The Witches of Karres

The Witches of Karres by James H. Schmitz is a science fiction novel about a young space ship captain who rescues three sisters who were being held as slaves. He then finds himself getting involved in one wild adventure after another as he comes into contact with alien invaders, space pirates and his own magical powers.

The three little girls are witches from the planet of Karres, after returning them to their home, the captain’s adventures continue and one of the witches accompanies him. It’s quickly apparent that she is the brains of the operation, despite being only 10 years old. They are able to induce the powerful Sheewash Drive that can instantly transport their ship to a different location, but this is also what is attracting show more the attention of others, all of whom want to have this magical technology for themselves. As they travel through the dangerous space wilderness of Chaladoor they encounter many page-turning challenges.

The Witches of Karres was originally published in novel form in 1965, this edition has been slightly edited to remove certain dated references but it is still full of action, adventure and humor. This isn’t a book with a deep message or philosophy, it is simply a good old fashioned space opera that doesn’t take itself or it’s science too seriously. show less

A book for older children I enjoyed back in the day (i.e. the 60’s), first discovered in the library and later with my own Ace paperback. Revisited on Kindle and still good kid-friendly fun, though at my age the pulp fiction elements stand out a bit more. Now reads like a prototype of PG rated movies like Star Wars (before it got dark) or Guardians of the Galaxy, although unlike the movies it is of course blessedly unselfconscious. Although it takes place in a sci-fi universe, it’s more akin to fantasy – definitely not hard SF. Even discounting the “Sheewash drive,” trips from one planetary system to another take about as long as a cross country trip in an RV. However, the SF background allows Schmitz to avoid the Renaissance show more fair/Tolkien elements of fantasy that can be off putting to adults.
It’s amusing that coffee and cigarettes are still part of the morning ritual 300,000 or more years from now, when earth is now a dimly remembered legend. Probably re-engineered to bring out the klatha power.
Maybe today some might detect a hint of pedophilia – there seems to be an expectation that Goth will marry Captain Pausart when she “comes of age.” Schmitz is probably aware of this; after all, the Captain’s initial dilemma regarding Maleen has to do with the legal and social ramifications of returning to his home planet of Nikkeldepain “with a pretty girl-slave,” where human trafficking is outlawed. Some of the narrative construction could be read as a workaround to the potential sexualizing of the witches. Although under age pubescent Maleen (14 yrs) initiates the Captain (played by Colin Hanks?) into the Karres community, she is moved offstage early on and assigned a fiancé. Middle sister Goth (prepubescent, about 9?) takes over for much of the book. This could potentially be even more problematic, but any implicit sexuality is deflected to the mature charms of the nefarious ship chandler Sunnat of Uldune and the gun totin’ Empire agent Hulik do Eldel (Goth is unconscious when she shows her stuff). Not that there isn’t resistance the other way; it’s Goth who punishes Sunnat, and one of her talents is the ability to shape shift into a mature female. On the other hand, if the Witches universe can ignore Einstein, it can ignore Freud as well.
I love Schmitz’s Dickens-like ability to coin memorable words and names for his universe: I still remember grazeem – it would make a fine call to order when the president is announced -- relling (has a kind of Madeline L’Engle echo) -- Laes Yango and his Sheem Robot, Megair Cannibals, the Leewit. Of course Goth didn’t have the association in 1966 with the term for a certain morose attitude associated with kids today; when she’s awake she’s bright eyed and bushy tailed even if she looks like a weasel. show less

This was a swooping delight of an old-school sci-fi adventure. It was written back in 1966 and I'd never heard of it until last week. The writing was inventive- so inventive, in fact, that whenever Schmitz found himself at what could be a sticky plot point, he invented a new word/entity/force to get his heroes out of the jam. So just rell the vatch and go along for a dizzying, ridiculous and enjoyable ride. Goofy like Pratchett, only with less internal coherence. And I don't mean that in a bad way. Surreal sci-fi can be fun, and this is undeniably fun. I would have loved it with all my heart had I the good fortune to read it as a kid.

It's true space opera, with a naive Captain who gets double timed by his fiancee and goes on one hell of a ride. I read when it first came out in 1966 and found a copy in a thrift store. There's plenty of interesting characters, such as an animated robot that goes on the warpath, the three Witches of Karres which are young girls with amazing powers, the Captain himself who is related to the witches though he doesn't know it, and other amusing characters. This type of space opera was prevalent in the Analog/If/Amazing/other magazines in the 1950s, 60s and 1970s. Easy read.

A delightfully fun romp of a novel. The somewhat naive indebted captain of a spaceship is hustled off his backwater planet to try to get rid of their unsellable cargo so that he can raise the money to go back and marry his sweetheart. Unfortunately, after a misguided attempt to free three young sisters, he finds out they are actually residents of the notorious witch world Karres. The sisters use their psionic powers to get the captain into (and back out of) trouble everywhere they go, as he begins to explore his more adventurous side and learns that he may have some unique talents too.

This reprint of the 1966 classic is a thoroughly enjoyable and hard to put down book. When Captain Pausert of Nikkeldepain rescues three children from slavery, he has no idea what he is getting himself into, nor does he realize they are witches from the proscribed and mysterious planet of Karres. All of the major characters in this novel are very engaging and the adventure Schmitz crafts for them is as fresh today as the best of any current books in this genre. Read this book!

I almost didn't read this because of the back cover description. I'm glad I did. The plot is light scifi, but the characters are charming. The main voice is similar to Hamelin's protagonist in Time Enough for Love. The universe is well-constructed and interesting. It's space opera without being as heavy or long as many of the classics.