you as they can. And the good old family reunion, with picnic dinner under the maples, is very much like diving into the octopus tank at the aquarium.

―Robert Penn Warren, All the King's Men
Dedication
For Dad
First words
A rambling country house outside Pawhuska, Oklahoma, sixty miles northwest of Tulsa.
Quotations
"Life is very long . . ."
Last words
(Click to show. Warning: May contain spoilers.)VIOLET: ―and then you're
gone, and then you're gone,
and then you're gone,
and then you're gone―
Blurbers
Isherwood, Charles; Zoglin, Richard; Gardner, Elysa; Cote, David; Kuchwara, Michael; McCarter, Jeremy (show all 15); Jones, Chris; Kendt, Rob; Weiss, Hedy; Rooney, David; Bernardo, Melissa Rose; Grode, Eric; Shapiro, Howard; Barnes, Clive; Dziemianowicz, Joe
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.

Classifications

Genre
Fiction and Literature
DDC/MDS
812.6Literature & rhetoricAmerican literature in EnglishAmerican drama in English21st Century
LCC
PS3612 .E887 .A75Language and LiteratureAmerican literature
BISAC

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Reviews
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(4.06)
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Paper, Audiobook, Ebook
ISBNs
17
ASINs
10