Journey to a War

by W. H. Auden (Author) , Christopher Isherwood (Author)

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Christopher Isherwood and WH Auden and have combined their exceptional literary talents to present a fascinating travelers account of war-torn China in 1938. It is an unusual combination of one part travel narrative, one part picture commentary, and one part poetry (Isherwood writing the narrative an Auden the poetry). The two are constantly seeking to overcome obstacles to get to the front lines of the fighting between the Chinese and the Japanese — the obstacles come in many forms — some of them are bureaucratic and some of them are mechanical and some are Japanese bombers. They meet with a variety of characters Chinese bureaucrats and officers including General Chiang Kai-shek and his wife,Chou Enlai, White Russians, American show more Missionaries, German military advisors, and fellow Englishman Peter Fleming (a well known traveler of China and brother of Ian Fleming author of the James Bond books). The writing is extraordinarily good and a window into another era and way of thinking. Isherwood reports the good the bad and the ugly in a very understated British way. I highly recommend this book especially for those who have an interest in travel and history. show less
I bought this book, after seeing it mentioned on LT, because I was taken by the idea of Auden (one of my favorite poets) and Isherwood as war correspondents. In 1938, they were commissioned by British and US publishers to travel to China, which had been invaded by Japan the previous year, and to report on what they saw. The book is written in prose by Isherwood, apparently based on both of their diaries, and the prose is preceded and followed by poetry by Auden (largely sonnets, and one long, "preachy" (Auden's word) "Commentary").

Everywhere they went (and I gave up searching on Google for the locations of the cities and towns they visited -- a map would have been a huge plus for this book), they were greeted as honored guests, even show more when in several cases the Chinese people they met tried every means, utterly politely, of dissuading them from visiting the front. They met Agnes Smedley and even the Generalissimo (Chiang Kai-Shek) and Madame Chiang, and multitudes of other local leaders, missionaries and religious leaders, military leaders, train workers, hotel owners, "coolies" (such was the language of the time) who pulled rickshaws and carried packages and luggage and even people, interpreters, and many others, both British and Chinese. They describe towns devastated by the Japanese invasion, breathtakingly beautiful scenery, charming hotels and not so charming ones, train trips delayed by Japanese bombing, the way the Chinese welcomed them so wholeheartedly but seemed unprepared for the war, their unsuccessful efforts to visit the Communist Eighth Route Army (the Communists were collaborating in the defense of China at the time), propaganda and army songs, Chinese opera, food and drink (lots of drink), life in the international concessions of otherwise occupied Shanghai, scary trips over mountain passes, the still almost colonial attitude of the British in China, and much more.

All of this is told in a understated but witty way. Even the impact of the war is understated, and I know from other reading how cruel the Japanese invasion of China was. But this is a story of their journey, not of the war itself. Early in their stay, they were told about the German invasion of Austria, and they were to return to a Britain that was soon to be plunged into a war of its own.
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ThingScore 25
Commissioned by their publishers to write a travel book, Christopher Isherwood and W. H. Auden traveled to China in 1938 to observe the Sino-Japanese War. The writers make only brief mentions of their interviews with Generalissimo and Madame Chiang Kai-shek and Chou En-Lai, unaware of the crucial roles their subjects would play in the postwar world. But the errors and evils of 19th-Century show more European policy toward China are summarized in Isherwood's devastating account of the artificial splendor of the foreign enclave in Shanghai, separated by an unbridgeable social gap from the harsh realities of the occupied city. show less
CHARLES SOLOMON, LA Times
Jul 2, 1990
added by John_Vaughan
Mr Isherwood writes a smooth and accurate kind of demotic language which is adequate for his needs; he never goes butterfly-hunting for a fine phrase. It is no fault of his technique that Journey to a War is rather flat; he is relating a flat experience, for he is far too individual an artist to be a satisfactory reporter. The essence of a journalist is enthusiasm; news must be something which show more excites him, not merely something he believes will excite someone else. Mr Isherwood - all honour to him for it -has no news sense...

Mr Auden contributes some good photographs and some verses...His work is awkward and dull, but it is no fault of his that he has become a public bore.
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Evelyn Waugh, The Spectator
Mar 24, 1939
added by SnootyBaronet

Author Information

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Author
307+ Works 14,540 Members
W. H. Auden, who was born in York, England, on February 21, 1907, is one of the most successful and well-known poets of the 20th century. Educated at Oxford, Auden served in the Spanish Civil War, which greatly influenced his work. He also taught in public schools in Scotland and England during the 1930s. It was during this time that he rose to show more public fame with such works as "Paid on Both Sides" and "The Orators." Auden eventually immigrated to the United States, becoming a citizen in 1946. It was in the U.S. that he met his longtime partner Chester Kallman. Stylistically, Auden was known for his incomparable technique and his linguistic innovations. The term Audenesque became an adjective to describe the contemporary sounding speech reflected in his poems. Auden's numerous awards included a Bollingen Prize in Poetry, A National Book Award for "The Shield of Achilles," a National Medal for Literature from the National Book Committee, and a Gold Medal from the National Institute of Arts and Letters. Numerous volumes of his poetry remain available today, including "About the House" and "City Without Walls." W.H. Auden died on September 28, 1973 in Vienna. (Bowker Author Biography) show less

W. H. Auden has a Legacy Library. Legacy libraries are the personal libraries of famous readers, entered by LibraryThing members from the Legacy Libraries group.

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Author
88+ Works 14,826 Members
Christopher Isherwood, born in Cheshire, England, in 1904, wrote both novels and nonfiction. He was a lifelong friend of W.H. Auden and wrote several plays with him, including Dog Beneath the Skin and The Ascent of F6. He lived in Germany from 1928 until 1933 and his writings during this period described the political and social climate of show more pre-Hitler Germany. Isherwood immigrated to the United States in 1939 and became a U.S. citizen in 1946. He lived in California, working on film scripts and adapting plays for television. The musical Cabaret is based on several of Isherwood's stories and on his play, I Am a Camera. His other works include Mr. Norris Changes Trains, about life in Germany in the early 1930s; Down There on a Visit, an autobiographical novel; and Where Joy Resides, published after his death in 1986. (Bowker Author Biography) show less

Common Knowledge

Original publication date
1939

Classifications

Genres
Nonfiction, Biography & Memoir
DDC/MDS
915.1History & geographyGeography & travelGeography of and travel in AsiaChina and adjacent areas
LCC
DS777.53 .A8History of Europe, Asia, Africa and OceaniaAsiaHistory of Asia
BISAC

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117
Popularity
279,097
Reviews
2
Rating
(4.00)
Languages
English, Italian, Spanish
Media
Paper
ISBNs
5
ASINs
4